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https://www.myspace.com/fulldub
http://odgprod.com
Origine du Groupe : France
Style : Electro Dub
Sortie : 2012
From http://odgprod.com
More than 6 months after the release of his beautiful Ep called Potentiodub , Full Dub is back with a brand new project.
Addicted by samples and by Eastern sounds, Full Dub develops a deep, personal and often minimal music. He has expanded his expertise in various formations such as Byos, Interface or Noise Motion. This new EP, called Brain Stage, is a deepening of his predecessor. It includes a captivating oriental atmospheres married to deep bass lines. The result is a Dub sound with a “french touch” driven by an uncompromising duo bass / drums thoroughly mixed.
With Brain Stage Full Dub subtly looks like the rebirth of the French electro dub.
Tracklist :
1 - Unknown 4.34
2 - Voltage 4.48
3 - India 6.17
4 - Wave spiritual 4.03
5 - Alien 5.20
6 - Over Dry 4.10
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https://www.myspace.com/dstrongofthelastkind
http://soundcloud.com/davesparkz
Origine du Groupe : North America , Switzerland
Style : Hip Hop
Sortie : 2012
By Kevin from http://www.kevinnottingham.com
D Strong and Dave Sparkz just dropped this new album last week… definitely something to check out.
Unfold is a Combo of Gritty story telling, spiritual enlightment, aggressive emceeing, and nostalgic hip hop music. Los Angeles Emcee D Strong considers this some of his best work to date and after the first listen you might also agree. Dave Sparkz is a young producer from Switzerland whose production style lends big drums and a variety of ILL sounds that are seamlessly put together and show and prove quality. D Strong says of the producer: “He is my favorite producer right now out of anyone… Sparkz has a huge collection of beats.” Dave Sparkz also released an instrumental LP on Digi Crates Records entitled Ivory Lounge.
Tracklist :
1.Intro cuts by Chinch 33 00:46
2.Illiad 02:57
3.Invincible Sons All 02:51
4.Bogart cuts by Chinch 33 03:45
5.Golden 02:35
6.Invasion 02:20
7.Where'd the Devil go? cuts by Chinch 33 03:10
8.Gods Spark ft. Wildelux 03:34
9.Unfold 04:03
10.Reprisal Killings 02:43
11.Rich Man Poor Man 02:21
12.What Ya Heard 01:58
13.The Butterz 03:19
14.Outro cuts by Chinch 33 01:43
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http://www.iziamusic.com
https://www.myspace.com/iziamusic
Origine du Groupe : France
Style : Rock , Hard Rock
Sortie : 2012
Durée 01:46:08
<script src="http://uploadhero.com/video" videoid="EHOsKTWZ" type="text/javascript"></script>
Pour http://liveweb.arte.tv
Evidemment, elle ne sortait pas de nulles part, Izia, lorsque du haut de ses 18 ans elle publiait un premier album rude et gras. Mais enfin, ce n’est quand même pas le fait d’appartenir à la
grande famille Higelin qui l’a conduit à ouvrir pour Iggy Pop ou Mötorhead. Ce timbre de voix qui a si souvent été comparé à celui de Janis Joplin, cette furie scénique, Izia en a peut être
hérité, mais ne l’a pas volé.
A peine deux ans plus tard, à peine âgée de 21 ans, Izia publie un second album plus en nuance, plus pop, plus mur. Toujours accompagné du guitariste Sébastien Hoog, elle prolonge avec So Much
Trouble son répertoire vers des champs plus complexes.
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http://www.peachstealingmonkeys.com
http://dustedwax.org
Origine du Groupe : North America
Style : Abstract Hip Hop , Alternative
Sortie : 2012
From http://dustedwax.org
"Addiction" LP is a special release for Dusted Wax Kingdom by the mysterious multi-instrumentalist, beatmaker and producer
Peach Stealing Monkeys. It's a pure trip-hop in its definition, with wonderful lo-fidelity sounds, old vinyl noises,
heavy-weight drum breaks and powerful melancholic mellow atmopshere.
Tracklist :
01 - Addiction
02 - Bang-Bang (N. Sinatra, PSM-Mix)
03 - Summertime
04 - Trip Confessions
05 - Monster
06 - Streets Of Loneliness
07 - I Am (feat. Emily)
08 - Watermellon Art
09 - The Joy Is Gone
11 - Beautiful Life
12 - I Hate My Job
13 - Where Did You Sleep Last Night
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http://christianscott.tv
https://www.myspace.com/christianscottmusic
Origine du Groupe : North America
Style : Jazz , Acid Jazz
Sortie : 2012
LINKS REMOVE DMCA REQUESTBy JON GARELICK from http://thephoenix.com Since one of the first times I heard Christian Scott — at Sweet Lorraine's in New Orleans — he's always had an edge. It wasn't just his trumpet, but his band. They weren't playing jazz swing, but tricky groove patterns that built in intensity, driven by the gleaming, fierce sound of Scott's horn. It was well-considered and disciplined music, but not especially concerned with being polite. Now, six years later, Scott (who comes with his band to Scullers on August 10) is still riding that edge. His fourth studio release for Concord Records is a double-CD, an audacious move in its own right. Its title, Christian aTunde Adjuah, is Scott's adopted African name. And the titles of individual songs hint at the range of subject matter that Scott is referencing: from his New Orleans childhood and history with that city's Mardi Gras Indians ("Spy Boy/Flag Boy"), to the city's post-Katrina history ("New New Orleans-King Adjuah Stomp"), to further-flung topics like ethnic cleansing and rape in Sudan ("Fatima Aisha Rokero 400") and domestic violence in the US ("When Marissa Stands Her Ground"). Scott knows there are limits to what he can accomplish with instrumental music that was created with very particular topics in mind. In fact, when I get him on the phone at his home in Harlem, he bristles a bit when I suggest that some of his songs are "political." "I look at it more as a social thing. As I understand it, 'political' is about the dissemination of power among people. With the music that I make, I'm not telling anyone that they're supposed to be going against anything or choose sides. I'm just illuminating things that I've experienced or things I want people to think about." When you hear the album's first track, which begins with a piercing high-trumpet blast over roiling drums and unstable, rock-inflected guitar chords, you know that Scott is off about something, though you might not know what that is if you didn't see the title — maybe you know about the Rokero 400, maybe you have to look it up. Maybe you don't care and just want to listen. That's fine with Scott. "Of course, I want people to know what happened to those women in Rokero. But if someone comes up to me after a gig and says, 'I got the new album, and when I heard the first song it made me think of the things I had to endure to beat cancer,' I'm not gonna tell that person, 'That's not what it's about." Not every song deals with social strife. "Spy Boy/Flag Boy" harks back to the roles he and his twin brother Kiel played in his grandfather Big Chief Donald Harrison Sr.'s Mardi Gras Indian tribe, and the cover shows Scott in full regalia, surrounded by the peach-colored feathers of his Indian "suit." The album mixes hip-hop beats, African rhythms, and rock, informed by drummer Jamire Williams's encyclopedic vocabulary of beats and Matthew Stevens's ability to shift between rock-guitar edge and jazz flow. There are cinematic "interludes" throughout, marked by pianist Lawrence Fields's harmonic drifts. Perhaps the most telling title is "Who They Wish I Was." On it, Scott's muted trumpet converses in short, eloquent musical sentences with the relentless patter and hum of Williams's snare and Fields's piano. That Harmon-muted trumpet, the sound of those lines, are the only musical hints that this piece has to do with some people's "wish" that Scott pattern himself after Miles Davis. Scott's dense liner notes take specific issue with the desire of his elders that he — or jazz — be any one thing. "Scott's still my name," he tells me on the phone. "I'm just adding on to the name so it reflects a more global idea of what my history is." Hey, no argument from me. But I'm enjoying the enlightening and spirited debates Scott is having with his bandmates and the world at large. Tracklist : CD 1 01. Fatima Aisha Rokero 400 02. New New Orleans (King Adjuah Stomp) 03. Kuro Shinobi (Interlude) 04. Who They Wish I Was 05. Pyrrhic Victory of aTunde Adjuah 06. Spy Boy Flag Boy 07. vs. the Kleptocratic Union (Ms. McDowell’s Crime) 08. Kiel 09. Of Fire (Les Filles de la Nouvelle Orleans) 10. Dred Scott 11. Danziger CD 2 01. The Berlin Patient (CCR5) 02. Jihad Joe 03. Van Gogh (Interlude) 04. Liar Liar 05. I Do 06. Alkebu Lan 07. Bartlett 08. When Marissa Stands Her Ground 09. Cumulonimbus (Interlude) 10. Away (Anuradha & the Maiti Nepal) 11. The Red Rooster 12. Cara
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http://dustedwax.org
https://www.facebook.com/impulsmusic
http://soundcloud.com/impuls
Origine du Groupe : Germany
Style : Abstract Electro , Abstract Hip Hop , Downbeat
Sortie : 2012
From
http://dustedwax.org
Here is the long-expected new album by the German meastro Impuls. "Leaf" (LP) is a spectacular fusion of high quality acid jazz, funky hip-hop rhythms, beautiful ambience and thrilling trancy
vibes. To support/purchase/donate, feel free to visit Impuls bandcamp store.
Tracklist :
1.Bewegungen 01:20
2.Actinidia 06:52
3.Jam At The Werkstatt I feat. Ulle 00:57
4.Terra Furum 05:26
5.Fee Verte (Chopped Eartrolude) 01:36
6.Equals 04:11
7.Jam At The Werkstatt IV feat. Pascal & Flo 00:57
8.Choices 01:42
9.Haze Horizon feat. Dj Racy A.J 06:21
10.Jam At The Werkstatt III feat. Pascal & Flo 00:48
11.Looney feat. Ulle Kamelle 04:52
12.La chica que va de rojo (Rhodetrolude) 01:57
13.Missin 04:37
14.Jam At The Werkstatt IV feat. Pascal & Flo 01:12
15.Passed The Right Port 06:12
16.Jam At The Werkstatt V (Pascal & Flo) 00:22
17.Underground Vibes feat. Violent Public Disorderaz 04:22
18.Valerian Valley feat. HairyBo 03:04
19.Guess Where I Come From (Pastrolude) 00:59
20.Jam At The Werkstatt VI Outroskit feat. Pascal & Ulle 00:29
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http://www.jimmycliff.com
Origine du Groupe : Jamaica
Style : Reggae
Sortie : 2012
By Paul Whitelaw from http://www.bbc.co.uk
Has anyone ever sounded as joyous as Jimmy Cliff when expressing such deep concern for the state of the world? Now aged 64, the reggae superstar sounds as socially engaged as ever on this remarkably consistent set of mostly self-penned songs, which explicitly revisit the sonic terrain of his biggest 60s/70s hits.
What could've felt like an ageing artist desperately chasing past glories instead succeeds as a vibrant reconnection with what made him so great in the first place. The refusal to modernise that signature fusion of reggae, pop and soul is an astute decision on the part of Cliff and his producer, Rancid frontman Tim Armstrong.
These crisp, uncluttered arrangements are perfectly in tune with the instantly memorable, pleasingly familiar material Cliff’s made his name with. And much of it compares favourably with his best work.
He remains in tremendous voice, sounding fully engaged with a project that clearly means the world to him. Indeed, Rebirth is nothing if not his urgent state of the planet address.
And yet whether pointing his finger at corporate greed and expressing support for the Occupy movement in Children's Bread, or offering a heartfelt prayer to recession-hit families in Cry No More, he never sounds overly-earnest. Instead, the sheer exuberance and grace that he brings to these universal protest anthems more than makes up for the occasional lyrical lapse.
So, while a line like “Rebel, rebel, rebel, take it to the next level” is rather nebulous – a clarion cry generalised into meaninglessness – it's the spirit of Cliff's performance that matters most, rather than any specific meaning.
Which is why a song like World Upside Down – essentially a mirror-image sequel to his exultant 1969 hit Wonderful World, Beautiful People – doesn't sound as trite as it might in the hands of, well, practically anybody else. Even when ploughing through his rhyming thesaurus for broadsides against everything from “ecological calamity” to mere “vanity”, Cliff undoubtedly believes in every word.
The title of this delightful album is no idle boast: this is the sound of a great artist fully re-engaged with his muse.
Tracklist :
01 – World Upside Down
02 – One More
03 – Cry No More
04 – Children’s Bread
05 – Bang
06 – Guns Of Brixton
07 – Reggae Music
08 – Outsider
09 – Rebel Rebel
10 – Ruby Soho
11 – Blessed Love
12 – Ship Is Sailing
13 – One More
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https://terrakotaofficialpage.wordpress.com
https://www.myspace.com/terrakota
Origine du Groupe : Portugal
Style : Dub World , Reggae
Sortie : 2012
From http://optimusdiscos.pt
Terrakota nasceu da viagem e cresceu com a mistura. Não sabe nem quer saber o que são fronteiras. Considerados os embaixadores da multiculturalidade de Lisboa, são já uma referência da música mestiça e de fusão no cenário nacional e internacional.Detentores de uma identidade musical sólida construída a partir de uma inspiração global em elementos tradicionais e contemporâneos, têm vindo a apurar o seu estilo inventivo, mestiço e bem condimentado. A sua música fala por si, une povos, línguas e culturas. Reivindica, exige e concretiza a dimensão universal do ser humano através de uma consciência política e interventiva vital que intensifica ainda mais a energia do espectáculo.
A semente plantada no Burkina Faso, em 1999, germinou em território português e tem dado frutos pelo mundo fora, entre viagens de pesquisa musical e concertos nos palcos mais importantes do roteiro da world music.O reconhecimento disso foi a recente nomeação para o Songlines Music Awards 2011 na categoria de Best Group. O mapa-mundo é virado do avesso e as fronteiras são varridas por esta música poliglota, como se português, creolo, wolof, espanhol, inglês, francês, árabe, fossem uma língua só. Um passaporte para uma viagem pelo globo em passo de dança ao som de ritmos mandinga, afro-cubanos, soukous, funaná, samba, reggae, gnawa, afrobeat, desert blues, batuque, flamenco, maracatu, música árabe, rap ou chimurenga, e mais recentemente com influências da música indiana.
Os Terrakota passaram o inverno passado a "dubbar" sons dos álbuns antigos e a convidar outros cantores que a banda foi conhecendo por esse Mundo fora, sem medo de entrar por novas e mais ousadas texturas musicais. O EP “Re-Cooked Sessions” é o primeiro resultado destas experiências. Trata-se da reinvenção de temas dos álbuns “World Massala” e “Oba Train” (a abrir o apetite para um álbum completo de remisturas previsto para o final de 2012) e tem a participação de Mahesh Vinayakram, da estrela de Bollywood Vasundhara Das, Kuthla Khan dos Rajasthan Roots, Hélio Bentes dos Ponto de Equilíbrio e Florian Doucet dos Family Jammin’, Conductor (Ngonguenha, Buraka Som Sistema), Ikonoklasta (Batida, Ngonguenha), K Kota (Nigga Poison) e Beat Laden. Ao contrário do habitual, são os próprios músicos que estão a remisturar, aplicando uma linguagem dub a todo o tipo de ritmos na procura de sonoridades novas, mais planantes e envolventes.
Tracklist :
01 - So Free feat Helio Bentes
02 - Massala Dub feat Vasundhara Das & Mahesh Vinayakram
03 - Move On feat Florian Doucet
04 - Ayam Dub
05 - Chelo Habibi Dub feat Mahesh Vinayakram & Kutla Khan
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http://www.haciendaonline.net
https://www.myspace.com/haciendaspace
Origine du Groupe : North America
Style : Alternative Rock , Indie
Sortie : 2012
By WOODY from http://www.hearya.com
I’ve had Hacienda’s new LP for a couple of months now and to be honest, I wasn’t feeling it on the first few spins. I recently revisited it as I was scrolling though my iPod, mostly because I like the guys so much. I felt like I owed it to them. Thankfully their good nature won out because now I’m in love with it.
Shakedown finds the San Antonio quartet working with Dan Auerbach of The Black Keys for the third time. And just as Auerbach has been picking up some new ideas and sounds from past collaborations with Danger Mouse, Hacienda has broadened their sound as well. That’s what threw me off on the first few spins. There were areas that I found a little too polished, but once I starting paying attention, I realized I was missing the cool nuances and tones that Auerbach had instilled in this album.
After digging into Shakedown, there were a couple of things that really stuck out to me. The tones that Auerbach pulls out of the rhythm section are sublime. They vary from funky to distorted to soulful. After producing their first two albums and backing his solo tour, Hacienda are obviously quite comfortable taking some sage advice from Auerbach. The other thing that really tickled my fancy were the backing vocals. They really bring something to tracks like Let Me Go, Natural Life and Veronica.
So after three great albums with Dan Auerbach, where does Hacienda go from here? I love that each album shows Hacienda trying out new tricks while staying true to their roots. Obviously Auerbach has been instrumental in this, but I really would like to see the boys step out on their own, even for one album. Maybe see things from a different point of view. Either way, I’m sure whatever lies ahead will be awesome.
Tracklist :
01 – Veronica
02 – Let Me Go
03 – Don’t Turn Out the Light
04 – Savage
05 – You Just Don’t Know
06 – Don’t Keep Me Waiting
07 – Natural Life
08 – Doomsday
09 – Don’t You Ever
10 – Pilot in the Sky
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http://www.cinematicorchestra.com
Origine du Groupe : U.K
Style : Electro Ambient , Instrumental , Downtempo
Sortie : 2001
From http://www.amazon.com
2001 release, a collection of remixes from this intelligent British Electronic outfit led by Jason Swinscoe. Remixes 1998-2000 includes seven reconfigurations of Electronica gems from the likes of Kenji Eno, DJ Krust, and Piero Umilani. Atop their own core sound of bass, drums, and keyboards, the band deftly mixes in samples from the original tracks. The result is a loose-sounding mix of lengthy wide-screen pieces, which conjure up thoughts of Henry Mancini, John Barry, Jah Wobble, DJ Spooky, Herbie Hancock, and King Tubby. Ninja Tune.
Tracklist :
01. Faze Action – Moving Cities (The Cinematic Orchestra Remix)
02. The Cinematic Orchestra – Channel 1 Suite (Tom Tyler Remix)
03. Kenji Eno – The Fear Theme (The Cinematic Orchestra’s Re-interpretation)
04. Les Gammas – Guauanco (The Cinematic Orchestra’s Extended Version)
05. Piero Umiliani – Panoramica (The Cinematic Orchestra Remix)
06. Nils Petter Molvaer – Vilderness (The Cinematic Orchestra Remix)
07. DJ Krust – Re-Arrange (The Cinematic Orchestra Remix)
08. The Cinematic Orchestra – Exit Music (Radiohead cover)
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