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    Origine du Groupe : Japan , Germany

    Style : Downtempo, Chillout, Lounge

    Sortie : 2011

    From http://www.4mpo.com

    When an actor first starts to sing people will laugh. When a music producer begins to shoot films he does not fare much better. But in both cases talent will carry the day. Sound genius Naoki
    Kenji was one of the protagonists of current video art, being among the first to combine video and audio in “Flowmotion” and create a new art form. Today this outstanding artist can proudly look
    back not only on numerous successful music productions, but also at his “Man vs. Machine” every evening on HR television and the unique music documentary Brahmand, a film for which he travelled
    as a one-man-production team to a total of sixteen countries. Yet although the film caused a sensation, music was and remains the most important thing in this sound-tinkerer’s life.

    Half German, half Japanese, Naoki spent his early years in Tokyo and Osaka. It is customary in the Land of the Rising Sun to push children at a tender age, which meant that by the age of five he
    was already taking classical piano lessons and penning his first compositions. .

    By the time he was 13, in 1982, his parents sent him to boarding school in Germany to improve his educationFar from his homeland, Naoki discovered the electric guitar and became a member of the
    school band. The band’s concerts proved a washout, but his first gig convinced Naoki that music would determine his life. As he turned 18 he left school without his parents consent to dedicate
    himself to his dream. And his interest in electronic music began to grow under the influence of Japanese culture: he felt no less inspired by Helden Szene than by Yellow Magic Orchestra and
    Ryuichi Sakamoto.

    With his first album Tozai from 1999 he already landed a US release, such as few European artists manage. This was followed by further discs in Japan, Europe and the USA on labels like Sony or
    Universal/US. In 2000 Naoki released the album Shogun on Neuton under the pseudonym “JP Juice”, followed in 2001 by the album Electric Bolero on ICM by his project “Planet Lounge” - a style mix
    of jazz, world percussion and electronics created together with Christoph Spendel and Hakim Ludin.

    Steadily the visual component has gained increasing importance for his productions. From gifted producer Kenji has moved on to become a go-getting video artist, as highlighted by his
    contributions to the cult TV series “Flowmotion”. In 2002 his album Denshi Ongaku was published by Elektrolux for the first time simultaneously as a CD and a DVD, a milestone for the renowned
    downbeat label. The album Ecoustic (Elektrolux) followed on in Spring 2004 with a small concert tour.

    The CD and DVD Fukai (under the moniker JP Juice) and the video Leben for the band “Schiller” in 2003 on Universal gained Naoki Kenji lasting respect in the scene as a video artist and director.
    With his series “Man vs. Machine”, the club-oriented version of his established “Flowmotion” format, Naoki together with Tomio Tremmel (The Sushi Club) were given their own TV programme by
    Hessischer Rundfunk in 2004. Parallel to this Fukai Remixed was released on Blue Flame, featuring remixes by famed producers such as Gabriel le Mar, Pascal Feos, Andreas Kauffelt and Lemongrass.
    Acclaimed chill-out compilations such as Cafe del Mar or Erotic Lounge have licensed numerous of his tracks.

    Doubtless the high point to date in Naoki’s visual-musical output has been the music documentary Brahmand. During the two years in which he shot the film between 2002 and 2004, he travelled to
    such counties as Laos, Thailand, Burma, Namibia and India. Impressed by the enormous diversity of this planet, he has created in a kind of one-man-show a film without words, in which not only
    positive but also negative visual impressions and experiences are captured on celluloid. In spring 2005 he and his partner of many years, Tomio Tremel, founded their own label and music
    publishing house, 4mpo, which aims at presenting a safe platform for their projects even when times get hard. After the Planet Lounge album Nazim and other pearls of the lounge genre, further
    sounds are planned for the label in the coming years, including the album Versatile, Naoki’s latest long player.

    Naoki Kenji feels music is a way of conveying his inner feelings, is a mirror of his soul. He is not one of those musicians who enjoys sitting in bars or partying till dawn. His creative work is
    so fulfilling that he has no need of any other leisure pursuits. For this he draws intuitively on his outstanding abilities as composer and producer, doing things “in one go”, rather than working
    for weeks on end toying with one short sequence. Whatever Naoki Kenjii is doing at the moment, whether music, film, video or remix, his work is always distinguished by the high demands he places
    on himself and by great technical perfectionism - and with that he serves up time and again true delicacies that delight even the most jaded eyes and ears.

    Tracklist :

    01. Ki Ite Mite

    02. Umi Prelude

    03. Umi No Oto

    04. Stratos 57

    05. Kitai Sasete

    06. Tu Momento

    07. Nana Umi

    08. Hoshi

    09. Shizuka

    10. Kismet

    11. Soft Moves

    12. Por Ti

    13. Kitai Sasete Night (Remix)

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