Origine du Groupe : V.A India

Style : O.S.T , World Music , Indian Music

Sortie : 1981

By Demnagirl from http://www.welove-music.net



Umrao Jaan was released in 1981 to great critical acclaim but lukewarm public response. No doubt its literate script, nafees Urdu and historical setting was beyond the appreciation levels of the
average punter. But in the 30 intervening years, Asha Bhosle’s singing and Rekha’s dancing have only grown in stature. Buy any collection of Asha’s amazing career of hits and you’ll find every
song she sang in Umrao Jaan. They are still considered the absolute peak of her grace and creativity. Rekha, known more for her racy roles before Umrao danced and acted her way to the 1981 Best
Actress Award and then went on to seal her status as a serious artiste.



The soundtrack is the most complete expression of music, lyric, emotion and drama Bollywood has ever produced. The director, Muzzafar Ali, was at pains to recreate mid 19th century society of the
tawwaif (courtesan) with as close to perfect verisimilitude as possible. And so elaborate costumes were sewn, the most evocative havelis (manors) used as sets, elegant refined Urdu was spoken and
of course authentic period music played throughout. And to bring all of this to life he employed the best artists and craftsmen. The lyrics were written by the accomplished Urdu poet (and
professor at Aligarh Muslim University) Shahyar and the music composed by the equally brilliant Khayyam. Together they created a musical and lyrical atmosphere that leaves the listener weak at
the knees with the beauty of it all. Not just the stunning gems of Dil Cheez Kya Hai and In Aakhon ki Masti and Justuju Jis ki Thi and Yeh Kya Jagah Hai, Dosto. These masterpieces are supported
by classical ragas, folk music and ghazals that paint a comprehensive picture of the musical landscape that was kingdom of Avadh (Lucknow). Alert readers of the Washerman’s Dog will remember that
the instrument, the sarangi, rose to its preeminent place in Hindustani music as an accompanist to the courtesans of the 18th and 19th century such as Umrao Jaan. You will hear lots of sarangi on
this soundtrack.



Tracklist :

01-Ek Toote Huye Dil Ki - Alka Yagnik

02-A Foreword - Javed Akhtar

03-Salaam - Alka Yagnik

04-Pehle Pehel - Alka Yagnik

05-Behka Diya Hamein - Alka Yagnik & Sonu Nigam

06-Jhute Ilzaam - Alka Yagnik

07-Main Na Mil Sakun Jo Tumse - Alka Yagnik

08-Pooch Rahe Hain - Alka Yagnik

09-Agle janam Mohe Bitiya - Richa Sharma

10-Agle Janam Mohe Bitiya - Anmol Malik

http://www.myspace.com/fightclubsoundtrack15

Origine du Groupe : North America

Style : O.S.T , Electro , Psychedelic , Ambient , Downtempo

Sortie : 1999

Par Le
Roy Ludovic   pour http://www.amazon.fr



La première règle du Fight Club...



Le Cd nous l'annonce, "The Dust Brothers feat. Tyler Durden"... Trip Hop mélancolique et barré, si cher aux ex-producteurs des Beastie Boys ("Paul's Boutique"), Beck etc..., qui se lancent enfin
dans le solo. Et d'une magistrale manière. Michael Simpson et John King s'en donnent à coeur joie et ça reflète vraiment l'esprit du film ( tout aussi bien au passage...). Ce disque sorte de
retombée d'acide ou de substance éthylique après une nuit passée à s'en prendre plein la gueule... dans un Fight Club tiens !!! Les ambiances sont géniales, ils maîtrisent à merveille leurs
Beats... En attendant un album solo... In Tyler We Trust !!!

Tracklist :

1.  Who Is Tyler Durden? [5:03]

2.  Homework [4:37]

3.  What Is Fight Club? [4:43]

4.  Single Serving Jack [4:14]

5.  Corporate World [2:42]

6.  Psycho Boy Jack [2:57]

7.  Hessel, Raymond K. [2:49]

8.  Medula Oblongata [5:59]

9.  Jack's Smirking Revenge [3:58]

10. Stealing Fat [2:21]

11. Chemical Burn [3:35]

12. Marla [4:22]

13. Commissioner Castration [3:06]

14. Space Monkeys [3:24]

15. Finding The Bomb [6:45]

http://www.johannjohannsson.com

http://www.myspace.com/johannjohannsson

Origine du Groupe : Island

Style : Classic , Electronic , Expérimental

Sortie : 2010

From official site :



An accompaniment to the animated film 'Varmints', this is a collection of achingly beautiful orchestral work balanced on a bed of Jóhannsson's patented electronics. Surprisingly however, the film
itself is not intrinsic to the enjoyment of the music; Jóhannsson's score stands alone perfectly as a haunting collection of tracks.



As with most soundtracks, the album is made up of a selection of repeating themes which appear and disappear throughout the record; Jóhannsson manages to approach this with such subtlety you
can't always even tell that a familiar theme is drifting in and out of each track. The clouds of ambience and growls of synthesizer that underpin the lilt of the orchestra are crucial to the
record and give a similar warmth similar to what made 'Englaborn' so very special. These pieces are memorable and deeply moving, and within one listen you could almost visualise the film itself –
or at least a home made version. Soundtrack or not, Jóhannsson has created yet another peerless collection of electronic/classical vignettes you won't be forgetting any time soon.

Tracklist :   

01 Theme

02 City Building

03 Entering The City

04 The Flat

05 Rainwater

06 Pods

07 The Gift

08 Dying City

09 Escape

10 Inside The Pods

11 End (Snowing)