• http://ekladata.com/63byLiGy731GpiP2lkg3VRvRTCs.jpg

    Note :

    Origine du Groupe : Orichas

    Style : World Music

    Sortie : 1998

    Tracklist :

    01 - Papa Legba ouve baye

    02 - St. Jak pa la

    03 - An nou mache

    04 - Ketu songs for Osain

    05 - Bori songs

    06 - Agolona

    07 - Opanije (rhythms for Omolu)

    08 - Ketu- Roda de Dada (song cycle)

    09 - Ketu songs for Oxala

    10 - Song for Elegua

    11 - Song for Nana Buruku

    12 - Song for Ogun

    13 - Song for Dada

    14 - Song for Yemaya

    15 - Ochun Talade

    16 - Song for Yemaya

    17 - Song for Yemaya

    18 - Song for Chango

    19 - Itutu song (funerary rites)

    20 - Itutu song

    21 - Yariba-Oshun

    22 - Shango ceremonial music

    23 - Shango ceremonial music.

    24 - Invocation


    As winter progresses, long after its foliage has been shed, the tree loses most of the moisture in its trunk and must rely more than ever on the sap stored in its roots. In this spirit,
    Soundological would like to share with you a healthy helping of the musical equivalent of sap from said roots and the wellspring from which the branches of most musical traditions featured on
    this blog -- Blues, Jazz, Soul, Gospel, R&B, Funk, Rock & Roll, Hip Hop, etc. -- have extended themselves.

    Long OOP, this CD fetches a high price (a new copy can go for upwards of $70) and is valuable not only for its pristine presentation of remastered material from
    the Library of Congress (that's why these recordings fall under the public domain) but for the reverent and revelatory booklet that provides enlightening reading regardless of the degree of
    familiarity one may have with the religious and cultural diaspora from Mother Africa. One might say this collection is essential for both its text and context, so if you were not fortunate enough
    to find it a decade ago it's highly recommended you take advantage now.

    AMG Review

    by John Vallier

        The 24 tracks featured on this compilation are aural snapshots of Haitian Vodoun, Cuban Santeria, Trinidadian Shango, and Brazilian Candomble religious ceremonies. They were
    originally recorded between the late '30s and the mid-'50s by such notable ethnologists as Laura Boulton, Melville Herskovits, and Lydia Cabrera. Culturally speaking, these recordings highlight
    African diasporic religions that originated with the Yoruba and Dahomean peoples and were brought to the New World with enslaved Africans. Retrieved from deep storage at the Library of Congress
    and digitally remastered by a team of audio experts, The Yoruba/Dahomean Collection: Orishas Across the Ocean is a powerful audio record that documents both the proud cultural legacy and
    sophisticated musical practices associated with Afro-Caribbean and Afro-Brazilian cultures.


    Thanks !: http://soundological.blogspot.com

    Suivre le flux RSS des articles de cette rubrique