• http://www.israbox.com/uploads/posts/2011-03/1300806647_500.jpg

    https://www.myspace.com/kalpatarutree

    http://kalpatarutree.bandcamp.com





    Origine du Groupe : North America

    Style : Electronic , Spy Dub , Ambient

    Sortie : 2010

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    From http://kalpatarutree.bandcamp.com

    The Kalpataru Tree sound is sculpted with a sacred intention of healing through inspiring imagination. Distilled from the souls peak experiences into sonic form, etheric realms unfold riding along a dub backbone. Music in devotion to the mystery. A prayer of sound in resonance with dream like unfoldings of this present reality unfolding.


    Tracklist :
    01. Serpentrise (8:30)
    02. Creation Matrix (8:40)
    03. Kalpataru Tree - Singular (8:25)
    04. Chimera Pyramid (6:48)
    05. Vibrate The Frequency (9:11)
    06. Prayer (10:12)
    07. Elliptical Sequence (5:25)
    08. Transfigure (9:28)
    09. Earth Party (7:22)


  • http://www.adnsound.com/wp-content/uploads/RZatz-Cruel-Summer.jpg

    http://www.jarringeffects.net

    https://www.myspace.com/rzatz





    Origine du Groupe : France

    Style : Trip Hop

    Sortie : 2012

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    Par Mr Blue  pour http://www.undisqueunjour.com

    Il est des saisons comme de la vie, parfois attendue avec ses bons et ses mauvais côtés, parfois changeante, faite d'imprévus, agréable ou cruel. L'été, temps des contrastes, période des orages les plus violents et des sérénités nocturnales, à la chaleur harassante ou la douceur embaumante, vision du labeur agraire ou du repos oisif, est à même de peindre les aspérités émotionnelles comme il esquisse les circonvolutions climatiques. Pas étonnant que beaucoup d'artistes s'inspirent de ces quelques mois pour retranscrire quelques émois. Peut être qu'R-Zatz a cogité sur ces mêmes allégories pour ainsi penser et nommer son dernier opus « Cruel summer », après « Will we cross the line ? » en 2008 et « Vagina Rush » en 2010. Adepte du style Trip-hop, enrobant sa voix claire, qu'elle sait moduler et scander, dans des nappes électro donnant encore plus de relief à ses arrangements, l'ingénieur du son officiel du label lyonnais Jarring Effects et responsable du studio d'enregistrement "Jfx studio" a de quoi en imposer dans cet univers où les figures de proue se nomment Portishead, Massive Attack ou Tricky. Pour exalter ses senteurs estivales, R-Zatz s'est accompagnée de trois comparses, traçant les contours d'un son qui se veut un peu plus chaud et éclectique qu'à son habitude. Les deux premiers titres expriment ce choix, là où « Take a look in the mirror » est plutôt Downtempo, imageant l'apaisement d'un soir d'été, « U got me » se montre plus enlevé, proche d'une rythmique Dance hall. Et tout Cruel Summer se construit autours de ces variations, la voix épousant ces accords, tantôt contemplatifs et ethérés (Flower in Heaven), tantôt sombres et pesants (Stormy), inclinant vers l'Afro-beat (Meadows of the soul) ou l'Abstract Hip-hop (Ordinary chronicle). Et, le clin d'oeil est saisissant, ou plutôt le son, cette pérégrination saisonnière se clôt par une référence au pays du Soleil Levant (Bo-kyo), comme pour signifier que toute fin est le début d'un autre cycle. Vivement l'été prochain.


    Tracklist :
    01 Take A Look In The Mirror 03:51
    02 U Got Me 03:04
    03 Cruel Summer 04:26
    04 Meadows Of The Soul 02:50
    05 Flower In The Heaven 04:09
    06 Cycles Stream 02:10
    07 Jaws 03:36
    08 Dark Brown Eyes Feat Black Sifichi 04:07
    09 Stormy 03:45
    10 Take A Pill 03:31
    11 I Cant Believe 03:07
    12 Ordinary Chronicle 03:54
    13 Bo Kyo 03:55

     


  • http://www.vincentroncheirezy.com/communities/3/000/001/230/973/images/2204491.jpg

    http://www.vincentroncheirezy.com





    Origine du Groupe : France

    Style : French Touch

    Sortie : 2012

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    Pour http://www.vincentroncheirezy.com

    Vincent Tronc Cheirézy auteur compositeur interprète avec de nombreuses tournées en France et à l’étranger.

    Accordéoniste, chanteur , guitariste, ses influences sont multiples.

    Entre violence et douceur, les voyages et les rencontres lui inspirent la plus part de ses textes et musiques. Ce qui prouve encore une fois que la musique se moque bien des frontières.


    Tracklist :
    01 Le voyageur 3:12
    02 Les moutons 3:13
    03 Comme on dit l-bas 4:12
    04 L'ère des libertés 4:26
    05 Ca ne fait rien 4:01
    06 Accroche ton me 2:16
    07 Génèse 4:41
    08 Adam et Eve 7:16


  • http://www.ilovefirefly.net/blog/wp-content/uploads/2012/06/yo.jpg

    https://www.myspace.com/secretcinemasound

    https://www.myspace.com/psycatron

    http://www.gemrecords.nl





    Origine du Groupe : Nederlands

    Style : House , Trance

    Sortie : 2012

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    From http://www.gemrecords.nl

    Stephan Bodzin - "Will def hammer both of these tunes!!! Killers!!! Toy Soldier’s my fave here. 6/5."

    Pig (Pig&Dan) - "WOW! Toy Soldiers is a real anthem!!!!"

    Guy J - "This is such a GREAT release guys!! I am loving both trax here!!!! Thnx and good luck."

    Laurent Garnier - "Ohhh YESSSSSSSSSSSS!! I am loving Toy Soldiers… 5/5!!”

    Kenny Larkin - "Toy Soldiers is SLAMMIN!!! Will be playing these for sure guys!!”

    Karotte - "Again a great release on Gem!! 2 great tracks from 2 big players from the scene. Love it!!"

    Hernan Cattaneo - "Nova k is really REALLY good guys! Will be playing 100%"

    Nick Warren - "Loving Toy Soldiers BIG TIME guys!!! Superb track!"

    Jamie Anderson - "As to be expected from this collab - Both GREAT tracks!"

    Mauro Picotto - "Great techno here!! What more can you say? Great tracks!”

    Dosem - "Oh yessss.... Amazing tracks! PURE GEM LOVE!!”

    Alan Fitzpatrick - "Great release, great artists, great music! Definite support from me on Nova-K."

    Alexander Kowalski - "Brilliant teamwork!! I am totally in love with both tracks!!"

    Steve Ward - "Fooookin S.I.C.K. Both tunes are as good as a pair of perfect titties!"


    Tracklist :
    1. Secret Cinema & Psycatron - Nova-K
    2. Secret Cinema & Psycatron - Toy soldiers


  • http://www.aeins-design.de/websites/wordpress/wp-content/uploads/2012/03/BB_EP01.jpg

    http://www.blockboy.de





    Origine du Groupe : Germany

    Style : Abstract Hip Hop , Downbeat

    Sortie : 2012

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    From http://soundcloud.com

    Who the f_ck is Blockboy?

    As an avowing vinyl-junkie, the native of Munich sees his inspirational roots mainly in Beat and Rockmusic of the early 70s as well as in the New York HipHop of the 90s.
    In his recording studio and atelier in an old building flat in Munich, he regularly descends into spheres of visual art and sound, while swinging between bliss and desperation because of his perfectionism. With attention to detail, the communication designer plays and records all instruments himself, strictly according to the motto: keep it real!
    To put a label on Blockboy's sound is not easy, since he moves between Ambient, Dubstep, HipHop, BigBeat and Funk - always enhanced by an affection for detailed samples of vinyl treasures.
    Along with his band 'Octopussies', a HipHop-Funk combo, that he is founding member, guitarist and musical lead of, Blockboy already has a lot of live
    experience and attention in Southern Germany - with hand-made music and real instruments. But now, after his first tracks on the well received sampler 'Yummy! Yummy!', his debut as a solo artist in the world of electronic music has arrived:
    'Heartbox', which will be released as a limited collector's vinyl edition (of course!) as well as a Download edition, is the start of a trilogy of topically defined EPs, that showcase his incredibly wide spectrum. On 'Heartbox', Blockboy presents his affection for Downbeat, HipHop and deep sound - but it will be interesting, what else is to come...;)


    Tracklist :
    01 - The Worst
    02 - Survive
    03 - World against us - feat. MISTA MIN
    04 - The Hornet
    O5 - Well wicked
    06 - The Renaissance
    07 - Satellite - feat. CAROLIN ROTH
    08 - Murder - feat. MISTA MIN
    09 - Golden Junglehood

     


  • Cover-copie-18.jpg

    http://bbpiratesradio.over-blog.com



    Origine du Groupe : V.A , France

    Style : DJ , Mix , Electro , Ambient , Abstract Electro , Abstract Hip Hop , Electro Dub , Downtempo , IDM

    Sortie : 2012



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    POWER BY DJ DEMONANGEL

     

     

     

    Tracklist :
    01 - Opiuo - Spanners
    02 - Mäyd Hubb meets Joe Pilgrim - Twilight
    03 - EZ3kiel - Barbary
    04 - Lorn - Everything Is Violence
    05 - Mr. Moods & DJ Racy A.J - Zaman
    06 - Mabataki - Woods
    07 - The Malex Kings - Dix-Neuf
    08 - Violent Public Disorderaz - Whiskey Sessions (Innereyefull Remix)
    09 - Fat Jon - Watch Out
    10 - Mononome - Fools Rush In
    11 - DJ Krush -  Kouro - Optical path
    12 - Commix - Everything
    13 - Bangkok Impact feat. Kassen - Puppets
    14 - Waitapu - Truckin' (Dziga Remix)
    15 - Zenzile - Roosters at War
    16 - Headshotboyz - Calypso
    17 - Pepil Pew - Jellyfish Galaxies
    18 - Diligent Fingers - Sway With Me
    19 - Tonda Trio - Time Afta
    20 - Chimp Beams - Lost Nomad


  • http://ekladata.com/Ykr4uKwfwkkL5PS70lgmds_ZiM8.jpg

    https://www.facebook.com/pages/Erik-Jackson

    http://dustedwax.org





    Origine du Groupe : North America

    Style : Abstract Hip Hop Jazz

    Sortie : 2012

    (cc) by-nc-nd

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    From http://dustedwax.org

    American producer and sound maestro Erik Jackson; shares his incredible album "Rainy Days" with the Dusted Wax Kingdom's audience. The release is a unique fusion of light melancholic drum & bass, romantic acid jazz and relaxing downtempo.


    Tracklist :
    01   Put On A Record (Intro)
    02   It's Time
    03   Now And Then
    04   Tonights Forecast (Interlude)
    05   Rainy Days
    06   Starlight
    07   Through The Storm
    08   Be Mine
    09   Genuinely
    10   Staying Home Tonight (With You)
    11   It's Getting Late (Interlude)
    12   Dark Skies


  • http://cd1d.com/en/sites/default/files/imagecache/300x300/imageupload/image_square/197258-drain-damage-dub-sessions-meets-sir-jean-03042012-1805.jpg

    http://brain-damage.fr

    https://www.myspace.com/braindamagedub





    Origine du Groupe : France

    Style : Electro Dub

    Sortie : 2012

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    From http://brain-damage.fr

    Après plus de 12 ans d'existence, une nouvelle fois, Brain Damage est en pleine refonte, prêt à prendre le contre pied, à surgir là où on ne l'attend pas...
    Suite au départ du bassiste Raphaël Talis, c'est désormais seul que Martin Nathan donne une nouvelle direction au projet.
    Si le son de Brain Damage semble toujours rester personnel et identifiable, il se teinte ici d'une couleur résolument plus "roots".
    Testée grandeur nature depuis quelques mois dans le cadre de la tournée High Damage, la formule live Brain Damage Dub Sessions apparait radicalement consacrée à une certaine vision du Sound System.
    Pour la création de ce nouveau set, de nombreux intervenants ont été sollicités : Sir Jean, Brother Culture, Madu Messenger, Zeb McQueen, Learoy Green, M. Parvez, ainsi que la section cuivres ArtDeko, pour de puissantes et fructueuses sessions de studio.
    Enfin, comme il se doit, plusieurs productions discographiques voient le jour, avec notamment un premier maxi vinyl en compagnie de Sir Jean,
    en attendant la sortie du prochain album en octobre prochain, toujours sur Jarring Effects.
    Après s'être tant éloigné du modèle dub anglo-jamaïcain, Brain Damage Dub Sessions en propose donc finalement sa version en 2012.



    After more than 12 years of existence, once again, Brain Damage enters into a complete overhaul, ready to rethink everything and to rise where we do not expect.
    After Raphaël Talis, the bassist, left, Martin Nathan goes on solo and prompts the project into new directions. Even if Brain Damage’s sound always had its personal and identifiable signature, it becomes here definitely more tinged with « roots ».
    Already experienced during this recent « High Damage » tour (High Tone meets Brain Damage), Brain Damage Dub Sessions‘ new live set appears to be more sound-system orientated than ever.
    To build this new set, many artists have been invited: Sir Jean, Brother Culture, Madu Messenger, M. Parvez, Zeb Mc Queen, Learoy Green, as well as ArtDeko brass section, for some powerful and fruitful studio sessions.
    Then, as is proper, one first vinyl EP just came out on Jarring Effects « Brain Damage dub sessions meets Sir Jean », introducing the release of a brand new LP on the next month of october.
    After straying away from the UK-Jamaican dub style, Brain Damage Dub Sessions offers actually its own version of it in 2012.


    Tracklist :
    01. royal salute
    02. royal salute (sound system version)
    03. tans for life
    04. tans for life (unplugged version)

     


  • http://ecx.images-amazon.com/images/I/5108ev8fy6L.jpg

    http://www.newprimitives.com





    Origine du Groupe : North America

    Style : Indie , Alternative , Reggae

    Sortie : 2012

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    From http://www.newprimitives.com

    Stanley Kipper:
    lead vocals, timbales, trap drums and percussion

    Stanley returned to Minneapolis in 1989 after nearly 20 years in Los Angeles touring and recording with such artists as Minnie Riperton, Bill Withers, Joe Walsh, Jay Ferguson, Andrew Gold, Randy Meisner, Barry Gibb, Little Richard, Bo Diddley and Karla Bonoff. Stanley has composed songs for several films and commercials, and has also won top honors in the Coors Light National Song Contest.

    To know more about Stan and his musical background, please check out his full-length bio.

    Chico Perez:
    percussion and backing vocals

    Chico has been an active percussionist for many years, touring with such groups as Crow Cola, Gypsy, Jump Street, and 7th Wave. His professional career includes numerous studio projects, as well as keeping busy as a drum-maker and teaching African and Afro-Cuban percussion at the Minneapolis Drum Center.

    Matthew (Mateo) Stevens:
    bass guitar, backup vocals

    Matthew grew up in a musically rich environment, learning his first blues lines on bass guitar at age 14 from his father. Soon, he began playing with brother, Nate, and Javier Trejo in The Beads. Matt has studied and played with Gary Hede and Jeoffry Baily and played Jazz at the U of M School of Music. He also played with his group, The Jazz Bastards, and with Hip-Hop group, United States of Consciousness. In 1999, he and Mason Hozza re-formed The Beads. Soon after winning the Cabooze's contest for �Best Unsigned Band in the Twin Cities�, The Beads released their 2003 CD, "Ordinary Sunday People." After The Beads' run, Matt formed the Stevens Brothers Band with longtime friend, Dave Libman (aka Juice), brother, Sam, on drums, and Nate on Vox and Harp. In the spring of 2005, Matt began performing with Wookiefoot, adding another dimension to his repertoire.

    Matthew first met New Primitives in 2003 when they co-billed a show with The Beads. A few months later, Matt was invited to fill-in for Tommy Peterson while he was away on his honeymoon. During a practice/jam session before the gig, Matt remembers his feeling of glee over the rhythmic differences and all the possibilities of playing with this group. He finished the show, but did not hear from them about playing until 2005. This is when Javier called to say that Tommy was working on a new endeavor with his business partner and would he be interested in filling in regularly?

    Since then, Matt has played many gigs with New Primitives. His experience playing jazz, hip-hop, reggae, and world beat converges with New Primitives� style: multi-genre, percussion-driven music at its finest.

    Joel Schann:
    guitar

    Joel Schaan started music at age 5 when his family moved into a house with a piano to big to get out of the basement. By age 14 he talked his brother Toby into buying a bass and soon they formed their first band together. They played the northern North Dakota barn circuit in the late eighties, then reformed as Wallace Hartley and the Titanics in the early nineties. As a ten piece Funk/R&B group they traveled the midwest bar scene playing original music, as well as recording with Tom "Bones" Malone, and Paul Shaefer. In early 2000, they co-founded Test Site 67, where Stan Kipper became a regular member of their weekly house gig at famous NE bar Mayslacks. The band released one CD, followed up in '06 with a solo effort by Joel entitled "Accoustic." After years of sharing stage with Stanley in each others' bands, Joel finally joined the New Primitaves in the spring of 09.

    Park Evans:
    guitar
    Park Evans is a Minneapolis based guitarist, composer, and music educator. Originally from Ithaca, New York he grew up studying with classical guitarist Karl Wolff and British fingerstyle master Martin Simpson.  He moved to Minnesota to further his study of classical guitar and composition at Saint Olaf College. Upon discovering the rich music scene in the twin cities and studying with local jazz guitarists Dean Magraw and Kevin Daley he became a permanent resident.  In addition to working with New Primitives for the past 10 years and joining them full time in 2010. Evans also performs in his solo project, the genre-bending jazz quartet Parker Paisley, He has released 2 cd’s of his original music; 'Impossible Party' (2003), and 'Surviving Desire' (2006); with his 3rd release, 'Satori for a Hungry Ghost', coming out in early 2012. He works as a studio musician and can be heard on numerous recordings including jazz, rock, alt-country, and folk albums. He has taught guitar lessons for the past 20 years with tenures as a faculty member of the Music Connection and the Rymer-Hadley center for the arts.
     
    http://myspace.com/parkevans

    Daryk Durwood:
    saxophone

    Daryk Narum (a.k.a. Durwood) has floated around the periphery of the New Primitives voodoo landscape since first meeting
    Stan and Chico when they were in One World and just forming the New Primitives. Before joining the band, Durwood played in multiple projects with different members of the New Primitives. Since moving to the Twin Cities in 1994, Daryk has performed in Test Site 67, Inspirado, Wallace Hartley and the Titanics, Slow Motion Walter, and Rhythm Jones, as well as adding his signature bari and tenor sound to other bands in the area. Daryk has been enjoying being a permanent member of the New Primitives since 2007.


    Tracklist :
    1. Love Walks In                   0:31
    2. Didn't I Tell You               4:37
    3. Must Be Love                    5:05
    4. Average                         3:02
    5. What You Want To Hear           4:06
    6. Rogues Moon                     5:08
    7. Brand New Day                   4:09
    8. Love Is All I Need              4:20
    9. Primative Road                  0:24
    10.Working Man                     4:05
    11.Give It All Away                4:05
    12.Sally Go Round The Roses        3:22
    13.Holding On To Yesterday         4:44
    14.Cakewalkin West                 1:02


  • http://static.unitedreggae.com/music/disc/disc-3048-black-roots-on-the-ground.jpg

    http://www.blackrootsreggae.com

    https://en.wikipedia.org/wiki/Black_Roots





    Origine du Groupe : U.K

    Style : Reggae

    Sortie : 2012

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    From http://www.cicadelic.com

    The Morning Dew Story (continued from the previous CD release "No More").  The next recording sessions by The Morning Dew were done during the dates of July 24-25, August 6 to 11, and August 25 to 26, 1968.  Ten songs were recorded, eight of them penned by Robinson.  He reflected on the songs of The Morning Dew by saying "We're the Morning Dew twenty four hours a day, so we've got plenty of time to do this".  Regarding the suggestive drug and sex references in song lyrics by many bands Robinson said that "anyone can write a dirty song, besides, if you're not high on drugs, it's hard to write about it". The changes from their previous singles could be explained in one word “psychedelic”.  The influence of The Beatles’  “Sgt. Pepper” album is evident on the opening band playing that segues into what becomes “Sycamore Dreamer” with its eerie John Lennon phased vocals and lyrics. “Then Came The Light” features Robinson on the wah-wah pedal while guest Lou Rennau plays the weird sounding oscillator.  Dubbed over the break is a message from Robinson, similar to the Jimi Hendrix monologue in his psychedelic masterpiece “If 6 was 9”.  “Then Came The Light” , “Cherry Street” and “Something You Say” would all show up later on The Morning Dew’s highly collectible Roulette album, issued in 1970 (albeit in different versions).  “Lady Soul” was The Morning Dew’s sarcastic reply to the fans at their shows that asked the band to play some soul music.  Robinson’s clever use of a double tracked fuzz guitar sound blended with help from the Missouri University Marching Band on horns turns the song into a odd blend of psychedelia and soul.

    The ten-song demo tape was circulated around to record labels and A & R men.  Sligar stated “What helps so many other groups is the fact that they are in big cities, nobody from a record company is going to come to Topeka to hear a band somebody tells them is pretty good, you’ve got to take it to them”.  A stroke of good luck occurred when a local agent, was able to secure The Morning Dew a contract with Roulette Records.  This occurred in the fall of 1968.  A promoter/investor from Columbia, Pete Shanaberg (an affiliate of Lou Rennau) took the ten song demo tape with recordings from other Midwest acts (Don Cooper, Morgan Mason Downs) to New York and peddled these tapes to record companies. Consequently, Shanaberg was successful in obtaining record deals with Roulette Records for all the acts. Due to the time that had expired from the 1968 Fairyland recordings, Roulette wanted to hear some current recordings of the group so The Morning Dew recorded “Get Together” and “Young Man” in May of 1969 but both tracks were never released (although “Young Man” was later issued on the Roulette album, it was a different recording).  Unfortunately, Shuford had already left the band due to the draft and was replaced by former Burlington Express member, Blair Honeyman on the two recordings.
     
     A producer for Roulette, Fred Munao came to Topeka in June 1969 to hear The Morning Dew perform live. He was so impressed with the band that a recording contract was signed the day he came to hear them in Topeka. In August of 1969, The Morning Dew drove their van up to New York for the Roulette album recording sessions. The album was recorded in three days.  Three of the 11 songs recorded for Roulette had been previously done the year before at Fairyland Studios, “Cherry St.”, “Then Came The Light”, and “Something You Say”.  Seven other songs were new Mal Robinson originals. The band submitted to Roulette a proposed album cover but it was rejected in favor of a photo of a hippie couple in the nude on the verge of making love or finding the answer to life’s mysteries.  Unfortunately the album was delayed for unknown reasons and released in September 1970, over a year since its inception.  The album received little promotion from Roulette and sold poorly, but today is recognized as a classic with original copies going for over a hundred dollars.


    Tracklist :
    01. I believe 03:45
    02. pompous way 03:53
    03. long long ago 03:45
    04. militancy 03:55
    05. earth land 04:05
    06. i am flying 04:29
    07. slavery 04:30
    08. oh mama africa 03:41
    09. hide out 04:40
    10. on the ground 04:15
    11. call me out 03:04
    12. no fee 03:22
    13. struggle 04:44
    14. landscape 03:41
    15. without direction 03:58
    16. capitalism 03:49
    17. come and sing 03:46