http://www.myspace.com/ludwikludwikzonorkestra

http://ndstwtrst.net

Origine du Groupe : Germany

Style : Abstract Hip Hop

Sortie : 2010

...Today we have something very special for you: My man Ludwik Ludwikzon  just finished a banging instrumental release: "Komedijaš EP" - 10 dope beats, krauty samples, nice artwork by
Winter. Don't miss it



by http://techmusicorg.blogspot.com



Tracklist :

01 Roter Himmel

02 Reprise

03 Clash Of The Titans

04 Drei

05 Klatscher

06 Self Defense

07 Frau Holle ist tot

08 Der Löffel und die Weisheit

09 Podvijen Rub

10 Fuck Out

FREE DOWNLOAD

http://www.myspace.com/sslaysquad

http://www.myspace.com/officialdoublea

Origine du Groupe : North America

Style : Hip Hop

Sortie : 2006

Planet Asia & Architect have created the hottest joint this year, "Black Majik".

Checking in as King Medallion & Arch Angel the two have combined the hardcore verses of Planet Asia and the creative soulful sounds of Architect to make what most are calling the best work
from both artists. Look for appearances from Del The Funky Homosapien, Rasco, Turbin, and Holocaust.



by http://www.rockreport.de



Tracklist :

01. Intro

02. Supernova

03. Black Music

04. Kausion (feat. Rasco)

05. Tombstones

06. Pt. 2

07. Malcolm X vs Mr. Marcus

08. Claps

09. Nonstop/ War Monger

10. This It

11. Science

12. Impulses

13. Stay

14. Fallicies (feat. Del The Funky Homosapien)

15. Precedent

16. Switch (feat. Holocaust)

17. Omega (Outro)

http://www.myspace.com/kraffasound

http://totokokolabel.com

Origine du Groupe : Tailand

Style : Electro Ambient , IDM , ElectroAcoustic

Sortie : 2010

Very nice electronica of Kraffa ( Thailand ). Deep and hypnotic tunes for your ears...About his music, Kraffa said : '' My music is like a craft work starting from concept then thing about
materials and main purpose and then do itlittle by little until it done. '' Once again, this is a Totokoko netlabel release !



by rajsank permalink


Tracklist :

01. 24:00 PM

02. Ther

03. Fold

04. Sunrise In Rainy Day feat.Yusuke Nishiyama

FREE DOWNLOAD

http://www.myspace.com/deborahcolemanandthethrillseekers

Origine du Groupe : North America

Style : Blues Rock

Sortie : 2001

Deborah Coleman detected a void in the music stratum and successfully filled it: A lead guitarist/vocalist playing the in the male dominated world of blues-rock. Others like Bonnie Raitt and
Marie Muldaur have contributed to varying degrees in the contemporary blues scene (and other styles) but Coleman with her string of five consistently strong albums in only seven years
demonstrates that she is serious about her craft and knows her calling as a blueswoman. Livin' on Love combines slow-grind blues pieces, R&B and gutsy rockers with a soulful voice and
exemplary guitar playing proving that she's here to stay, not merely passing through.



by Dave Sleger for http://www.cduniverse.com

Tracklist :

1. Livin 'On Love 3:49

2. You're With Me 3:32

3. Light Of Day 3:41

4. Memory Lane 4:08

5. Crazy 3:54

6. Bending Like A Willow Tree 3:51

7. Happy When You're Unhappy 4:32

8. Don't Talk In My Sleep 4:01

9. Heaven's Got The Blues 3:32

10. Torn In Two 3:32

11. Deserted Highway 4:22

Origine du Groupe : V.A World

Style : Alternative Rock , Folk , World Guitar , Guitar Heroes

Sortie : 2010

Compilation of 1970s BBC performances on shows from The Old Grey Whistle Test to Sight and Sound by such luminaries of the electric guitar as Carlos Santana, Mark Knopfler, The Edge and Peter
Green, as well as acoustic masters like John Martyn, Pentangle and Paco Pena.



by  http://www.bbc.co.uk



Tracklist :

JIMI HENDRIX EXPERIENCE - Voodoo Chile 1969

FLEETWOOD MAC - Oh Well 1969

DEEP PURPLE - Black Night - 1970

PENTANGLE - Blues In Time 1971

PACO PENA - Cantes Por Bulerias 1972

THIN LIZZY - Whisky In A Jar 1973

LITTLE FEAT - Rock And Roll Doctor 1975

DR. FEELGOOD - Roxette 1975

SANTANA - Oye Como Va 1977

JOHN MARTYN - Dealer 1977

DIRE STRAITS - Sultans Of Swing 1978

TOM PETTY &THE HEARTBREAKERS - American Girl 1978

B.B.KING - Hold On 1978

RORY GALLAGHER - Brute Force & Ignorance 1979

POLICE - Message In A Bottle 1979

U2 - I Will Follow 1981

Guitar Heroes on Later...with Jools Holland

ROBERT PLANT & JIMMY PAGE - The Wanton Song - May 1998

RED HOT CHILI PEPPERS - Dani California - Nov.2006

BUDDY GUY - Damn Right, I’ve Got The Blues - Oct.2003

WHITE STRIPES - Icky Thump - May 2007

SEASICK STEVE - Dog House Blues - Dec.2006

DICK DALE - Misirlou - Dec.1995

PETE TOWNSHEND - Magic Bus - May 1996

RODRIGO Y GABRIELA - Tamacun - May 2006

SANTANA - Black Magic Woman - Nov.2005

JEFF BECK - Brush With The Blues - Oct.1999

KELLY JOE PHELPS - Piece By Piece - Oct.2000

ERIC CLAPTON with BOBBY WHITLOCK

Southern Gentleman - Apr.2000

RADIOHEAD - Paranoid Android - May 1997

http://www.sisterfa.com

http://www.myspace.com/sisterfa

Origine du Groupe : Senegal , Germany

Style : Rap Fusion

Sortie : 2009

Sister Fa, l'enfant de Dakar, la capitale vibrante du Sénégal, tire toute son expression artistique inimitable du dynamisme et de la créativité de la métropole Hip Hop d'Afrique de l'ouest. Elle
a fait ses premiers pas musicaux dans la scène Hip Hop locale et enregistré sa première maquette en 2000. La vitalité de Sister Fa trouve ses racines en Casamance, au sud du Sénégal. Les riches
traditions musicales et culturelles de la région natale de sa famille ont influencé de façon significative sa production artistique en la dotant de notes très personnelles. Après la mort soudaine
de sa mère en 2000, Sister Fa a abandonné l'école pour se consacrer complètement à la musique, sans le consentement de son père. Ses efforts ont été récompensés en 2005 par sa nomination en tant
qu'"Artiste Révélatrice" au festival de Hip Hop sénégalais. Depuis lors elle est devenue une pièce maîtresse de la scène Hip Hop sénégalaise. La rappeuse la plus connue du pays est un modèle pour
beaucoup de jeunes femmes. En plus des sujets sociaux, politiques et personnels, elle utilise sa musique surtout pour frapper les consciences et exhorter au travail pour un abandon de la coutume
de la mutilation génitale des femmes. Début 2008, elle a organisé la tournée "Education sans Mutilation" au Sénégal, portant le message de l'anti-excision au public pendant trois semaines. Les
plans pour une poursuite de cette action en 2010 sont prêts et visent cette fois au coeur du problème: les petits villages de la campagne. Sister Fa travaille hardiment à l'amélioration de la
situation de son pays natal, où elle est une star. Après avoir réussi dans son pays, Sister Fa a monté sa tente au coeur de Berlin, la riche ville culturelle. Forte de ses chansons, de son
caractère avenant et d'une fille nouvelle-née, la voilà prête à conquérir le reste du monde.





Sister Fa entered this world in the early 80s in Dakar, the vibrating capital of Senegal. Nourished on the energy and creativity of West Africa's Hip Hop metropolis, she injectes these into her
own music with inimitable artistic expression. Rich musical and cultural traditions from her native country have significantly influenced her artistic output, lending it a uniquely personal note.
Her lyrics examine social, political and personal subjects, but she uses her music above all for her fight against the tradition of female genital mutilation. Sister Fa is the best-known female
rapper in Senegal and a role model for many young women. With a new homebase in Berlin, Sister Fa is ready to share her tales from the flipside of paradise with the rest of the world.



par http://www.sudplanete.net

Tracklist :

1 Milyamba 4:17

2 Selebou Yoon 3:41

3 Amy Jotna 4:13

4 Sarabah 4:18

5 Hip Hop Rek 3:51

6 Soldat 4:02

7 Life Am 4:06

8 Poum Poum Paya 4:07

9 Hip Hop Yaw La Fal 3:24

10 Sister Fa La 4:02

11 Assoukatene 4:29

12 Bou Souba Si Ngone 4:13

http://www.myspace.com/djracyaj

http://dustedwax.org

Origine du Groupe : Ukraine

Style : Abstract Hip Hop

Sortie : 2010

From the forgotten underground outskirts of Kiev here comes the second album by DJ Racy A.J. You can't go wrong with his specific melanchonic cinematic ambience and tough trippy beats inspired by
DJ Krush and Amon Tobin!

Pure music art with a powerful expressive effect!



by



Tracklist :

   1. Intro

   2. Initial

   3. Conscious Mind (Background Radiation Mix)

   4. Fallen (Drugs Habit Mix)

   5. Assemblage Point

   6. Code 261986

   7. Blind Road

   8. Interruption

   9. Lost Spirit (Unsociable Mix)

  10. Escharotic (Inequality Mix)

  11. Transmutation

  12. Henshin (Dare Mix)

  13. Moan of Moon

  14. Third Look

  15. BlackDamp

  16. Encryption

  17. Miotic (Hell's Hundred Acres)

  18. Stones

  19. Outro

FREE DOWNLOAD

http://lauryn-hill.com

http://www.myspace.com/laurynhill

Origine du Groupe : North America

Style : Folk , Rap

Sortie : 2002

Lauryn Hill bleeds her heart out to everyone through this DVD. She inspires, motivates, and perpetuates inner thought. When watching this performance, one walks out feeling rejuvinated and
re-evaluates society and your place in it. Inner demons seemed to haunt Lauryn Hill but obviously overcomes the tragedy of love, life, and forgiveness with oneself. She emates from what is raw
and pure emotion which she uses her amazingly- beautiful rapsy voice and her acustic guitar. The music is only secondary as the message is the most thought- provoking passages I have encountered.
Her performance of "I Gotta Find A Peace of Mind" is mind- altering, heart- dropping poetry of issues that we all deal with. Towards the end of the song, she cries and pours all her energy so she
can get her point accross. The audience is left in tears as well as it is the most incredible sight one can be part of. Please, whether on MTV or through this DVD, just watch it and you will see
a strong woman who overcomes everything and still can stand strong in the light of day.



permalink



Tracklist :

• Mr. Intentional

• Adam Lives in Theory

• Oh Jerusalem

• War in the Mind

• I Find It Hard to Say (Rebel)

• Water

• Just Want You Around

• I Gotta Find Peace of Mind

• Mystery of Iniquity

• I Get Out

• I Remember

• So Much Things to Say

• The Conquering Lion

105 minutes

FULL HD : Dolby, DTS Surround Sound, DVD, NTSC

http://www.robertcray.com

http://www.myspace.com/robertcray

Origine du Groupe : North America

Style : Blues Rock

Sortie : 2010

Robert Cray may be a gloriously reliable musician when it comes to live performances, but he has become decidedly erratic when it comes to album releases. For 30 years America’s most successful
contemporary blues guitarist and singer-songwriter didn’t release a live album, but now there have been three in just four years. In 2006 there was Live from Across the Pond, recorded at London’s
Royal Albert Hall when he was opening for Eric Clapton (rather confusingly, the title wasn’t changed for its UK release). Two years later came Live at the BBC, featuring 1988 and 1991 recordings
from London’s Hammersmith Odeon. Now comes yet another live album (which is also his first live DVD release), recorded earlier this year in Mobile, Alabama.



As expected, it’s an impressive set that provides further reminders of why the hard-working and versatile Cray is such a popular live performer. But his followers should check their CD
collections before purchasing, for he repeats a lot of both his most recent and best-known material. Four of these songs appeared on last year’s studio album, This Time; four more were on his
Across the Pond set; and two on the BBC album. That old favourite from 1986, Right Next Door, appears on all three live albums.



Cray has succeeded by creating a style of his own, mixing blues with anything from soul to rock and gospel. He has his critics, who find his approach too cheery or lacking in edge for a blues
singer, and there are certainly passages here where he eases off with laidback, relaxed songs like the soulful Lotta Lovin’ and the ballad I Can’t Fail. But he’s also capable of pained and
emotional vocals, as on Our Last Time, and he’s an inspired guitarist.



The high points include his pared-down treatment of Sitting on Top of the World, a song made famous by Howlin’ Wolf and BB King, and – best of all – the live treatment of Chicken in the Kitchen.
A slow blues, concerned with sex, cooking and infidelity, it builds to into a magnificent instrumental work-out, with Cray’s guitar sparring with the keyboards of Jim Pugh, who has been playing
an increasingly important role in this excellent band.

By Robin Denselow.

**

It’s hard to imagine being a perpetually broke member of the middle class and still having more money than sense but that’s the only conclusion I can draw when I do something like what I did this
week.  Dave Ramsey would probably spontaneously combust if he saw what I spend a month on music and I’m fine with that because I have a few choice words for him, too.  He’ll die richer
and we’ll both be dead.  Maybe he’s having fun.  I hope so.  I know I am.  That said, even I have trouble justifying this latest stunt of mine.



I plunked down $13 to buy the latest live album from Robert Cray, whose previous work has left me mildly dissatisfied.  It’s one thing to spend money buying music you like but my addiction
to the musical gods has become so great I’m buying shit I don’t like.  I started to get worried.  Why would I do such a thing?



Maybe it was the Alabama connection, as the live album was recorded in Mobile.  Maybe it was seeing a CD/DVD package for $12.99.  I’m sure the vast amount of blues listening, writing,
and coverage I’ve been doing here on the site played a part in it too.  I don’t know what it was exactly, but I felt compelled to roll the dice on Cookin’ in Mobile, secure in the knowledge
I’ve wasted more money on dumber ideas.



What some have heard as too smooth, polished, polite, and formulaic has also been praised as an elegant, stylish blend of blues, soul, R&B, and gospel.  Listeners in both camps will find
plenty to bolster their respective argument although I daresay his detractors might be surprised by what they hear.

He still has the sweet high-register voice after all these years and the stylish guitar leads that have sometimes felt too clean or restrained on record are extended and played with just a little
more grit, grease, and fire here, whether playing newer songs like “Love 2009″ and “Anytime” or songs from his Strong Persuader album like “Smoking Gun” and “Right Next Door.”



Speaking of Cray’s lone crossover hit, we’ve seen many an artist grow weary of playing their hit or hits.  I don’t know how many times over the past 23 years he’s gotten tired of that
“well-known smoking gun” but on this night he performed “Smoking Gun” with ease and intensity.  It’s hard to believe it’s been that long and amazing to hear him still able to hit every one
of those notes.   He adds some fierce guitar licks to the precise vocal phrasing, giving fans that came out to hear this song in particular something to remember.



Cray indeed cooked in Mobile, so much so that the only complaint to lodge against this set is that it leaves you wanting more than 12 songs and 75 minutes.

By Josh Hathaway.

**

In the 1980s, when rock music took a slick turn and anyone playing the blues was kind of poo pooed, several artists carried the torch until the rest of the music world woke up from their
hairspray-induced coma and rediscovered the blues. The two most prominent were Stevie Ray Vaughan and Robert Cray. Cray’s status is often overshadowed by the flashier Vaughan, but his place in
the annals of blues rock is just as important as the deceased guitar god from Texas. The Robert Cray Band has continued to put out solid, plucky albums (18 so far) since their debut in 1980,
while still dazzling audiences with their phenomenal live concerts. That expertise of the Robert Cray Band is on full display throughout Cookin’ in Mobile, this new CD (a DVD of the same concert
is also available).



Recorded earlier this year at the historic Saenger Theater in Mobile, Alabama, Cray and his solid backing band of Jim Pugh on keyboards, Richard Cousins on bass and Tony Braunagel on drums,
deliver a tight set of songs that rock the house right from the get go with the opening scorcher “Our Last Time.” Classic hits like “Right Next Door” and Cray’s signature song, “Smoking Gun,” are
opened up for extended jamming between the musicians. The latter clocks in at over seven minutes as Cray decides to school his audience on what blues rock guitar sounds like. Elsewhere throughout
the album, Pugh takes the spotlight, in particularly on “One in the Middle,” which has a killer organ solo by Cray’s longtime sideman.



While the album may appear to look short with just 12 songs on it, in actuality, only two of them clock in at under five minutes. What you get on Cookin’ in Mobile is a real concert experience,
with the band giving the songs new life from their studio counterparts. You may not be able to see each pained expression Cray gives when making his Fender sing, but you can feel the passion from
his playing on every track. If you’ve never had the opportunity to catch the Robert Cray Band in concert, Cookin’ in Mobile is a fine place to start.

By Scott Malchus  for  http://route66sl.wordpress.com



Tracklist :   

01. Our Last Time 6:32

02. Anytime 6:02

03. Love 2009 6:44

04. Right Next Door 6:34

05. Chicken In The Kitchen 6:48

06. Sitting On Top Of The World 4:19

07. One In The Middle 9:30

08. Lotta Lovin' 5:34

09. Smoking Gun 7:15

10. I Can't Fail 3:41

11. That's What Keeps Me Rockin' 4:59

12. Time Makes Two 7:03



Robert Cray- Guitar, Vocals

Jim Pugh- Keyboard

Tony Braunagel- Drums

Richard Cousins- Bass

http://www.blackboxrevelation.com

http://www.myspace.com/theblackboxrevelation

Origine du Groupe : Belgium

Style : Alternative Rock , Garage , Blues , Psyché

Sortie : 2010

Le coup d’essai de The Black Box Revelation avait un peu laissé sur sa faim. Surprise, le duo venu de Dilbeek revient au meilleur de sa forme avec un deuxième album, Silver Threats.



Ceux-là, on peut dire qu’ils étaient attendus au tournant. L’EP inaugural de Jan Paternoster et Dries Van Dijck avait attiré l’attention de la critique et surtout du public au point de leur
permettre de faire paufiner leur premier album, Set Your Head On Fire, aux Etats-Unis par la paire Greg Gordon / Fred Kevorkian, deux des spécialistes locaux du garage-rock grand public. Avec un
résultat plutôt décevant…



Mais nos amis rockeurs veulent conquérir le monde, et sont donc passé à la vitesse supérieure. Leur deuxième opus, enregistré dans les légendaires studios Konk, marque en conséquence un progrès
notable, grâce notamment à des compositions plus élaborées.



C’est donc à un album de rock tout ce qu’il y a de plus classique mais d’une efficacité redoutable auquel nous avons affaire ici : les guitares sont grasses, la batterie cogne dur, les textes
sentent bon la bière et le stupre. Le défaut des BBR est toujours le même, leurs influences se sentent trop. La formule duo garage-blues semble copiée sur les White Stripes ou les Black Keys, et
en écoutant l’album on pense (trop) souvent à Kasabian, à BRMC, voire parfois à la famille Oasis / The Verve (pour le chant). Mais il faut bien avouer que certains morceaux sont très réussis,
surtout vers la fin avec la séquence Our Town Has Changed Now, à la mélodie envoûtante, suivi d’un Love Licks et son riff de guitare bluesy, puis des bidouillages sonores de You Got Me On My
Knees, pour finir enfin avec la belle ballade marécageuse Here Comes The Kick.



Au final, on peut quand même regretter que cet album soit si surproduit, un son aussi propre et clinquant convient bien mal à une musique aussi sauvage. Ceci continue de faire des Black Box
Revolution un groupe plus pertinent sur scène que sur disque.



par Dolka Potts  pour http://www.the-bip.com

Tracklist :   

01. High On A Wire

02. Where Has All This Mess Begun

03. Run Wild

04. 5 O'Clock Turn Back The Time

05. You Better Get In Touch With The Devil

06. Do I Know You

07. Sleep While MOving

08. Our Town Has Changed For Years Now

09. Love Licks

10. You Got Me On My Knees

11. Here Comes The Kick