http://www.myspace.com/oneyedjack

Origine du Groupe : France

Style : Rapcore , Fusion Hard Rock Electronique

Sortie : 1998

From Wikipedia :

Après avoir enregistré un premier EP autoproduit, Brain Terrorism, Oneyed Jack rejoint la structure de management Sriracha Sauce  en 1994. Après quelques changements internes au sein du
groupe, Oneyed Jack trouve sa marque de fabrique qui leur permet de se produire lors des premières parties de Lofofora, de Sepultura  ou aux Transmusicales de Rennes. En 1995, Oneyed Jack
signe chez Yelen musiques (Sony Music) après avoir gagné le concours du Printemps de Bourges et avoir été sélectionné sur la compilation du Fair.



La parution de Cynique en 1996 les fait connaître au grand public. Considéré comme un Ovni dans la scène hardcore française, Oneyed Jack bouscule les conventions en mélangeant les styles. Les
paroles expriment une virulence sans concession envers la société. La chanson intitulée Le pouvoir sera attaquée en justice par l’Alliance générale contre le racisme et pour le respect de
l'identité française et chrétienne pour « injures à un groupe de personnes à raison de son appartenance à une nation » .



Arise (1998) et Prepare to reactivate (2001) sont les deux derniers albums d’Oneyed Jack qui explorent tout deux des pistes musicales différentes. En 1999, le groupe enregistre un remix du titre
Good god qui figurera sur un maxi de Korn .

Tracklist :   

1. Real

2. I Can't Work For $hit

3. Le Choléra

4. As Ever Being Shameless

5. I Swear

6. Mk 2 mix

7. Chemical Clouds

8. Ma Seule Joie

9. Escape

10. Funk Hhope

11. Aliéné

12. You Shouldn't

13. Do You Fell Me

14. Will I Arise

http://www.myspace.com/thestancebrothers

Origine du Groupe : Finland

Style : Nu-Jazz , Jazz , Post Bop , Garage Jazz , Instrumental

Sortie : 2007

The Stance Brothers is a new project by Teppo "Teddy Rok" Mäkynen, producer, drummer and live band leader of the globe-trotting Five Corners Quintet. The visionary behind the late Teddy Rok Seven
and producer of such Finnish jazz luminaries as Jukka Eskola and Timo Lassy , Mäkynen and his new Stance Brothers project is a rhythmic force to be reckoned with.



The Stance Brothers represent raw garage jazz in its purest form. Who are these mysterious Stance Brothers? Vibesman Isiah Stance, his bassist brother Dwayne and the phenomenal drummer Byron
Breaks are naturally responsible for the music we hear on the record, but still it seems that they are rather the embodiments of all the lost cult funk legends. The core of The Stance Brothers'
sound stems from countless of hours spent jamming at their dusty garage. The trio's unfaltering will to excel in playing funk-influenced garage jazz comes second only to their passion for
shooting hoops at the nearby basketball court.



by http://www.indiejazz.com

Tracklist :   

1. Steve McQueen  [3:19]

2. Prayer [3:49]

3. Roll Call [3:53]

4. Dynamite [3:30]

5. Bright Moments [2:20]

6. Capricorn [4:30]

7. Garage Days [3:17]

8. Jay's Lament [4:16]

9. Upside the Head [3:50]

10. Coll Hand/Turmoil [3:17]

11. Mean Spirit [2:50]

12. Blow Back [2:27]

13. She May Be Moody [4:04]

http://www.methodofdefiance.com

http://www.rarenoiserecords.com

Origine du Groupe : North America , Japan

Style : Alternative Fusion , Experimental , Electro Dub

Sortie : 2009

From http://www.rarenoiserecords.com :

Investigations into the collision of Drum'n bass with jazz, dub and electronica and a modicum of funk - this might be an appropriate, albeit restrictive description of the ethos behind the Method
Of Defiance project.



METHOD OF DEFIANCE



A REVOLUTION IN SOUND PERSPECTIVES



Iconoclast Drum & Bass, Massive Dub, Avant Funk, Black Noise, Hardcore Electronica, Futurists Rock, Ambient, Metal, Roots Reggae, Mutant Dancehall and much more…



Beyond Fusion, Hybrid, and Recombinant: A true detonator of sonic and aesthetic borders.



Designed by: Bill Laswell



Grammy-Winning electric bassist/Producer/Reconstructionist/SoundAssassin. A universe unto himself, creating from an unsanctified palette, marginal instruments, new technology and iconoclastic
written texts alongside established traditions from around the world. Creator of Herbie Hancock’s Rockit/Future Shock, bringing Proto-Turntablism and Electronica to a mass audience and since then
working with an unimaginable range of musicians, artists and thinkers, among them, William S. Burroughs, Afrika Bambaataa, John Zorn, George Clinton, Mick Jagger, Rammellzee, Zakir Hussain, Paul
Bowles, Hakim Bey, The Last Poets, John Lydon, The Dalai Lama, Ryuchi Sakamoto, Motorhead, Brian Eno, Tony Williams, Sting, Carlos Santana, Pharoah Sanders, Bootsy Collins and hundreds more from
the Americas, Africa, the Caribbean, Europe, the Middle East, China and Japan.



Always displaying a revolutionary spirit and consistently charting innovative paths leading to the most creative processes possible.



Method of Defiance are



Keyboard Master Bernie Worrell of Parliament Funkadelic, Talking Heads, Black Uhuru, Rolling Stones and countless others.



Dr. Israel – Voice and Electronics - Has worked with Mad Professor, Jah Shaka, Sepultura and others, various solo projects and collaborations with Wordsound and Baraka Collectives. He is a true
innovator of Brooklyn’s urban underground.



Hawk/Hawkman – Vocalist - Jamaican born, he’s collaborated with Tricky, Sly and Robbie, Live, Tool, Praxis and others. He’s a new voice of power.



Toshinori Kondo – Electric Trumpet - Japanese Trumpeter, Writer, Actor, Cultural Critic



Guy Licata – Drums - Post Modern rhythm destroyer



Additional Guests:



DJ Krush – Turntable legend / Beat icon

Tracklist :   

01. Woobou/Volunteer Slavery (B. Worrell, R. Kirk) - 3:58

02. Method Plan One (Worrell, Laswell, Israel, Licata, Kondo) - 3:25

03. Black Rain (Worrell, Laswell, Israel, Licata, Kondo) - 5:49

04. Chamber Seven (Worrell, Laswell, Israel, Licata, Kondo) - 5:19

05. Dark Heat (Worrell, Laswell, Israel, Licata, Kondo) - 8:06

06. Wootwo/Cosmic Slop (B. Worrell, G. Clinton) - 7:14

07. Method Exit Dub (Worrell, Laswell, Israel, Licata, Kondo) - 13:00

http://nikkiyanofsky.com

http://www.myspace.com/nikkiyanofsky

Origine du Groupe : canada

Style : Jazz

Sortie : 2008

Debue album from the Canadian songstress. Yanofsky sang Canada's national anthem at the opening ceremonies of the 2010 Winter Olympics in Vancouver, and performed during the closing ceremonies.
The debut release from one of the most talked about young vocalists in the country! Ella... Of Thee I Swing, features a DVD and CD capturing the 14 year-old jazz sensation in a sold-out show in
Montreal. After four packed concerts at the 2007 Montreal Jazz Festival, Nikki Yanofsky returned, by popular demand, to Place des Arts to reprise her tribute to Ella Fitzgerald, entitled Ella...
Of Thee I Swing. This magical night resulted in one of Nikki's most memorable performances. Owning the stage, she captivated her audience like a veteran performer three times her age.



permalink

Tracklist :   

1. Lullaby of Birdland – 3:24

2. It Don’t Mean A Thing (If it Ain’t Got That Swing) – 4:41

3. Swingin’ on the Moon – 3:25

4. You’ve Changed – 3:47

5. Flyin’ Home – 2:28

6. Relax Max – 2:55

7. Old MacDonald – 2:16

8. Hear Me Talkin’ to Ya – 3:59

9. Ain’t Got Nothin’ But the Blues – 4:41

10. At Last – 2:56

11. The Way You Look Tonight – 3:35

12. A Tisket, a Tasket – 2:18

13. Somewhere Over the Rainbow – 4:57

14. Deed I Do – 2:57

15. Vote for Mr. Rhythm – 2:20

16. Evil Gal Blues – 2:43

17. With a Little Help From My Friends – 6:30

http://www.myspace.com/lionturfmusic

Origine du Groupe : North America

Style : Alternative Fusion , Reggae , Hip Hop , Experimental

Sortie : 2010

From Official Myspace :

~ is an ever-evolving college park based community of musicians, currently operating in its fifth incarnation. we've shared the stage with gym class heroes, saigon, immortal technique, tyga,
mambo sauce, jah works & many others.



for booking information please contact:



mike



mikeg610@gmail.com

Tracklist :   

1. No More Crying

2. Interlude

3. Fruit Looped

4. Nyquil Remedy

5. Strawberries

6. Mia

7. Still Haunts 



Ricky Alexander - saxophones, clarinet

Alec Climer - bass

Joel Sephy Gleiser - keyboards

Mike Gutierrez - drums, sampling

Evan "Easy" Hall - vocals

Marcell Horváth - guitar

Kirk Kubicek - percussion

Carly Wade - vocals



ALSO IN THE FAMILY:



Dane Galloway - bass, organ, melodica

Ilia Kobrinsky - k-studios wiz



------------------------------------------------

Features:



No More Crying - Dane Galloway - bass

Interlude - Scott Selman - Recording; Mukul Sharma - bass; Drew Delgado - percussion

Fruit Looped - Johnny Graham - trumpet

Nyquil Remedy - Brianne Wade - back up vocals

Strawberries - Mukul Sharma - bass; Drew Delgado - percussion

Still Haunts - Dane Galloway - bass

Free Download

Origine du Groupe : France

Style : Afro Funk Rock , Soul , Psychedelic

Sortie : 1972

A fantastic bit of tripped out funk! Cane & Able were one of the many groups that came out of the collective surrounding the Lafayette Afro-Rock Band in the early 70s — and like that group,
Cane & Able draw on a wide range of influences to create a heavy funky sound. The album mixes the African influences used by the LARB with more of a hard soul vocal approach, with some cuts
sounding a bit like material from Atlantic albums of the late 60s, but handled with more of a fuzzy edge. Includes a great funky reading of Wilson Pickett’s “Don’t Knock My Love”, a cover of “Who’s
Gonna Take The Weight”, and the long tripped-out groover “Girl You Move Me”!



by http://www.funkmysoul.gr



Tracklist :    

A1 Be Free 3:25

A2 Sweet Burn 5:00

A3 Maria 3:40

A4 No Time 3:15

A5 Mass of Confusion 6:17

B1 Keep on Moving 6:48

B2 Relating a Message to You 4:05

B3 Stoned Groove 4:15

B4 Gemma Morett 4:12

http://www.burningspear.net

http://www.myspace.com/burningspearmusic

Origine du Groupe : Jamaica

Style : Reggae Roots

Sortie : 1975

Some argue that the reputation of this release rests on the fact that it was created by the first Jamaican artist other than Bob Marley to compose songs that were written specifically for an
album. Before Marley, Jamaican artists didn't have "albums" as a rule. If a singer had enough popular singles they might be rereleased together on an entire record later, but albums were rarley
made.



The difference with Burning Spear (Winston Rodney and his back-up singers, Rupert Willington and Delroy Hinds) was that the strength of his music was never with singles. A Burning Spear song by
itself didn't mean as much until you put it in a group of Burning Spear songs. It was with albums that Spear would gain his popularity and here was his first big breakthrough. It was a huge
success in Jamaica and afterwords, Spear was signed up with Island Records until he gradually reached international fame.



This album may not be for everyone. The music is jerky and old sounding. The tracks are short and often repetitive. But there's something ethereally timeless about this set. The music seems to
transcend space and time to make us beleive that it's always been there. As if Winston Rodney brought it with him from his premortal existance to be shared with the world in our present day.
Perhaps I was going through a transitional period in my life when I first heard it, but anything Rodney ever did afterword (even if it was just as good or better) would never feel like this. It
is truly a unique masterpiece.



P.S. The accompanying band, "The Black Desciples" also deserves mention in helping Burning Spear accomplish this unequaled acheivement.



by Matthew Channon  permalink

Tracklist :

1. Marcus Garvey

2. Slavery Days

3. Invasion, The

4. Live Good

5. Give Me

6. Old Marcus Garvey

7. Tradition

8. Jordon River

9. Red, Gold, And Green

10. Resting Place

http://afrcubism.com

http://www.myspace.com/afrocubism

Origine du Groupe : U.K , Mali , Cuba

Style : Alternative Fusion World Music , Afrobeat , Latin Music , Experimental

Sortie : 2010

La genèse de ce disque remonte à 14 ans. Passionné par les liens entre les musiques maliennes et cubaines, le producteur Nick Gold entendait réunir à Cuba la crème des musiciens des deux pays.
Les visas des Maliens n'arrivèrent jamais et Gold, avec l'aide de Ry Cooder, improvisa un plan de repli pour le moins heureux : l'aventure du Buena Vista Social Club, et ses 8 millions de disques
vendus.



C'est notamment à l'instigation de deux des protagonistes initialement prévus, les Maliens Bassékou Kouyaté (n'goni) et Djelimady Tounkara (guitare), et d'un troisième qui fit partie de
l'aventure, le Cubain Eliades Ochoa (chant/guitare, la voix de Chan Chan), que Nick Gold s'est décidé à finalement donner vie au projet. Complètent le casting : Toumani Diabaté (kora), le plus
proéminent des musiciens maliens aujourd'hui, Kassé Mady Diabaté, chanteur de l'Orchestre National Badema dans les années 70, le balafoniste guinéen Lassana Diabaté, ainsi que les membres du
groupe d'Eliades Ochoa, le Grupo Patria. Les musiciens ont enregistré à Madrid dans les conditions du live, tous ensemble dans la même pièce. Un parti pris qui donne à cette rencontre sa pleine
mesure et contribue à sa réussite totale.



Le répertoire mêle morceaux originaux (dont quelques instrumentaux nés sur le moment), classiques cubains ("Guantanamera", "La Culebra" de Benny Moré, "Para Los Pinares se va Montoro" de Compay
Segundo) ou maliens, avec notamment une version étourdissante de "Jarabi". Mais c'est la beauté des entrelacs des instruments à cordes qui emporte l'auditeur : porté par de légères percussions,
guitare, n'goni et kora tissent des toiles d'une formidable subtilité, entre lesquelles sinue le balafon, ici dans le rôle du piano cubain. Rappel d'une époque où l'Afrique post-indépendance se
trémoussait au son des musiques cubaines, Afrocubism dessine également de nouvelles passerelles entre les deux pays au gré de l'imagination féconde des musiciens. La palme revient à Tounkara qui,
non content de signer l'un des plus beaux titres du disque avec "Nima Diyala", libère de sa guitare des gerbes de notes sensuelles et profondes, d'autant plus lumineuses qu'elles se posent sur
l'éclat mat des instruments acoustiques. Puisse ce disque apporter à cet immense musicien la reconnaissance mondiale qu'il mérite.



par Bertrand Bouard  pour http://afrocubism.mondomix.com

Tracklist :

01. Mali Cuba (Toumani Diabaté) (5:38)

02. Al Vaive´n De Mi Carreta (5:00)

03. Karamo (6:56)

04. Djelimady Rimba (3:11)

05. La Culebra (3:34)

06. Jarabi (5:58)

07. Eliades Tumbao (1:17)

08. Dakan (2:15)

09. Nima Diyala (3:36)

10. A La Luna Yo Me Voy (4:00)

11. Mariama (4:00)

12. Para Los Pinares Se Va Montoro (4:14)

13. Bense´ma (4:58)

14. Guantanamera (4:05)



Durée: 58 minutes 42 secondes

http://www.myspace.com/yodelice

Origine du Groupe : France

Style : Alternative Folk , Alternative Rock , Blues , Psychedelic

Sortie : 2010

Un deuxième album. Ou l’exercice le plus périlleux pour un artiste en développement, surtout quand le premier a unanimement été salué par la critique (une Victoire de la Musique), comme ce fût le
cas pour Yodelice avec Tree Of Life en 2008 et son hit Sunday with a Flu. Autant dire que ce Cardioïd est plus qu’attendu, en premier lieu par les fans.



Le permier single a déjà fait le tour du web. More than meets the eye, dont les premières mesures rappellent d’ailleurs La Fille du Père Noël de Jacques Dutronc, plante le décor. Retour à
Spookland, donc, l’univers imaginaire de Yodelice, pour un nouveau voyage psychédélique. L’album s’ouvre par l’annonciateur Breathe In, un titre qui nous indique le caractère plus électrique de
l’album et qui évoque une palette d’influences plus large, puisant tantôt dans des ambiances Radioheadiennes et employant tantôt des cordes arabisantes. Un mariage qui n’est d’ailleurs pas sans
rappeller No Quarter, l’un des disques-live les plus respectés de Robert Plant et Jimmy Page dans leur période post-Zeppelinienne…



Les échos ne manquent pas dans Cardioïd, ainsi Lady In Black répond musicalement au Weekend Wars de MGMT. Vient ensuite les accords de piano de My Blood Is Burning, un excellent titre, tout en
progression, servi par une rythmique implacable et conclu par un solo de guitare très intelligemment placé. Experience est monument de nuances, installant, au piano, des climats tantôt éthérés,
tantôt psyché.



Five Thousand Nights renoue avec le caractère plus Folk de Tree Of Life, tandis que Wake Me Up raisonne comme un hymne et arrive à point nommé avant un Picture Perfect annonçant le calme, avant
une conclusion de près de 15 minutes :  Monkey’s Evolution. C’est dans ce dernier titre que le voyage se précise, au gré des ambiances et des choeurs. C’est ici également que l’impeccable
travail de production d’Olivier Lude (Matthieu Chédid) et de Dave Sardy (Cold War Kids, Red Hot Chili Peppers) se révèle.



Ce Cardioïd est bien plus qu’un essai transformé par Maxim Nucci et sa bande, c’est l’un des albums musicalement les plus riches de cette année 2010. Achetez et écoutez les yeux fermés.



par  Benoit Darcy  pour http://www.zdar.net

Tracklist :

   1. Breathe In

   2. More Than Meets The Eye

   3. Lady In Black

   4. My Blood Is Burning

   5. Experience

   6. Five Thousand Nights

   7. Wake Me Up

   8. Picture Perfect

   9. Monkey’s Evolution

http://www.kingsofleon.com

http://www.myspace.com/kingsofleon

Origine du Groupe : North America

Style : Alternative Rock

Sortie : 2009

Live : U.K (London)

   This is a great Kings of Leon Concert DVD, and it ROCKS!!! It was filmed on June 30, 2009, at the "02 Colisium" in London, before a capacity crowd of 18,000 screaming fans. It
consists of 22 songs, and has an approximate running time of 100 minutes. This band was featured in the Rolling Stone, a few months ago. Their picture was on the cover. These brothers and cousin
- Nathan Followill, Caleb Followill, Jared Followill, & Matthew Followill, were raised in the Southern U.S.A., and currently live in the Nashville area.



This band is currently one of the "hotest" rock bands in the world, and this concert dvd certainly proves why!!! This band has a unique sound, that is all their own. I don't think any other band
could duplicate their sound. This concert features some of their songs from the "Only by the Night" Album Cd, along with some of their classics. Plus this band, is one of the best bands to emerge
within the current decade. It's an original band with all original songs.



Don't believe the review of this dvd in the current issue of the Rolling Stone (they gave it only a 2 star, and they really didn't know what they were talking about.) This band gives it's all in
performing before this 18,000 fan capacity crowd. There are no mediocre performances. This band performs extremely well on each and every song. They knew this was being filmed for a dvd. Their
lead man Caleb Followill has some excellent interaction with the crowd. Plus, the crowd is really into this concert.





All the songs on this dvd were written by the band members themselves. The Key Tracks include: Use Somebody, Sex on Fire, Notion, Molly's Chambers, On Call and the Bucket. All the other songs are
very good also.



This is a GREAT CONCERT DVD, the filming, the sound, the audience are all GREAT, making this one GREAT Concert DVD!!! If you love Rock, you'll love this one. Thanks!!!!



By Gary Covington "Southern Rocker"    permalink



Tracklist :

01. Intro (0:54)

02. Notion (3:05)

03. Be Somebody (3:52)

04. Tapper Jean Girl (3:26)

05. The Party (4:12)

06. Molly's Chambers (3:14)

07. Red Morning Light (3:10)

08. Fans (4:52)

09. California Waiting (3:46)

10. Milk (4:22)

11. Closer (4:14)

12. Crawl (4:29)

13. Four Kicks (2:42)

14. Charmer (4:05)

15. Sex On Fire (4:16)

16. The Bucket (3:25)

17. Cold Desert (8:19)

18. On Call (3:52)

19. Use Somebody (5:27)

20. Slow Night, So Long (3:08)

21. Knocked Up (7:32)

22. Manhattan (5:50)

23. Black Thumbnail (4:43)

24. Outro (2:49)

Durée: 99:44 mn