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Par DJDemonAngel le 14 Février 2012 à 14:03
http://ip.tosp.co.jp
http://www.myspace.com
Origine du Groupe : Japan
Style : Punk Rock
Sortie : 2011
From http://lessmtvmoretmv.blogspot.com
Two song EP from Japan's punk/rock Elekidz.
2011 successor to their only prior full-length 'Elevator Action' (2008). They win me over with their unique transitions/enduring and punchy female vocals, even if my initial impression was
something of a corn-blender anime intro/outro. It's a quick go, but worth re-visiting.
Tracklist :
01 Plasma horoscope
02 Anaekaasfa
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Par DJDemonAngel le 23 Novembre 2011 à 13:13
http://www.myspace.com/suncitygirls
Origine du Groupe : North America
Style : Rock , Experimental Rock
Sortie : 2008
From Official Site :
Recorded in July of 1988 during the sessions that produced Sun City Girl's most popular recording, these nine tracks represent the other half of songs which were originally prepared as a 2-LP
demo version of 'Torch of the Mystics' for Placebo Records in 1989. The sequencing of all 20 tracks at the time was entirely different with the predominately instrumental tracks in this
collection mixed in and around the mostly vocal tracks of what became 'Torch'. Placebo went out of business shortly after this proposed 2-LP idea was presented to them but Majora Records quickly
stepped-in to begin releasing most of the material. Included here are 5 tracks from early Majora singles: '100 Pounds of Black Olives' and 'The Fine-Tuned Machines of Lemuria' (the complete
unreleased 12 minute version) from the single 'You're Never Alone with a Cigarette' and all three tracks from Record #1 of the double seven-inch 'Three Fake Female Orgasms' --'Plaster Cupids
Falling from the Ceiling', 'The Beauty of Benghazi', and 'Souvenirs from Jangare'. The short piece 'Harmful Little Armful' is from the triple seven-inch box set 'Bruce Lee, Heroin, and the Punk
Scene' (from a Bay Area label-'Massacre at Central High') and rounding out the set are 3 unreleased studio tracks recorded the same day as much of the 'Torch' LP: never before heard versions of
'Amazon One', 'Sev Acher', and 'Wild World of Animals'. This is the first of a multi-volume set of reissued singles, compilation, and unreleased tracks to be assembled and sequenced to play as
full-length records. Vinyl editions may also appear in time.
Tracklist :
1 - 100 Pounds of Black Olives
2 - Sev Acher
3 - Souvenirs from Jangare
4 - Plaster Cupids Falling from the Ceiling
5 - Amazon One
6 - The Beauty of Benghazi
7 - Wild World of Animals
8 - Harmful Little Armful (For Will Shatter)
9 - The Fine-Tuned Machines of Lemuria
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Par DJDemonAngel le 1 Octobre 2010 à 12:35
http://www.myspace.com/popachubbyband
http://www.myspace.com/waltertrout
Origine du Groupe : North America
Style : Blues Rock
Sortie : 2000
<script type="text/javascript">// <![CDATA[ aR_BgColor=""; aR_FgColor=""; aR_url=location.href; aR_title=document.title; aR_StarType ='3';document.write('<\/div>');document.write('<scr'+'ipt type="text/JavaScript" src="http://addratings.com/aR_BootStrap.js"><\/scr'+'ipt>');// ]]></script>From Wikipedia :
Popa Chubby, de son vrai nom Ted Horowitz, est un chanteur et guitariste de blues et de rock new-yorkais.
Originaire du Bronx à New York, son style agressif est influencé par Willie Dixon ainsi que Jimi Hendrix, Randy Rhoads, Albert King ou encore Danny Gatton créant ainsi une synthèse Blues, Rock,
Funk, Pop très personnelle mais transpirant le blues new-yorkais. Comme Calvin Russell, il a beaucoup plus de succès en France qu’aux États-Unis, où il n’est connu que des spécialistes, bien que
la situation ait tendance à s'inverser. Son nom de scène est tiré d’une expression d'argot, "pop a chubby", qui veut dire "avoir une érection", mais peut également faire référence à son
embonpoint (popa/papa joufflu). Chacun de ses albums est un concept en lui-même : un album de ballades avec des chansons comme Hallelujah, de rock-punk pur ("If the Diesel Don't Get You Then the
Jet Fuel Will"), ou encore de blues comme "Back Door Man" où l'on sent bien la patte du "maître . Perfectionniste, c'est le roi des coups de gueule .
En 2006 il entame une tournée en la commémoration de Jimi Hendrix, celui qui lui a fait découvrir le rock à la radio avec son Purple Haze. Il possède une collection de guitares dont une Fender
que le fabricant n'avait pas répertoriée.
Il joue également de la batterie, qu'il lui arrive de pratiquer sur scène.
From Wikipedia :
Walter Trout (born March 6, 1951, Ocean City, New Jersey, United States is an American blues guitarist, singer and songwriter.
Trout's career began on the Jersey coast scene of the late 1960s and early 1970s. He then decided to relocate to Los Angeles where he became a sideman for Percy Mayfield and Deacon Jones. He also
worked in the bands of John Lee Hooker and Joe Tex.
In 1981 be became the guitarist for Canned Heat.[1] This led to an invitation to play in John Mayall's Bluesbreakers where he shared the stage with fellow guitarist Coco Montoya. He left the
Bluesbreakers in 1989 and formed the 'Walter Trout Band' which developed a successful following in Europe.
In 1994 the official Walter Trout Fan Club for the Netherlands and Belgium was founded, followed in 1996 by the official International Fan Club who has members in 14 countries in Europe, America,
Asia and Australia. In 2006 the official International Fan club celebrated its tenth anniversary by giving fan club members an exclusive live CD recorded in Las Vegas, Nevada, which was the last
performance of the late bassist, Jimmy Trapp, who died in 2005.
In 1998 Trout released his self-titled US debut album and renamed his band 'Walter Trout and the Free Radicals' (later renamed 'Walter Trout and the Radicals' and currently simply 'Walter
Trout'). Since that time Trout has been recording and touring in North America, Europe and India.
In 2002, he was featured on the Bo Diddley tribute album, Hey Bo Diddley - A Tribute!, performing the song "Road Runner" and many more guest appearances on other recordings.
The 2006 release Full Circle, meant that Trout realized his dream of creating an album with some of his most admired musicians, including John Mayall, Coco Montoya, and Joe Bonamassa, among
others.
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Par DJDemonAngel le 22 Septembre 2010 à 15:31
http://www.myspace.com/heavytrash
Origine du Groupe : North America
Style : Rock
Sortie : 2009
<script type="text/javascript">// <![CDATA[ aR_BgColor=""; aR_FgColor=""; aR_url=location.href; aR_title=document.title; aR_StarType ='3';document.write('<\/div>');document.write('<scr'+'ipt type="text/JavaScript" src="http://addratings.com/aR_BootStrap.js"><\/scr'+'ipt>');// ]]></script>Infatigables artisans redescendant travailler sans relâche dans la mine d’or du rock ‘n roll, Matt Verta-Ray et Jon Spencer viennent de remonter à la surface de leur inspiration onze pépites
vintage réunies pour Heavy Trash… L’auditeur tombé amoureux - pour la vie ! - des pionniers du rock trouvera matière à s’enthousiasmer durablement sur l'album Midnight Soul Serenade :
langoureuses ballades fifties qui ne dépareraient pas dans une BO de Quentin Tarentino, rockabilly enlevés prompts à envoyer sur la piste de danse tel un Vince Taylor ressuscité, rock ‘n roll
vicieux donnant envie de flirt poussé avec la gent féminine… Quand il s’agit de trousser des morceaux admirablement authentiques, Heavy Trash a toujours la main chaude ! La technique du duo est
plutôt simple pourtant (mais il faut quand même avoir un sacré talent pour composer, jouer de la guitare, aboyer ou roucouler dans le micro) : on met en présence deux musiciens férus de rock ‘n
roll avec des instruments antiques, et ce dans un studio analogique… Et ça fait « BOUM ! », la machine s’emballe, les titres arrivent sans forcer et l’on se retrouve à se laisser bercer ou
bousculer nuitamment par une très belle collection de chansons. Idéales pour se lancer dans une tendre sérénade, avant de passer aux choses sérieuses : une petite séance de rock et de roll.
Hallelujah, le filon est loin d’être tari pour Heavy Trash !
par Pierre Andrieu
permalink
Tracklist :
01 - Gee, I Really Love You
02 - Good Man
03 - Bumble Bee
04 - The Pill
05 - Pimento
06 - (Sometimes You Got To Be) Gentle
07 - Isolation
08 - Bedevilment
09 - Sweet Little Bird
10 - That's What Your Love Gets
11 - In My Heart
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Par DJDemonAngel le 9 Septembre 2010 à 15:35
Note :
http://www.myspace.com/ericsardinasband
Origine du Groupe : North America
Style : Rock , Blues
Sortie : 2008
Eric Sardinas is a bit of an enigma. The long-haired, tattooed guitarslinger would seem more at home cranking out scorched-earth heavy metal rather than playing in the energetic blues-rock style
that he's perfected. One might expect Sardinas to strap on an oddly-shaped B.C. Rich Warlock, or even a Dean Dimebag tribute guitar instead of the custom-made Dobro resonator guitars that he
prefers. No matter your expectations, you can always depend on Eric Sardinas to surprise and entertain.
Learning The Blues At 78rpm
Sardinas discovered the Delta blues at the unbelievably young age of six, when he first picked up a guitar. Spinning ancient 78s, he developed his unique style of playing listening to Charley
Patton, Son House, and Robert Johnson before moving on to modern-era blues guitarists like Muddy Waters, Elmore James, and Otis Rush. Throw in a dash of British blues-rock, hard rock, and more
than a little Jimi Hendrix and Stevie Ray Vaughan influence, and you'll have the unique, electrifying, exhilarating sound of Eric Sardinas.
Street Corner Blues
After a bit of wandering, Sardinas landed in Los Angeles in 1990. At first he survived much like his early country-blues idols, performing with an acoustic guitar on the street corner for spare
change. He later put together a band, the Eric Sardinas Project (ESP), honing his sound by performing 300 nights a year for nearly six years. The band's hard work paid off, earning ESP a gig
touring with Johnny Winter. Sardinas and crew recorded their debut, Treat Me Right, in 1999 for the respected jazz/blues label Evidence. Sardinas subsequently released albums in 2001 and 2003,
and has since performed with bluesmen like Hubert Sumlin and David "Honeyboy" Edwards.
With his fourth album, the generically-titled Eric Sardinas and Big Motor, the enigmatic guitarist manages to turn the humble Dobro into a true musical weapon of mass destruction. Although Delta
blues players would often use acoustic resonator guitars to play louder, and be heard above the juke-joint crowd, Sardinas wields his electrified Dobro as a samurai sword, slashing-and-crashing
through these songs like some screaming bird of prey swooping down on dinner.
Eric Sardinas And Big Motor
With Eric Sardinas and Big Motor, Sardinas further refines his trademark sonic fury, mixing in bits and pieces of 1960s-styled British blooze-rock, John Lee-inspired boogie, Southern soul, old
school Delta blues, even a bit of twangy, country-tinged blues (think early-1970s Johnny Winter). Bass guitarist Levell Price and drummer Patrick Caccia provide a locomotive beat behind Sardinas'
six-string pyrotechnics; together, the trio raises a lot of joyful noise for three guys.
The album-opening "All I Need" is a 120mph raver, built upon an unrelenting rhythm, embroidered with taut, barbed-wire fretwork. The infectious, melodic "Ride" hides its pop overtones beneath a
soaring guitar line, a Gospel-tinged chorus, and a Hendrix heartbeat...kind of reminds me of Clapton-era Delaney & Bonnie. The up-tempo "Gone To Memphis" is a soulful, uplifting tune with
some finely-engraved Dobro work and warm vocal harmonies.
Lest listeners think that Sardinas has gone soft, the rollicking boogie-based "It's Nothing New" turns the amp up a notch, and by the time that ES and Big Motor kick into the juke-joint stomp
"Just Like That," you'll be turning over chairs and dancing on the table. Sardinas' showcases some nasty, menacing slide-playing here as the band bashes-and-crashes behind his switchblade
fretwork. A relatively straight-forward cover of the Elvis gem "Burning Love" displays Sardinas' playful side, while a cover of Tony Joe White's "As The Crow Flies" offers up a true 180-proof
Delta gumbo with a soulful vocal turn and imaginative six-string solos.
The Reverend's Bottom Line
Sardinas has too often been dismissed as a mere Stevie Ray clone or Hendrix acolyte, both comparisons sadly missing the mark. As shown by Eric Sardinas and Big Motor, there's a lot more going on
here than meets the eye (or ear). There are many shades and textures to the songs here, and if Sardinas primarily mines nuggets of musical gold from an overworked blues-rock idiom, he's done so
in his own unique style. Falling firmly on the harder-rocking side of the blues-rock equation, Eric Sardinas nevertheless plays a Dobro like nobody's business, and the songs here showcase an
artist still having fun and exploring the limits of his talents and the music. (Favored Nations Records)
by Reverend Keith A. Gordon
permalink
Tracklist :
1. All I Need
2. Ride
3. Find My Heart
4. Gone To Memphis
5. It's Nothin' New
6. This Time
7. Just Like That
8. Burning Love
9. Wonderin' Blues
10. Door To Diamonds
11. As The Crow Flies
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Par DJDemonAngel le 12 Août 2010 à 14:03
Note :
Quite possibly the greatest surf album you've never heard, this 1963 release from the Rhythm Rockers is a classic. Pounding surf-rock from the days when surf was surf and rock was something
entirely other than some white-pupiled, devil-worshiping geek in a black corset. Turn it up! Reject Satan! Save your soul and lose your lease!
permalink
Origine du Groupe : North America
Style : Surf Rock
Sortie 1963
Tracklist :
01. Surfin' At Mazatlan (2:35)
02. Rendevous Stomp (2:43)
03. Ramrod (1:52)
04. Nine Toes (2:37)
05. Moondawg (2:33)
06. Wipeout (2:52)
07. Breakfast At Tressles (2:49)
08. Moovin' N' Groovin' (2:10)
09. Get It On (3:17)
10. Caravan (1:35)
11. The Breeze and I (3:49)
12. You Can't Sit Down (3:09)
13. The Slide (bonus track) (1:55)
14. Garbage Cans (Fanny Warble) (2:56)
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Par DJDemonAngel le 14 Juillet 2010 à 16:42
Note :
http://www.joanneshawtaylor.com
http://www.myspace.com/joanneshawtaylor
When Dave Stewart had his big experience, Joanne Shaw Taylor was only 16. Her skills at the Telecaster were so perfect that the bluesfan and Eurythmics-frontman asked her to join his supergroup
D.U.P. to tour europe in 2002. She was also offered a record contract but the label went bust. Today Joanne is 23 and happy about the fact that she took her time with the recording debut: "I
wanted to take time out to really work on my craft and make sure that when I did an album it was the best that I could do."
For White Sugar Joanne took a plane to Memphis where her label RUF had booked Jim Gaines studio. Jim had worked with some of Joanne´s idols like Albert Collins and Stevie Ray Vaughan. He brought
in the experienced sessionmen Steve Potts (drums) and Dave Smith (bass).
"Working with these guys was totally easy. I knew of them because of Luther Allison and the Jonny Lang albums. They didn't know the tracks until five minutes before we recorded them. I made them
listen to the songs once and then play them. It was fantastic. They've got so much feeling and soul. They are amazing guys to work with."
permalink
Origine du Groupe : North America
Style : Blues Rock
Sortie : 2009
Tracklist :
1. Going Home (4:50)
2. Just Another Word (4:08)
3. Bones (5:22)
4. Who Do You Want Me To Be? (3:35)
5. Time Has Come (5:52)
6. White Sugar (4:27)
7. Kiss The Ground Goodbye (4:40)
8. Heavy Heart (5:20)
9. Watch 'Em Burn (5:08)
10. Blackest Day (8:17)
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Par DJDemonAngel le 27 Juin 2010 à 19:43
Note :
++
http://www.myspace.com/popachubbyband
From Wikipedia :
Popa Chubby, de son vrai nom Ted Horowitz, est un chanteur et guitariste de blues et de rock new-yorkais.
Originaire du Bronx à New York, son style agressif est influencé par Willie Dixon ainsi que Jimi Hendrix, Albert King ou encore Danny Gatton créant ainsi une synthèse Blues, Rock, Funk, Pop très
personnelle mais transpirant le blues new-yorkais. Comme Calvin Russell, il a beaucoup plus de succès en France qu’aux États-Unis, où il n’est connu que des spécialistes, bien que la
situation ait tendance à s'inverser[réf. nécessaire]. Son nom de scène est tiré d’une expression d'argot, "pop a chubby", qui veut dire "avoir une érection", mais peut également faire référence à
son embonpoint (popa/papa joufflu). Chacun de ses albums est un concept en lui-même : un album de ballades avec des chansons comme Hallelujah, de rock-punk pur ("If the Diesel Don't Get You Then
the Jet Fuel Will"), ou encore de blues comme "Back Door Man" où l'on sent bien la patte du "maître"[réf. nécessaire]. Perfectionniste, c'est le roi des coups de gueule.
En 2006 il entame une tournée en la commémoration de Jimi Hendrix, celui qui lui a fait découvrir le rock à la radio avec son Purple Haze. Il possède une collection de guitares dont une Fender
que le fabricant n'avait pas répertoriée[réf. nécessaire].
Il joue également de la batterie, qu'il lui arrive de pratiquer sur scène.
Origine du Groupe : North America
Style : Rock , Blues
Sortie : 2005
Tracklist :
01 Hey joe [live] - 6:13
02 Dirty lie [live] - 7:27
03 Back door man [live] - 6:49
04 I can't see the light of day [live] - 7:10
05 If the diesel don't get you then the jet fuel will [live] - 5:22
06 Sweet goddess of love & beer [live] - 6:14
07 Motorcycle mama [live] - 6:54
08 Somebody let the devil out [live] - 5:52
09 Hallelujah [live] - 6:53
10 Keep on the sunny side [live] - 4:07
11 Time is killing me [live] - 6:26
12 How'd a white boy get the blues? [live] - 3:10
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Par DJDemonAngel le 27 Mai 2010 à 16:51
Note :
++http://www.myspace.com/celsosalim
Origine du Groupe : Brazil
Style : Blues , Alternative Rock
Sortie : 2003
Tracklist :
01. Intro 00:36
02. Going Out Tonight 05:52
03. Sweet Brown Eyes 04:58
04. One For The Winter 03:52
05. Slow Down 04:45
06. Gold Hearted Lady 06:06
07. What Kind Of Spell (You Put On Me) 03:58
08. See You Tomorrow 07:37
09. Ain't Gonna Fade Away 05:45
10. Daydreamin' 06:23
11. Don't Bother Me 04:31
12. Funky Mama 05:16
13. Gonna Stay 07:07Produced by Celso Salim and Rafael Cury
With classic rock, Blues and country influence this record includes 3 instrumentals and is Celso's debut on vocals. He also plays mandolin and bass on it.
With special guests: Henry "Sol-Eh" Brewer on keyboards, Rafael Moreira on guitar, Darryl Carriere-harp & vocals, Dillo D'Araújo-guitar, Rafael Cury on vocals, Pablo Fagundes-harp, Célio de Moraes & Daniel Lima-bass, Vinícius Corrêa & Leander Motta-drums and more.
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