https://www.myspace.com/kidcalledcomputer





Origine du Groupe : North America

Style : Abstract Hip Hop

Sortie : 2010





These are the instrumentals from the 2010 release "The Art Of Dying" I produced with Seattle rapper/artist/director Sadistik.





Produced by: Kid Called Computer

Additional production by: Equalibrum

Mixed and Mastered by: Mark Pawlak





Tracklist :    

1.Wake Up Dead 04:14

2.Bed Of Flowers 07:14

3.Black Rose 05:14

4.Save Yourself 05:05

5.Diva De Los Muertos 05:42

6.Ghost In The Machine 06:25

http://www.azamalimusic.com

http://www.myspace.com/azamali





Origine du Groupe : Iran , Canada

Style : Alternative Fusion World Music , Electro , Experimental

Sortie : 2006





By Christina Roden from http://www.amazon.com

For this, her second solo album, Azam Ali, lead vocalist of Vas and Niyaz, takes her patented polycultural blend of ancient and contemporary influences even farther beyond the stratosphere. That
she is now a veteran of numerous film scores, including Children of Dune, Earthsea, and Matrix Revolutions, perhaps explains her present more cinematic direction. Born in Iran, reared in India
and the US, and gifted with a voice of improbable tonal breadth, flexibility, and beauty, she is backed by collaborators like Trey Gunn (King Crimson), Chris Venna (Nine Inch Nails), Turkish
DJ/composer Mercan Dede, the Japanese ensemble Kodo, and Grateful Dead drummer/world percussion enthusiast Mickey Hart. One of the more interesting conundrums inherent in Ali's work is that no
matter how much electronic technology she employs, her immersion in her heritage unfailingly comes across loud and clear. Whether she is singing in English, which predominates on these sessions,
Farsi, or another language, a prayerful sensuality informs every note. It's as though a sexy Tanagra temple figurine or silk-clad court lady from an antique parchment were to suddenly turn her
lovely head and step daintily into the modern world, unfurling precisely the kind of voice one expected but never could have imagined.





Product Description :



"Elysium For The Brave", Azam's second solo album, signals a new turn in her musical evolution. The album, her most ambitious work to date, brings together musicians from varied musical
backgrounds performing in diverse permutations. The result is a highly coherent body of work that seamlessly weaves together all of Azam's cultural and musical influences into a haunting tapestry
of atmospheric rock, electronic, and global sounds. Singing predominantly in English for the first time, the songs are based on lyrics written by Azam herself and reveal a poetic lyricism heard
only in glimpses in her previous work.





Tracklist :   

1 Endless Reverie 5:47

2 Spring Arrives 5:17

3 In Other Worlds 6:07

4 Abode 5:59

5 Forty One Ways 6:09

6 The Tryst 6:04

7 From Heaven to Dust 4:19

8 I Am a Stranger in This World 7:24

9 In This Divide 5:18

http://www.erkanogur.gen.tr

http://www.gasparyanjivan.com





Origine du Groupe : Turkey , Armenia

Style : World Music , Folk

Sortie : 2001





From http://www.cdroots.com



Notes from the artists:

Before the heart, there was time. Then the miracle occured. The heart came into being. With the command, the beat began. The first blow and the substance shakes with "Fuad" the inital moment of
life where movement is born. "Fuad" is power, sound and rhthym. The heart begins life zealously, beating fast... Speeds up, slows down; gets high, gets down. Desire, fear, love, joy, sorrow,
music, ecstacy, shock, fatigue/ attack, disease, halt and restart.



Then a signal to the substance, and comes the moment of ceasing... "Fuad". From the minute infinity to the magnanimous one, from nothing to being, "Fuad" commences the universe. There, neither
the first nor the last can be defined. Absolute being is the sole reality. Before the heart, the moment of the heart, after the heart; this is the question. There are moments when the heart is
broken, that's the instance that breaks "Fuad". The happiest moment of the heart is "Fuad", it sees, hears, touches, tastes, smells, loves, discerns, feels with "Fuad". And we think with
"Fuad".



The talents we have and the talents we can never discover are "Fuad". Logic is formed at the heart, and might be cruel or loving as granted. "Fuad" is in the service of matter/ whether human or
not, known or unknown, und whether will be discovered, be it living or non-living. Yearning for "Fuad" is a gift to the dreams of humanity.





Percussion: Soner Akalin

Percussion: Selda Ozturk

Percussion: Emre Kocabas

Percussion: Ferruh Yarkin

Classical Kemenche: Derya Turkan

Classical Guitar: Erkan Ogur

E-bow: Erkan Ogur

Duduk: Armen Gazaryan

Duduk: Djivan Gasparyan

Fretless Classical Guitar: Erkan Ogur

Bas duduk: Vazgen Makaryan





Tracklist :   

01 – Yemen (08:39)

02 – Siresi Yarisdaran (09:10)

03 – Volor Molor (09:35)

04 – Yes Pucur Yaris Pucur (01:48)

05 – Fuad (06:36)

06 – Perde Kalkti (06:11)

07 – Siyah Perçemlerin Gonca Yüzlerin (04:42)

08 – Mayrig (07:44)

09 – Lorik (02:47)

10 – Dönüs Yolu (02:14)

http://www.dacruzmusic.com

http://www.myspace.com/dacruzmusic





Origine du Groupe : Brazil

Style : Alternative

Sortie : 2011





From http://www.amazon.com/Sistema-Subversiva-Cruz/dp/B004QDD130



The ensemble Da Cruz is a collaboration between vocalist Mariana Da Cruz (a Paulista with Bahian roots) and Swiss producer Ane H. Together with their band, they merge Brazilian music, Electro,
Afro Beat, Breakbeats, Ethiopian Grooves, Kuduro and other forms of dance music. Da Cruz stand for a modern, curious and proud Brazil , says Mariana. There are so many boring clich‚s about my
country. With my music I try to show that there is a Brazil far away from Carnival, bikinis and samba-plumes there is also an urban, progressive, open but still romantic Brazil with a sane
respect towards its traditions and culture. The new album Sistema Subversiva pushes the boundaries of Brazilian Fusion with harder, throbbing bass tones and punchy kick drums underlying Mariana's
dynamic lyrics, one moment soft and dripping, another punctuated and demanding. We both wanted to create something new without giving up all our past. Da Cruz is the result of this trying. Ane H
sums it up best when he says We wanted to make a danceable album. An album that is both funky and electronic. The music of Da Cruz is not sunny and nice and undisturbing. The African side is also
accentuated, much tougher than what we have done before. We wanted to show that there is a Brazil far from the postcard idyll- a modern, rebellious, open and urban Brazil. The album has many,
many facets.





Tracklist :   

01.Boom Boom Boom

02.Jangada

03.Curumin

04.Papo De

05.Zero A Zero

06.Warm Leatherette

07.Ethiopia

08.Chega

09.Tudo Bem Aqui

10.Tschu Tschu

11.Vestida De Amor

12.Sexta-Feira

13.Balada

14.Falo Pouco

15.Moça Feia

16.Papo De (Filewile Remix)

http://www.myspace.com/issabagayogo

http://zutique.com

http://sixdegreesrecords.com





Origine du Groupe : Mali

Style : Alternative Fusion World Music

Sortie : 2004





By Rose Skelton   from http://www.bbc.co.uk



'The album is a stimulating and soothing journey into an incongruous collaboration...



With Issa Bagayogo there's really no middle ground. Either you think his gravely voice, call-and-response female backing vocals, kamele ngoni strings and wild flute bursts go with French producer
Yves Wernerts electro-beats or you don't.



"Take Dya" for example. The track opens with a flute call so vital that you can almost see the lips upon the instrument, followed by the kamele ngoni, the raw vibration of the strings conjuring
up images of the calabash and skin instrument that hails from Issa's home of Mali. Then enters an array of synthesised beats and peeps so recognisable from the middle of the mainstream road that
my irritation buds are tickled almost to distraction. With his voice, the flute (a highlight throughout the album) and his playing of the kamele ngoni so strong, one has to ask, why?



Well, why not? In music, there's no sin greater than boring music and this album, a whopping fourteen tracks, at least challenges the listener and presents music from rural Mali in a new and
exciting, if not totally aesthetically pleasing to all ears, way. Issa Bagayogo comes from a farming family in southern Mali and discovered his love of the instruments that were available to him,
namely the kamele ngoni. After two unsuccessful recordings in Bamako, Mali's capital, at the same time training as a bus driver, there followed a period of alcoholism and desertion by his wife
(so the sleeve notes tell us). Issa became depressed. Then came producer Wernert and collaboration with a guitarist from Ali Farka Touré's band and the result was Afro-electric (personally, the
name alone creates a shudder). However, it was a great success and after two albums, Issa won an award that recognised him as Mali's brightest new hope. Afro-electric had worked.



The album is a stimulating and soothing journey into an incongruous collaboration that at times works very well. In "Nderi", Mama Sissoko's guitar solo, consistently strong throughout the album,
rises above Issa's poetry-like vocals, added to by an ethereal sound that might have leapt right off super-cool French band Air's Moon Safari. The final track comes as a wind-down, complete with
wave sounds and lullaby-like female cooings. The only thingleft for the listener then is to decide whether or not Techno-Issa, as he is affectionately known by his fans at home, is your cup of
tea.





Tracklist :   

01  Ciew Mawele

02  Diama Don

03  Koroto

04  Numu

05  Kanou

06  Djigui

07  Kalan Nege

08  Dya Bana

09  Dya

10  N'Deri

11  Touba

12  Chauffeur

13  Furu

14  Joola

http://www.myspace.com/mrkuba

http://soundcloud.com/kuba-laurence-harvey





Origine du Groupe : U.K

Style : Electro , Ambient , PsyChill , Electro Dub

Sortie : 2012





From http://www.psyshop.com



Random Precision' is an awesome collection of more than a dozen superb Kuba chillout tracks in various styles and tempos. Brilliant colourful Kuba worldmusic, atmospheric tracks and even deep
progressive tunes in a modern and fresh style!



A magnificent selection of thirteen fresh high-class chillout and progressive tracks!





Tracklist :   

1. Never Trustafarian (vocals by Jimi Learmonth)

2. Out of the box

3. Hole in my sitar

4. Dub Mythology

5. Sunset Smile

6. On the spot

7. Is this stuff real

8. Parc Guell

9. Little Mountain

10. Evaluation (rmx)

11. Dontmakemedance

12. Return of the grasshopper

13. Build a fire

http://www.yokosalsa.com

http://www.myspace.com/yokosalsanyc





Origine du Groupe : Japan , North America

Style : Salsa , World Music

Sortie : 2008 (2010)





From http://www.cdbaby.com



Japanese Salsera: Born to sing salsa!



Hailing from Osaka, Japan, Yoko was born to sing salsa.



Yoko’s singing career began at the age of fifteen when she fronted a local rock band in Osaka. While attending the Kyoto University of Foreign Language, Yoko majored in Spanish language studies,
which provided her with an excellent foundation in Spanish. Around the same time, Yoko discovered the music of salsa and she was immediately hooked. She wanted to learn more about the musical
genre of salsa, but she was unsure if it even existed in Japan.



As a part-time job, Yoko started singing at local jazz clubs, and it didn't take long before her great talent was discovered In 1996 she was asked to join the salsa band ‘Conjunto Mamborama’ as a
vocalist. They performed regularly at a salsa club in Osaka called Pata Pata De La Salsa. With her big voice and powerful lungs, singing in a large club like Pata Pata was a great opportunity for
Yoko. At that point she completely abandoned her career as a jazz singer. Word of her talent got out among musicians in Japan, and she was invited to sing as the main vocalist for ‘Las
Estrellas’, a salsa band formed by the former members of the famous Japanese salsa band "Orquesta De la Luz".



In 1997, she moved to the United States and started performing with local band and her own group. In 2004 she was invited to perform in Japan with Herman Olivera, a prestigious figure within the
New York salsa scene who is currently the lead singer of the Eddie Palmieri Orchestra.



In 2006, Yoko found a great production team, who believe strongly in her talent and potential. Mr. Willie Ruiz, Yoko’s musical director, comments that, “if you don’t see her in person, you’d
never know if it was a Japanese or an Hispanic woman singing."



After her debut with Chino Nunez and Friends at the New York Salsa Congress in 2006, she became a lead singer of the band and sang a duet with international salsa star Ray Sepulveda “Hoy les
cantamos” on Chino’s 2nd album “Dr. Salsa”. This became an international hit topping the chart in Pamana. The song was also featured on XM Caliente in April 2008. In January 2008 she made a trip
to Greece in 2008 with Chino. This Japanese salsera is ready to sing out her fantastic music for all the world to hear!





Tracklist :   

1.Este Ritmo Original

2.La Tirana

3.La Pastillita

4.Vengo Inspirada

5.Averiguadas

6.Los Hombres Son (Las Mujeres Son)

7.Empezo La Fiesta

8.Mi Oporutunidad

http://iamomni.com





Origine du Groupe : North America

Style : Abstract Hip Hop

Sortie : 2011





From http://iamomni.bandcamp.com :



The prolific, globetrotting Los Angeles emcee and vocalist, IAMOMNI presents his defining work. IAMOMNI is produced by the British musical visionary, Tricky who strips the trip-hop sound he
created alongside Massive Attack and Portishead and on solo albums like Maxinquaye and Pre-Millennium Tension, down to a lean, sinewy hybrid of hip-hop, rock, dubstep and new wave, all intercut
with heady, atmoshperic vocals from singers Tiki Lewis and Kassia Conway. Recorded between Los Angeles and Paris, IAMOMNI also features Japan's premier emcee Shingo2, and Suffa from Australia's
hip-hop crew Hilltop Hood, rounding out an album every bit as global as the struggle has become. As we fashion the future from the rubble of the 20th century, our hearts and minds are the
frontline of the new war, and the enemy has become part of us. IAMOMNI is IAMOMNI's call to arms for the youth to claim control of themselves, and to understand that in a world where nothing
seems real, they are the only thing left that is.





Tracklist :   

1.Diamond Hunter f. Tiki Lewis 03:07

2.All Over f. Kassia Conway 03:24

3.Animal f. Tiki Lewis 04:03

4.We Need You f. Shingo2 03:35

5.Power f. Jawnee Burkes & Tiki Lewis 03:10

6.Pangea f. Suffa & Chris Clarke 02:19

7.Magic f. Tiki Lewis 04:11

8.Pushdub f. Tiki Lewis 02:46

9.Give Me the Go 02:37   

10.Black and Gold f. Tiki Lewis 04:38

FREE DOWNLOAD FROM OFFICIAL
SITE

http://www.last.fm/music/edamame

http://soundcloud.com/edamame





Origine du Groupe : North America

Style : Electronic , Glitch Hop

Sortie : 2012





From http://www.last.fm :



Ed Harris, also known as Edamame, is a Chicago-based DJ and music producer from Winfield, Illinois. In February of 2012 he released his full length album Greenhouse which features a wonderful
blend of chillout glitch-hop and the great outdoors.



Mixed, mastered, chopped, rearranged, composed, glitched, and created by Ed Harris





Tracklist :    

01. Greenhouse

02. My Afternoon, Floating Downstream

03. Dear Apparition (feat. Drew Major)

04. Ponder

05. Rumpl

06. Walk Like Me

07. Lucky Lucky Man

08. Moku

09. Io

10. Astronaut Empire

11. 55 North (feat. Rachael Braun)

12. Walk Like Me (Homemade Spaceship Remix)