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http://www.myspace.com/davidgrissommusic
Origine du Groupe : North America
Style : Blues Rock , Folk , Country
Sortie : 2007
From http://www.cdbaby.com
David Grissom is a Texas based Guitar Player and Songwriter who has toured and recorded with artists such as Storyville, Joe Ely, John Mellencamp, the Allman Brothers Band, and the
Dixie Chicks. His songs have been recorded by John Mayall, Trisha Yearwood, Webb Wilder, Lee Ann Womack and others. After playing on hundreds of records for other artists, his first solo CD "Loud
Music" will be released in June 2007.
Tracklist :
01 - Lonesome Dove
02 - Loud Music
03 - Wide Lode
04 - Hi-tex
05 - Sake and Venom
06 - Nothin Makes a Man Go Crazy
07 - Whiskey Cryin
08 - Boots Like To Boogie
09 - Lucy G
10 - Mister Quincey
11 - Midnight Drive
10. A Riot Of Emotion
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http://collapseundertheempire.com
http://www.myspace.com/collapseempire
Origine du Groupe : Germany
Style : Post Rock , Shoegaze , Experimental
Sortie : 2011
By http://www.guerrillageek.com
from
Fusion music is a style that’s often fraught with risk. The blending of two or more musical styles can either produce something quite extraordinary or crash and burn spectacularly. When one of
the base genres is itself a fusion derivative of other genres, then it is clear that a masterful hand is required to make the resulting music a success. One band who has managed to achieve this
and carve out for themselves a somewhat unique sound are the instrumental project, Collapse Under The Empire. Their folding of electronica into post-rock is subtle and delicate, intelligent and
skilful, and this is truly reflected in their new album, Shoulders & Giants.
Collapse Under The Empire, who chose the name specifically so they could use C.U.T.E. as an acronym, are Martin Grimm (guitars, drums) and Chris Burda (keyboards, synthesiser, drums), hailing
from Hamburg, Germany. Formed in 2007, they chose early to focus on instrumental post-rock, wanting their music to give the listener a certain feeling, emotion, and “story” to experience – a trip
in which listeners could fully immerse themselves in. In a short period of time, several key international magazines took notice of the duo and proved themselves excited about the intense
cinematic sound of their music.
Shoulders & Giants is the first half of a two-part concept work that thematically deals with the human existence, the dream of advancement, a life of absolute freedom, isolation, and death.
The album is bleak and severe, but subtly lit from within with touches of hope and beauty. It immerses the listener in the sensation of being alone in the mountains and crevasses of an arctic
environment – the harshness of the bitter solace, the joy at the soaring beauty of nature’s splendour.
Considering the average band of the post-rock genre is often comprised of at least four members and is very guitar-heavy, it could be said that this genre is ambitious for a two-man band to keep
up with, let alone stand out in. However, Grimm and Burda do an excellent job of delivering the subtle ebbs and flows as well as the “wall of sound” and roaring crescendos – one would easily
think they’re listening to a larger band.
As electronica and post-rock have a number of commonalities in their use of the repetition of musical motifs and subtle changes with an extremely wide range of dynamics, it may not be too
surprisingly that the elements of this album fit so well together. However, one of Grimm and Burda’s talents is recognising where the more traditional drums and guitars don’t utilise the full
sound spectrum, and knowing just the right amount of synthetic melodies to inject, without overloading the music. The electronic aspects are integrated seamlessly, providing just the right
touches in either the foreground or behind the guitars, and feel unexpectedly organic.
2011 has been an excellent year for post-rock releases, and Shoulders & Giants is a welcome addition to this plenitude. I was pleasantly surprised at the quality of Collapse Under The
Empire’s work, and I think that this ambitious project will definitely raise their profile with the post-rock genre. Sounding like the bastard child of Clint Mansell and God Is An Astronaut, this
band have created an album that stands out for its uniqueness and embraces the core aspects of the styles it represents, yet is highly accessible for more mainstream listeners. This is easily one
of the best albums I have listened to this year and I strongly recommend trying it out.
Tracklist :
01. Shoulders
02. Giants
03. There’s No Sky
04. The Last Reminder
05. The Sky Is The Limit
06. Disclosure
07. After The Thaw
08. Days Of Freezing
09. Incident
10. A Riot Of Emotion
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http://bbpiratesradio.over-blog.com
Origine du Groupe : V.A
Style : Compilation
Sortie : 2011
Une compilation d'artistes divers et variés pour vos petites oreilles émerveillées .
Tracklist :
01 - Non Dolet - Outback
02 - Kemopetrol - No horizon
03 - La Canaille - Salle des fêtes
04 - DJ Q - Helpline
05 - Mahsa & Marjan Vahdat - Haleili
06 - Winston Mc Anuff and The Bazbaz Orchestra - Settle babylone
07 - Gotye - Smoke And Mirrors
08 - Noir Désir - Le zen émoi
09 - Glen Porter - Last call
10 - Martin L. Gore - Loverman
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http://fr.wikipedia.org/wiki/Red_Garland
Origine du Groupe : North America
Style : Jazz
Sortie : 1958 (2007)
From Wikipedia :
John Coltrane with the Red Garland Trio is the third album by jazz musician John Coltrane, issued in 1958 on Prestige Records, catalogue 7123. It was recorded at the studio of Rudy Van Gelder in
Hackensack, New Jersey. In 1968 it was reissued as Traneing In, Prestige catalogue 7651, and given a different cover photo, as pictured. The album was reissued on compact disc in 2007 as part of
the Concord Music Group remastering series by Rudy Van Gelder, also doing a similar series for Blue Note Records.
Tracklist :
01. Traneing In
02. Slow Dance
03. Bass Blues
04. You Leave Me Breathless
05. Soft Lights And Sweet Music
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Origine du Groupe : Canada
Style : Alternative Rock , Indie , Electro Rock
Sortie : 2010
Pour http://www.bonpourlesoreilles.net
White Light Héritiers de Clinic, les Canadiens Suuns évoluent dans un cocon electro-rock, traversés de flashs de lumière aussi aveuglants que glacés.
La critique rock aime bien gloser sur la malédiction qui frappe les groupes de Liverpool. Malgré - ou à cause - des Beatles, tous semblent condamnés à errer dans un anonymat poli ou à se casser
les dents sur les premières marches du succès, quel que soit leur talent. The Las, The Coral, The Rascals, etc, autant de destins brisés ou boiteux. Mais le grand livre des martyrs liverpooldiens
oublient toujours le plus iconnoclastes de ces groupes, Clinic, chantre d'un rock sombre et hanté, auteur d'un grand album (Internal Wrangler), adoubé par Radiohead et de retour cette année dans
un exercice plus acoustique tout à fait honnorable (Bubblegum).
Pourquoi diable suis-je en train de vous parler de Clinic dans un article consacré à Suuns, nouveaux prodiges de la scène montréalaise? Parce que ces Canadiens semblent avoir écouté le groupe de
Liverpool eux aussi et retenu quelques leçons, à en croire une poignée de titres de leur premier album Zeroes QC. De Up Past The Nursery à Pie IX, en passant par PVC, on retrouve les sonorités
qui faisaient le charme noir d'Internal Wrangler: voix susurrée, rythmique sourde et froide, électricité rampante.
Mais on n'accusera pas pour autant Suuns d'imitation, préférant y voir une filliation. Le reste de Zeroes QC s'éloigne de l'univers Clinic, entre electronica glacée et bruitisme rock étouffé.
Meilleur exemple de ce mariage, l'hypnotique Arena s'impose comme l'un des meilleurs titres de l'album. Quant aux éclairs électriques qui le traversent, ils dégagent une attraction malsaine, du
riff tendu et abrupt de Marauder au bourdon saturé et au sax free de Gaze, clin d'oeil malin au revival shoegaze.
Transpirant une noirceur fascinante, ce premier essai de Suuns ouvre des voies nouvelles dans le vivier montréalais, conciliant la scène indie-rock bien connue à une niche électronique plus
secrète. Et évoque un croisement contemporain inattendu - mais espéré - entre l'electronica glaçante de The Knife et le rock torturé de Radiohead, pédiode Amnesiac. Espérons juste que Suuns
connaîtra un destin plus clément que celui de Clinic.
Tracklist :
1. Armed for Peace
2. Gaze
3. Arena
4. Pie IX
5. Marauder
6. Sweet Nothing
7. Up Past The Nursery
8. PVC
9. Fear
10. Organ Blues
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http://www.myspace.com/anikinakate
Origine du Groupe : Russia
Style : Jazz Funk Rock Fusion , Guitar Instrumental
Sortie : 2010
From http://www.archive.org
Trio Anikina Kate plays instrumental music. Their first album called "Spring of Madness" is an unusual combination of various styles such as jazz, rock, latino, blues, funk with some elements of
classical music. The artists want to show us the new world, the "state of beyond", the range of feelings from unrestrained shouts to helpless whispers.
The basis of the album is close to an abstraction and at the same moment it is the reflection of the real world as it is seen by the artists both objectively and subjectively."Spring of Madness"
is an attempt to find a fragile balance between the common and the sublime, the material and the spiritual, but that balance it is not an end in itself, it is rather a game.
Tracklist :
01 - Perception
02 - Spring Of Madness
03 - Great Supper With Pinocchio
04 - Shadow of Fear
05 - Feminology
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http://www.myspace.com/mcnapoleonsolo1
Origine du Groupe : North America
Style : Hip Hop , Free Jazz , Alternative
Sortie : 2011
Pour http://liveweb.arte.tv
Pour cet hommage rendu à Nina Simone, Napoleon Maddox a choisi de ne pas reprendre ou reproduire les chansons de la dame, mais de reconstruire autour. Ou plutôt avec.
A Riot Called Nina est une création. Entouré du chœur anglais de beatbox et de jazz vocal The Boxettes, et de la pianiste Sophia Domancich, Napoleon Maddox digresse sur les mot de Nina, voyage
dans son univers émotionnel, poétique et politique mais sur un vaiseau neuf, bâti de musique d’aujourd’hui (free-jazz, hip-hop, etc.)
Artistes : Napoleon Maddox (Beatbox, voix, composition), Sophia Domancich (piano, composition), Bellatrix (voix, beatbox), Alyusha Chagrin (voix, beatbox), Néo Joshua (voix, beatbox), Yvette
Riby-Williams (voix, beatbox), Kate Brown (voix, beatbox) BEATBOX - • Réalisateur : Kate Thompson, Samuel Thiebaut • Cadreurs : Jérémie Clément, Ugo Gillino, Mickaël Nivet et Jérôme Bellaize •
Son : Pierrick Saillant • Production : Oléo Films
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http://www.originalmusicshirt.com/rare-groove-reggae
Origine du Groupe : V.A , Jamaica
Style : Reggae , Dub , Compilation
Sortie : 2011 (2003-2008)
CLASSICALS AND RARES REGGAE SELECTA FROM RADIO NOVA
Vol 1 (2003) 1. Lattery Spin - Zap Pow 2. Sentry - Knowledge 3. Satisfaction - Carl Dawkins
4. Uptown Top Rankin - Althea, Donna 5. Monkey Drop - Scotty 6. Touching The President - Tall And The Touchers 7. Inner
City Blues - Sly, Robbie 8. How The West Was Won - Toyan 9. Ganja Smoke - Ward 21 10. Punany - Charly Ace, Fay 11. Five
Nights Of Bleeding (For Leroy Hams) - Linton Kwesi Johnson 12. The Whip - The Ethiopians 13. I Chase The Devil - Max Romeo, The Upsetters
14. My World Is Empty Without You - The Heptones 15. Bucky Skank - Lee Scratch Perry 16. Everyday Wandering - Johnnie Clarke
Vol 2 (2004) 1 - Intro : Sur la route de Mandeville (Jamaïca) 2 - Rocker - DILLINGER 3 - Unchained (Extended version) (feat. Trinity) - WINSTON
MAC ANUFF 4 - I worry - SCOTTY 5 - Black gold & green - KEN BOOTHE 6 - Monkey do - BIG JIM 7 - Yesterday - THE HEPTONES 8 - Blood ounza - JOHNNY CLARKE 9 - Burn babylon - SYLFORD WALKER 10 -
Don't try to use me (Disco version) - HORACE ANDY 11 - Groovy situation - KEITH ROWE 12 - Groovy dub - THE UPSETTERS 13 - Cassius clay - DENNIS ALCAPONE 14 - Guess who's coming to dinner - BLACK
UHURU 15 - Blue Danube - BOWLAND & CAMERON 16 - Nice time (Late night blues) - DON CARLOS 17 - Guerrilla priest - TERRORISTS
Vol 3 (2005) 1. Don'T Leave Me - Delroy Wilson 2. Rock On - Gregory Isaacs 3. Dubble Attack - Big Youth
4. Ghetto Rock - Tapper Zuckie 5. Every Day Is Like A Holiday - The Sensations 6. Dub In Time - The Upsetters 7. Government Man - Christel, The Goldmaster Allstars 8. Jah Jah
Me No Born Yah - Cornell Campbell 9. This Tribulation - Dennis Brown 10. Crazy Baldhead - Johnny Clarke 11. In The Ghetto - Big Joe 12.
The First Time I Ever Saw Your Face - Marcia Griffiths 13. Sometimes - Mr Lonely Man 14. King In My Empire - Cornell Campbell
Vol 4 (2006) 1. Forgive Them Lord - B.B Seaton 2. Love Come Tumbling Down - Ken Boothe 3. Be Thankful - Bunny Rugs 4. Native Woman - Dave
Robinson 5. Richard Khoury - The Heptones 6. They Say Dub - Wailers All Stars 7. Malcolm X - Earl 16 8. Give Thanks And Praises - Sylford Walker 9. Police In Helicopter - John Holt 10. Every Knee
Shall Bow - Johnny Clarke 11. Cuss Cuss - Horace Andy 12. I'M In Love - Jacob Miller 13. Working Hard For The Rentman - Junior Delahaye 14. Eden A Try - Josey Wales 15. Man A Warrior - Tapper
Zukie 16. Warning Sign - Born Jamericans
Vol 5 (2007) 1. Tonight - Junior Delgado 2. Spreading All Over - Jerry Harris 3. Rise And Fall - Alton Ellis 4. Baby I Love You - Carl Dawkins
5. Too Young - Gregory Isaacs 6. The Scorcher - Errol Dunkley 7. 15 16 17 Black Skin Boys - Compilation 8. Whipping Version - King Tubby And Thompson Sound 9. Ba Ba Boom Time - The Jamaicans 10.
Tell Me You Love Me - Linval Thompson 11. I'Ll Take Your Hand - Alton Ellis 12. Decimal Currency - The Blenders 13. Youthman Time - Jah Batta 14. Youthman Time - Jah Batta 15. Bubble Up - Wayne
Jarrett 16. Robbery In The City - Deb Players 17. Love - Junior Delahaye 18. I Was In Love - Beverly Bailey 19. Color Barrier (7' Horns Version) - Leroy Brown Infos du fichier
: Taille : 426 Mo Hébergeur : Crocko.com Fichier .zip
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http://www.myspace.com/perfectstrangermusic
Origine du Groupe : North America
Style : Abstract Hip Hop , Abstract Electro , Downtempo , Trip Hop , Instrumental
Sortie : 2009
From http://www.projectmooncircle.com
As moody guitars swing and sway around dust encrusted drums and melancholy voices, story’s of the the lonely and broken hearted begin to form in your head. “Falling Down” by Glen Porter is a
journey into the darker side of instrumental music. In the fasion that only he can, he sets the mood and provides the soundtrack for you to sit back, paint pictures and conjure up stories to the
music flowing through your mind.
Paintings by Gordon of PMC.
Tracklist :
1. 5AM (2:38)
2. And Death Of (4:00)
3. Ave. (2:47)
4. Broadcast (3:46)
5. Days 2 Come (3:44)
6. Goodbye (3:28)
7. Hands Without Eyes (3:02)
8. Last Call (1:28)
9. Need Itself (2:50)
10. Need Itself Pt. 2 (4:10)
11. Self Destruction (2:42)
12. Suffer (4:47)
13. The Little People (2:27)
14. Yours (3:47)
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http://www.myspace.com/mocamusic
Origine du Groupe : Germany
Style : Electro Jazz , Nu-Jazz , Future Jazz
Sortie : 2003
From http://www.amazon.com
We sink deep into the soft armchair, only to jump up again and move to the music. We lie flat on our backs in the sun and yet jump up to go dancing on the beach. Moca does this with us. Moca
relaxes and speeds us up again. Moca pushes and brings us back again.Yet, Moca only makes music. Is this an understatement? Yes, absolutely! This belongs to the principle of the 5 band members
from Germany. They play innovative noticable electronic music, some where between House and Lounge, Jazz and Bigbeat. The result is funky, it has goove, but foremost: it relaxes. Relaxation
transports itself, when Moca is on stage. "WeRe seated on stage. Our audience should dance; we only play the music", says Moca master mind Christian Becker. That's how easy the Moca world is and
Christian is the musical director. He's in charge of the backing beat, brings in samples and plays the Hammond, Wurlitzer and Fender-Rhodes-Piano. Peykan Razani is the percussionist, Ralf
Eichenauer plays synthies, while Martin Becker and Christoph Kloppenburg tune in with the guitars. Moca is no plastic band. They are no youngsters playing at home on their computer; Moca want to
be live on stage! Maybe this is the fine difference: half digital music played by musicians, that together have over 65 years of experience in analogue live performance. Total understanding
towards each other, they make every concert into a live-jam-session. That's the reason why it doesn't matter if there are 5000 people dancing or only 50. That's why Moca works. Always. Moca have
been around since 1999, but band members have already been playing together earlier in Funk and Jazz bands, in Blues and Rock `n Roll formations. Many trends in taste, stirred in Moca. They have
been touring around Germany and have many successful gigs and performances at festivals. "wroooooooam" is their second album and, as Moca would say in their very special understatment way, it
only includes music. Very relaxing music.
Tracklist :
01. Jazz Tip
02. Clarke boland
03. Kippchen
04. Atombits
05. Flotter Tag
06. Der Springende Punkt
07. So Funky
08. A40 Bei Nacht, Linke Spur
09. Diskus
10. Gruntee
11. Funky Plusch
12. Too Far Out