• http://ekladata.com/MpwZaXAAfs7AEDyZdaI8zSSdQYE.jpg

    http://www.martingore.com

    http://www.myspace.com/martingoresolo

    Origine du Groupe : U.K

    Style : Alternative

    Sortie : 2003



    By Michael Idov from http://pitchfork.com/reviews



    Not unlike his Stateside namesake Al, Martin Gore knows all about being number two. Having served as Depeche Mode's sole songwriter for two full decades (I know-- weird), he appears more or less
    content with his role as the band's introverted mastermind; Dave Gahan, for his part of the bargain, gets the fame and the occasional overdose.



    Gore's modesty, as it turns out, extends to his solo outings. It just so happens that his and Gahan's albums came out a mere month apart, which would normally trigger reams of tedious
    comparison-and-contrast between the band's "brain" and its "voice." Luckily, Counterfeit 2 pre-empts any such discussion. It's a covers album.



    That's right, the man decided to maneuver around his one universally acknowledged talent (songwriting), instead lending his thin and dull voice to eleven compositions by the likes of Nick Cave,
    Iggy Pop and even Kurt Weill. Moreover, he's not even doing it for the first time. That "2" in the title is not there for oddity's sake-- it denotes a sequel: the first Counterfeit, an EP, came
    out back in 1989.



    This conceit is pretty disarming, you have to admit. For one thing, we can't accuse Gore of trying to sell records. For another, Martin's got a decent taste in other people's music. I can imagine
    a worse way to spend an hour than listening to intelligently arranged, if antiseptic, versions of "Oh My Love" and "Candy Says". Overall, from its (genuinely?) self-deprecating title on down,
    Counterfeit 2 correctly presents itself as a box of hobbyish bric-a-brac for friends and completists. It is on that scale that we should judge it.



    The one big surprise here: a version of David Essex's "Stardust". Less a cover than a rescue operation, Gore's take imbues a piece of glam nonsense with sadness and gravitas. Brian Eno's "By This
    River" sounds most like a Depeche Mode song-- circa Black Celebration no less-- albeit with the obligatory 2K glitchy-twitchy production. This should shock no one, since Eno at his poppiest and
    DM at their most experimental are almost rubbing elbows (plus, he produced them. Duh).



    Those searching for the inevitable big blunder, look no further than a pastiche of Nick Cave's crude epic "Loverman". Clearly infatuated with the original, Gore forsakes reinvention for
    impersonation. Picture Cave's trademark bombast ("There's a devil crawling on your floor...Give him more/ Give him more") and then imagine it issuing forth from Gore's genteel larynx. Bad idea.
    Needless to say, this is the longest song on the record, clocking in at 7:02.



    Elsewhere, a Nico cover ("Das Lied Vom Einsamen Mddchen") and a detour into Kurt Weill fakebook fare better than you would imagine: there was always a vague whiff of the cabaret about Depeche
    Mode. Now is probably the time to confess that one of my recurring adolescent fantasies was "DM Unplugged", with candles, a string quartet, a Johnny Cash cameo on "Personal Jesus", Gahan firmly
    seated in a Gothic chair, and a grinning Gore behind a baby grand. I still think it's a great idea.







    Tracklist :

    1. In My Time of Dying

    2. Stardust

    3. I Cast a Lonesome Shadow

    4. In My Other World

    5. Loverman

    6. By This River

    7. Lost in the Stars

    8. Oh My Love

    9. Das Lied vom einsamen Mädchen

    10. Tiny Girls

    11. Candy Says

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  • http://ekladata.com/QcZGxSsc_hd3rq5WuEnHcqYA2nI.jpg

    http://www.dubcolossus.org

    http://www.myspace.com/dubcolossusmusic

    Origine du Groupe : U.K

    Style : World Dub , Reggae , World Music , Alternative

    Sortie : 2011



    By David Katz  from http://www.bbc.co.uk



    Former Transglobal Underground and Temple of Sound main-man Nick Page, aka Count Dubulah, formed Dub Colossus as an outlet for hybrid interaction with Ethiopian musicians he encountered in Addis
    Ababa in 2006. The resultant debut album, A Town Called Addis, was widely praised for its border-stretching capacities and sonic adventurousness, giving traditional Ethiopian styles a modern
    re-working with a thoroughly dubwise sensibility. Sophomore set Addis Through the Looking Glass continues the journey with an even more complex stew, featuring guest input from Dr Das of Asian
    Dub Foundation, Jamiroquai’s drummer Nick Van Gelder, and founding Steel Pulse member Mykaell Riley. But its overall irresistibility truly comes courtesy of the Ethiopian players, who were
    apparently more in the driving seat this time around.



    The base of the music holds trademark elements of that which so enchanted audiences on the Ethiopiques series: vocalists Sintayehu Zenebe, Teremage Woretaw and Tsedenia Gebremarkos call to mind
    the legendary figures of Ethiopian music’s golden age, while sax man Feleke Woldemariam and the Bole Better Brass blow an updated Imperial Bodyguard style; expressive keyboardist Samuel Yirga
    also makes important melodic contributions throughout. It all serves to help ground the music in its Ethiopian origins, before Dubulah and crew drag in various blues, jazz, folk and rock
    elements, ultimately blasting the whole shebang into the dub stratosphere.



    On tracks like Tringo Dub and the playfully named Dub Will Tear Us Apart, everything hangs together exceptionally well, appearing as the kind of music that might have resulted if Kingston’s
    finest dub mixers made a pilgrimage to Addis in the roots era. The bluesy re-make of The Abyssinians’ immortal Satta Massagana furthers this theme, and even if the Ethio-pop re-working of Uptown
    Top Ranking is a weaker link in the chain, instrumentals Feqer Aydelem Wey and Yezema Meseret are quietly dazzling. By the time we reach the closing goulash of Gubeliye, the disc has taken in
    hard bop, psychedelic rock, ragamuffin dancehall and streetwise RnB, hidden textures easily missed on first listen ready to be discovered. Dubulah says the aim is to constantly surprise, and he
    really pulls off the feat on Addis Through the Looking Glass, for predicting the course quickly becomes an impossibility.









    Tracklist :

    1. Addis Through The Looking Glass

    2. Dub Will Tear Us Apart

    3. Wey Fekir

    4. Yeh Shimbraw Tir Tir

    5. Tringo Dub

    6. Satta Massagana

    7. Kuratu

    8. Feqer Aydelem Wey

    9. Guragigna

    10. Yezema Meseret

    11. Yigermel

    12. Wehgene

    13. Uptown Top Ranking

    14. Gubeliye

     

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  • http://ekladata.com/PF93KT-RruY2mxTFHvXg6QbzX-c.png

    http://www.myspace.com/maddoctorx

    http://www.sonrecords.com

    Origine du Groupe : U.K

    Style : Abstract Hip Hop , Breakbeat

    Sortie : 1997



    From http://www.sonrecords.com



    The undercover alter-ego of incredible Bruce Banna-like hip-hop veteran DJ Jason. On the scene for years since he first blew up with Blapps! Posse and 'Don't Hold Back' (released in 1990 and
    repressed 57 times since) the Mad Doctor has been busy working in the lab conducting his illicit experiments and concocting his ill beats in various disguises ever since: London Funk Allstars and
    DJ Toolz on Ninja Tune, Clusterfunk on Cooltempo, and later on as Mad Doctor X on Son with the landmark 'Project X' EPs, and full albums on the Freskanova and Marble Bar labels, while also
    touring the world as The Freestyler's man behind the decks.  You know this man: you just don't know you know him.



    Tracklist :

    1 - Intergalactic Throwdown           

    2 - Giant Steps           

    3 - Real Heavy Science           

    4 - Hyperion           

    5 - Nemesis           

    6 - Instamatic           

    7 - Nuts           

    8 - Junkie's Flashback           

    9 - I Was A Teanage B-Boy           

    10 - Mad Molecules           

    11 - Tribute To Bruce Banner           

    12 - Supernatural Jazz           

    13 - Zen Gnostics On Wax

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  • http://www.jarringeffects.net/_media/image/release/release_106.jpg

    http://www.jarringeffects.net/fx100

    Origine du Groupe : V.A , France

    Style : Electro Dub , Electro Hip Hop , Dubstep , Experimental

    Sortie : 2011



    Par http://www.jarringeffects.net



    Qui aurait parié en 1998 lorsque sortait « Fantasque hits » que Jarring Effects pousserait les expérimentations musicales jusqu'à la centième référence ?! Peu de gens sans doute, pas même ceux
    qui à l'époque étaient à la barre du bateau JFX ! C'est la raison pour laquelle nous avons décidé à notre façon de marquer le coup, car le centième disque est un événement marquant dans
    l'histoire d'un label.



    Pour cette sortie symbolique, nous ne vous proposons pas la classique compilation rétrospective mais 3 disques de titres inédits, de collaborations inattendues et de remixs rassemblant les
    artistes qui ont fait le catalogue Jarring Effects associés à d'autres artistes amis, rencontrés sur la route ou lors de notre festival Riddim Collision. Un coffret à l'image de Jarring, fait de
    rencontres, de confrontations et de mélanges des genres.

     





    Tracklist :



    CD1:



    1 - OBF, Improvisators Dub & High Tone - Dub Fever

    2 - High Tone - Come to Teach (feat. Brother Culture)

    3 - Niveau Zero & High Tone - Spank (Niveau Zero RMX)

    4 - Dub Addict & Brain Damage - Mundhu (Dub Addict RMX)

    5 - Brain Damage Dub Sessions & Sir Jean - Royale Salute

    6 - Mayd Hubb & Löbe Radiant Dub System - Seaboard Costline (Mayd Hubb RMX)

    7 - Kaly Live Dub - Infection

    8 - Twelve - Dub War

    9 - Vibronics & Kaly Live Dub - What a Life (Vibronics RMX)

    10 - Led Piperz - Rolla Bearings

    11 - Dub Addict & High Tone - Rub-A-Dub Anthem (Dub Addict RMX)



    CD2 : Electro Hip Hop



    12 - Thavius Beck & Ben Sharpa - Blame Game

    13 - Twelve & Non (Shadow Huntaz) - 445am Sunset

    14 - Si Begg & Oddateee - Not Even One (Si Begg RMX)

    15 - Sibot & M Sayyid - Sky Lark

    16 - Dplanet & Konfab - Solar Eclipse

    17 - Metastaz, Yarah Bravo & Miscellaneous - Supah

    18 - Le Peuple de l'herbe - White Line Highway

    19 - Fumuj - Duck Tape

    20 - L'Oeuf Raide & Bleubird - Defending the Dream

    21 - Reverse Engineering & B Dolan - The Storm Never Passed

    22 - Dplanet & K-the-i??? - Locked



    CD3 : UFO



    23 - Filastine Y La Bamba - Juniper (Filastine RMX)

    24 - Professor Psygrooves & EZ3kiel - Kika (Professor Psygrooves RMX)

    25 - R;Zatz & Black Sifichi - Dark Brown Eyes

    26 - Kooltrasher & Oddateee - Lost

    27 - Grosso Gadgetto & Bigg Jus - Sun Burn

    28 - Si Begg & Oddateee - Not Even One (Si Begg RMX)

    29 - Scorn - Shake Hands

    30 - Ohmwerk & Major Klemt - Collision 2

    31 - Uzul & EZ3kiel - Phantom Land (Uzul RMX)

    32 - Spade & Archer feat. France Loisir - Un mojito et je meurre

    33 - Vuneny & Von Magnet - Dancing Plaque

    34 - Picore & Strings of Consciousness - Labyrinth

     

     

    JUST RESPECT & SUPPORT PEACE !!! : JARRING EFFECTS LABEL


  • http://ecx.images-amazon.com/images/I/51YjyCX39pL._SL500_AA300_.jpg

    http://www.myspace.com/kennyburrellofficial

    Origine du Groupe : North America

    Style : Jazz , Blues

    Sortie : 1969



    By K. C. Anderson from http://www.amazon.com



    Kenny Burrell in a context style I've never heard before or after the release of this album... If you love Kenny Burrell's playing you will be extremely pleased to be listening having owning this
    disc.



    Tracklist :

    1. Introduction

    2. Asphalt Canyon Blues

    3. Think About It

    4. Better Get Your Thing Together

    5. Alone In The City

    6. Things ‘Aint What They Used To Be

    7. Put A Little Love In Your Heart

    8. Please Send Me Someone To Love

    9. Going To Jim And Andy’s

    10. Sugar Hill

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  • http://s3.media.squarespace.com/production/868799/10192550/images/music/dj-cam-substances.jpeg

    http://inflamable.com

    Origine du Groupe : France

    Style : Abstract Hip Hop , Abstract Jazz

    Sortie : 1996



    Par freddypogo pour http://freddypogo.blogspot.com



    Masterpiece from french dj Cam, une excursion cotonneuse entre le hip hop, le jazz et les samples de musiques de films. La voix de la chanteuse Kakoli Sengupta colle parfaitement au propos d'un
    disque globalement homogene du début a la fin. Valeur sure des soirées chill dans vos salons.



    Tracklist :

    01 - Intro

    02 - Friends and Enemies

    03 - Essence Part One

    04 - Meera

    05 - Essence Part Two

    06 - Sound System Children

    07 - Alexandra's Interlude

    08 - Innervisions

    09 - Essence Part Three

    10 - Hip Hop Pionneers

    11 - Essence Part Four

    12 - Lost Kingdom

    13 - Essence Part Five

    14 - Angel Dust

    15 - Essence Part Six

    16 - Twillight Zone

    17 - Outro

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  • http://images.junostatic.com/full/CS1200061-02A-BIG.jpg

    http://www.aquasky.co.uk

    Origine du Groupe : U.K

    Style : Electro Drum & bass , Electro Hip Hop

    Sortie : 1997



    By 70's Baby Early 80's Child From http://90something.blogspot.com





    I have to admit that Aquasky were my d'n'b heroes, I had to have all of their early Moving Shadow platters and their radical style shift on the debut album Bodyshock was actually Mindshock to me.
    Orange Dust is a bit schizophrenic mini-album put together from material recorded during their year-long stint on Polydor-owned label Passenger. There's some cool atmospheric d'n'b (Opaque,
    Orange Dust, Plane Invaders), some fine uptempo trip-hop (Universe) and also some dubious hip hop experiments with weak rap and excellent turntablism. This edition also includes remixes from the
    single Raw Skillz/Opaque.



    Tracklist :

    1. Opaque

    2. Orange Dust

    3. Universe

    4. Plane Invaders

    5. Rough (ft. Big Shug & The Scratch Perverts)

    6. Rough (ft. Big Shug & The Scratch Perverts) (instrumental)

    7. Raw Skillz (ft. Big Kwam & The Scratch Perverts)

    8. Raw Skillz (ft. Big Kwam & The Scratch Perverts) (instrumental)

    9. Opaque (Remix By Total Science)

    10.Opaque (The Spirit-Ual Mix)

    11 Aquasky feat Big Kwam and The Scratch Perverts-Raw Skills (Remix By Da Beatminers)

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  • http://www.grandcrew.com/thumbnails/original/video/177/original/bc2ef296bc15b92c9839cbc29478f41a.jpg?sf_format=jpg

    http://www.myspace.com/winstonmcanuff

    http://www.myspace.com/matthewmcanuff

    Origine du Groupe : Jamaica

    Style : Reggae

    Sortie : 2009



     

    From http://www.grandcrew.com



    For the past few years, Winston McAnuff (aka Electric Dread) and his son Matthew have been spreading the old school reggae roots gospel around the world.

    Far from aggressive raga, McAnuff father & son add their contemporary touch to the music, producing a sound that's every so funky with a strong rock touch. Get ready to be carried away... to
    Ziooooooonnnnnnnn!


  • http://ekladata.com/fHQirWmcA3MyHr5XHYXfBb_yVcA.jpg

    http://www.diginois.com.br

    http://www.myspace.com/santtana

    Origine du Groupe : Brazil

    Style : Alternative Fusion World

    Sortie : 2009



    Pour http://alternativesound.musicblog.fr



    Un grand merci au label Mais Um Discos de donner une seconde vie à "sem nostalgia" de Lucas Santtana, initialement sorti au Brésil en 2009, et qui est enfin disponible chez nous. Sans cette
    réédition, on serait sûrement passé à côté de ce qui est sans doute le meilleur disque brésilien depuis "cru" de Seu Jorge (2004). Ce jeune musicien modernise avec brio le mouvement tropicalisme,
    née à a fin des années 60 avec des artistes comme Os Mutantes, Gilberto Gil, Jorge Ben ou encore Caetano Veloso. Ce courant musical synthétisait bossa nova, pop, folk et rock psychédélique sur
    fond de contestation politique.



    Le disque se situe entre la beauté mélancolique des chansons de Caetano Veloso et les bidouillages psychédéliques de Tom Ze. Lucas Santtana s'est pourtant mis de sacrées contraintes pour réaliser
    ce petit bijou. En effet, mis à part quelques sons de la nature (des bruits d'insectes par exemple), tous les sons proviennent uniquement de sa guitare ou alors de samples d'instrus de grands
    noms de la musique brésilienne (Baden Powell, Joao Gilberto, Jorge Ben...) pour le morceau "super violao mashup".



    En attendant son nouvel album prévu pour début 2012, je ne peux que vous conseiller de tendre vos oreilles vers ces douze magnifiques compos où se croisent guitares acoustiques, samba,
    bidouillages électro psychédéliques et mélodies pop. Indispensable !

     



    Tracklist :

    01. Super violão mashup

    02. Who can say which way

    03. Night time in the backyard

    04. Cira Regina e Nana

    05. Recado para Pio Lobato

    06. Hold me in

    07. Amor em Jacumã

    08. I can't live far from my music

    09. Cá pra nós

    10. O violão de Mario Bros

    11. Ripple of the water

    12. Natureza nº 1 em Mi Maior

     

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  • http://f0.bcbits.com/z/15/95/1595669263-1.jpg

    http://badbadnotgood.tumblr.com

    Origine du Groupe : Canada

    Style : Abstract Hip Hop , Abstract Jazz , Experimental

    Sortie : 2011

    By from http://brushvox.com



    Actually thought their name is The Odd Trio, it seems I was wrong. And I admit it when I’m fucking up things. For God sake I’m not perfect. Yet. :evil: I’m willing to improve myself.



    BadBadNotGood are back with another free EP, can grab it from their Bandcamp page or via Mediafire. Matt Tavares on piano, Alex Sowinski on drums and Chester Hansen on bass are three talented
    guys from Toronto and they plays smooth, but groovy modern jazz balancing between classic aromas and post-bop flavors. Experimental, still classy charming, smooth and exciting. Something
    absolutely nice to listening to. It’s quite an unique blending of traditional jazz and avant-garde experimentation, improvisations. Absolutely fresh and sparking.

     





    Tracklist :

    1.Based Is How You Feel Inside 01:22

    2.Fall In Love 04:11

    3.Improvised Jam 03:54

    4.Mass Appeal / Transmission 04:51

    5.I Got A Bad Feeling About This 00:07

    6.Salmonella 01:47

    7.Freedom / Billium Evans (Prod. Seeds of Yaris) 05:17

    8.The World Is Yours / Brooklyn Zoo 06:22

    9.Listeriosis 04:14    

    10.Camel 03:04    

    11.Title Theme / Saria's Song / Song Of Storms 09:34    

    12.Outro / Glasper 01:53

     

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