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http://www.myspace.com/beatsantique
Origine du Groupe : North America
Style : Downtempo , Breakbeat , Electronic , Turntable
Sortie : 2010
Growing like wildfire under the canopy of live electonica and world roots music comes a masterful merge of modern technology, live instrumentation and seductive performance, built of brass bands
and glitch, string quartets and dubstep: the musical trio Beats Antique.
Since the group’s inception from the eclectic underground of San Francsico’s performance art scene, Beats Antique has been notorious for making it nearly impossible to sit still. They meld their
mediums as attentively as they fuse the cultures that inspire their sound. All self produced and composed, the trio creates a unique collage: an animalistic, raw musical event that blurs the
lines between the provocative, the spiritual, and the artistic, while still maintaining an allegiance to the muses of class and beauty.
The journey that led to Beats Antique today was a winding and twisted path from the west coast to the ancient trade routes of the silk road. In this modern incarnation, the musical alliance of
producers David Satori and Tommy Cappel is inspired and emphasized by their collaborative partnership with world-renowned belly dance performer and music producer Zoe Jakes.
David Satori and Tommy Cappel both trained classically before venturing to locations such as Bali, West Africa, Serbia and beyond. With extensive backgrounds in multicultural music production,
and the passports to prove it, Satori and Cappel command the spectrum of live and digital instrumentation, born from Hip Hop and old school jazz.
Zoe Jakes adds a third dimension as the multi –cultural and –disciplinary dance counterpart to Beats Antique’s sound. Jakes has worked with 2 major dance troupes, Miles Copeland’s Bellydance
Superstars and Rachel Brice’s Indigo Belly Dance Company, a student of ballet and contemporary techniques. Jake’s additional history with Cappel in the Extra Action Marching Band and the Yard
Dogs Road Show grants some insight into the caliber of performance that is Beats Antique’s standard.
All of this sets the scene for Beats Antique’s overtly ambitious stage show, a sensory overload conquest of the festival circuit’s most riotous events, such as Lollapalooza, Austin City Limits
festival, and Outside Lands, as well as a catalog of proper tours that include Bassnectar and a recent run with Les Claypool of PRIMUS in early 2010. According to Satori, the trio is excited by
their ability to create a huge sound from their relatively small setup. “It gives us this whole new world of musical opportunities that we’re just starting to scratch the surface of.”
In a prolific 3 years since Beats Antique emerged, the group has released 2 albums and a pair of EPs, with a third album, Blind Threshold, on the way. Notable features of the new release include
vaporous violins and Danny Elfman-esque dementia; glitchy, laser-guided harmonica provided by Blues Traveler frontman John Popper; and 2 very different vocal tracks that range between restless
pop hooks and vibrant Eastern European dance loops. All wrapped into an intricate collection of heavy beats and sub bass.
Beats Antique is best imagined as an innovative creature built from the cumulative heritage of the world’s music chasing its tail. However vivid that image, when a marching band groove crashes
into bluesy folk chords only to be accompanied by electronic beats and Middle Eastern melodies, you’ll still be surprised.
by CDBaby
Tracklist :
01. Egyptic (5:49)
02. Runaway (5:05)
03. Revival (4:30)
04. Spiderbite (4:11)
05. Rising Tide (feat. LYNX) (3:49)
06. Daze (4:26)
07. Vardo (4:05)
08. Prelude (1:44)
09. Miss Levine (5:05)
10. Nasvalo (feat. Eva Salina) (5:13)
11. Grandstand (4:32)
12. There Ya Go (feat. John Popper) (4:36)
13. Merry Go Round (4:41)
14. I Got… (by Mix N Blend & Narch – Beats Antique Remix) (4:11)
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Origine du Groupe : Canada
Style : Alternative Rock , Electro Pop Rock
Sortie : 2005
Live : France (Saint Malo)
" Metric prend la relève après un court moment pendant lequel les 2 DJs, qui animèrent agréablement les intermèdes du festival, passent quelques titres électro rock.
Le pop rock incisif et mélodique de Metric, remarqué dans le film Clean de Assayas, a un peu de mal à faire oublier les Sonic mais la chanteuse Emily Haines et ses poses un peu systèmatiques et
quasi chorégraphiques se lance dans la bataille afin de faire réagir au mieux les festivaliers.
Tranquillement, le groupe de Montréal réussira à faire entendre sa pop un peu sombre et guidera le public vers la fin de la nuit. "
par David pour froggydelight.com
Tracklist :
01 Intro
02 Succexy
03 The list
04 Slow night
05 Handshakes
06 Calculation theme
07 Combat baby
08 Dead disco
09 Credits
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http://fr.wikipedia.org/wiki/Dizzy_Gillespie
Origine du Groupe : North America
Style : Jazz Funk , Soul Groove
Sortie : 1981
IN-DISPENSABLE a toute personne qui aime les sons groove, funky matinés d'une pointe de jazz. Ceux qui ne connaissent Schifrin que pour Mission Impossible ou Bullitt seraient étonnés de remarquer
que le talent de ce monsieur est bien au dela de tout ca. Ecrit et arrangé en milieu des 70's pour Dizzy, pour une complicité musicale qui ne cessera pas, ce premier opus des deux compères est
une réussite TOTALE..!!!!
Très bon tempos bien rythmés avec une diversité d'instruments, tels que les indispensables cuivres, mais aussi flutes, orgues electroniques, guitare, etc...
Fermez les yeux et vous replongerez dans l'esprit des 70's : pattes d'eph, starsky et hutch, shaft, etc.... Mais attention on ne peut parler ici de kitsch, il s'agit bien de bon jazz balancé,
groovy a souhait et avec un soupcon de latino, Lalo Schifrin etant argentin.
Je ne vous le recommande pas, il s'impose pour tout amateur de jazz !!!
Par ebrd "ebrd" (RP, France)
permalink
http://v.youku.com/v_show/id_XMTg0OTUzMjAw.html
Tracklist :
01. Unicorn (6:43)
02. Fire Dance (4:20)
03. Incantation (6:40)
04. Wrong Number (4:33)
05. Free Ride (5:16)
06. Ozone Madness (6:24)
07. Love Poem For Donna (4:31)
08. The Last Stroke Of Midnight (4:31)
Dizzy Gillespie, Jack H. Laubach & Oscar Brashear - trumpets
Lalo Schifrin - composer & arranger, synthesizer
Jerome Richardson & James Horn - flute
Lew McCreary - trombone
Lee Ritenour, Wah Wah Watson & Ray Parker, Jr. - guitars
Sonny Burke - piano
Wilton Felder - bass
Ed Greene - drums
Paulinho Da Costa - percussion
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http://www.myspace.com/asaofficial
Origine du Groupe : Nigeria , France
Style : Alternative , Soul , Folk , Pop , Blues , Reggae
Sortie : 2010
En dépit de l'air un peu grave et énigmatique qu'a fixé Jean-Baptiste Mondino sur la pochette de Beautiful Imperfection, Asa a décidé de ne plus s'inquiéter sur son sort et de prendre du bon
temps. Elle nous le confie dès le morceau d'ouverture," Why Can't We ", et le prouve tout au long de cette belle imperfection.
Suave, très varié et le plus souvent rayonnant, ce deuxième album de la chanteuse nigériane joue harmonieusement avec des influences soul, pop, folk, blues, reggae et même twist. Les radios vont
être contentes et bien de gens devraient avoir envie d’organiser des surprise-parties cet hiver. Mais ces références sont davantage des clins d'oeil que des exercices de style : guitares grasses
à la " Thriller " au coeur de " Bimpé ", orchestration de cordes et pied de grosse caisse réminiscents du " Wonderwall " d'Oasis sur " Ok Ok ", claquements de doigts extraits de " West Side
Story " pour " The Way I Feel ", et cuivres et choeurs façon Tamla Motown ici et là.
Heureusement, les arrangements de Benjamin Constant, déjà à l'oeuvre sur le premier album, sont assez malins pour ne pas laisser ces emprunts en première ligne et leur offrir des contre-champs
plus personnels. Il avait de quoi se régaler car les mélodies apportées par Asa sont d'une élégante évidence et d'une efficacité naturelle. Mais le ciment de cette ludique architecture tient
avant tout à sa voix. Elle conjugue la douceur du lait et le piment du poivre et vole sur chaque mot avec une agilité nonchalante. Elle ajoute à ces chansons d'apparence légère comme un double
sens d'une grande sensualité, d'une immense tendresse, d'une infinie humanité.
Finalement, la photo de pochette ne ment pas : la gravité comme la frivolité d'Asa sont imparfaites et c'est ce qui en fait la beauté.
par Benjamin MiNiMuM pour Mondomix
Tracklist :
1. Why can't we
2. Maybe
3. Be my man
4. Preacher man
5. Bimpé
6. The way I feel
7. Ok ok
8. Dreamer girl (have you ever heard)
9. Oré
10. Baby gone
11. Broda olé (Brother olé)
12. Questions
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http://www.myspace.com/taildraggercrawlinjames
Origine du Groupe : North America
Style : Blues
Sortie : 2009
This DVD presents 75 minutes of raw blues from vocalist Tail Dragger with his Chicago Blues Band live from Rooster's Lounge on the west side of Chicago. If you want to experience a typical
Saturday night at the Lounge, this is the next thing to being there. Tail Dragger takes his mic and wanders around the room, singing in his gravel-mouthed style, stopping here and there to plead
his relationship blues to a variety of (mostly) females (with the guys looking on from their perspective). There are times when I would like to see him move on to a different gal, as he sometimes
seems to play up to one for too long. However, his audience has come to expect this and delights in wondering who his next "victim" will be. This is not blues-lite or blues-rock. The band
provides a solid shuffle backing throughout the set, although I would have preferred one less of the two guitarists. I like guitar, but sometimes there can be too many in the sound mix. Special
guest Jimmy Dawkins steps in, taking the place of one, and plays guitar with the band on one number, "Wander", and has a welcomed sound. In fact, the appearance of Jimmy Dawkins on this DVD was
probably the main reason I bought it, and I would like to see an entire DVD such as this devoted to Dawkins with backing band in the future. Otherwise, I was very impressed with the band's Martin
Lang on blues harp (harmonica). On every number, he provided a sincere, enthusiastic backing, helping to create a true-blues sound. The video is shot from a variety of angles, and the
videographers deserve praise for being able to keep up with the pacing Tail Dragger. All in all, this is a DVD for those that want to see and feel the raw blues in the proper venue.
by Blue Ox "Al"
permalink
Tracklist :
1. Louise (7:34)
2. Talk (0:55)
3. Baby Please Don't Go (5:03)
4. Talk (0:52)
5. She's Worryin' Me (8:08)
6. Talk (0:53)
7. Stop Lying (4:29)
8. Keep It to Yourself (4:05)
9. Talk (0:39)10. Be Careful (6:28)
11. Talk (0:44)
12. Wander (3:45)
13. Talk (0:59)
14. Bought Me A New Home 6:11
15. Ooh Baby Hold Me (3:09)
16. I'm In the Mood (6:16)
17. Everything Gonna Be Alright (6:17)
18. Blues With a Feeling (5:51)
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http://www.myspace.com/weedfmerra
Origine du Groupe : Romania
Style : Electro Ambient , Electronica , Alternative
Sortie : 2009
Their name inspired by the weed section of the botanical gardens in Geneva and the undeniable power of hemp, Dan and Cristina are WEED.
Dan was born in Bucharest, Romania. He began violin and classical music training at an early age.
Even earlier he began a lifelong fascination with tape machines and tapes fed in backwards, the distant transmissions of Radio Free Europe coming through distorted frequencies and the phasing
effects one can create by playing with a short wave receptor.
Cristina, a free spirited artist and poet is from the same district of Bucharest as Dan but the two never met until their families fled communist Romania.
Granted a scholarship to study at the Conservatoire de Geneve at only sixteen,Dan sought music everywhere, spending time in record shops, meeting djs who soon led him into clubs. Earning a set of
Technics djing at the landmark Club 58 on the resident's days off and soon after dropping out of musical studies and college to work odd jobs in order to acquire a Korg synthesiser and a Roland
beat box, Dan was on his way to making reality out of the dream of composing and producing electronic music.
Having met Dan on a spanish holiday, Cristina began experimenting with music herself after having discovered the likes of Vangelis, Syd Barett,Can, Kate Bush.
Blessed with a distinctive voice and a passion for painting, making collages and macro photography, she also became the live vocal sample provider for Dan's musical projects.
Having relocated to Canada, they quickly became known among a new electronic music community that had grown in early nineties Vancouver, launching the Outersanctum label connected more with
Detroit and german techno, ambient, acid house, than the industrial sounds this city is more readily associated with.
The first compilation "Frequencies from the edge of the tektonic plate" with its ambient acid feel puts Vancouver on this planet's electronic music map.
A string of releases followed, some released through their own label, others licensed to established names like Harthouse, The All Blacks, Apollon, Silent, Interchill, Pork,
Chrysalis, WaxTrax, and EMI .
In 1999 the two return to native Romania for a visit and decide to settle in a mountain village where life is as it was two hundred years [or more] ago.
Horse drawn carriages, wooden stoves, secular traditions and lots of fresh air.
Floating between shamanic pop and space-a-delic lust " Visionary Sessions" is pure electromantic therapy.
by
Tracklist :
01. A Sigh Becomes A Thousand Tree 5:20
02. Ace 4:27
03. Blessed 6:03
04. Fields of Love 5:24
05. Finding My Way 4:03
06. Free Your Spirit 4:11
07. Omen 5:10
08. Path of Rose Pedals 5:06
09. Peace Mantra 4:20
10. So Hi 4:46
11. Visionary Sessions 8:39
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http://www.myspace.com/gracepotterandthenocturnals
Origine du Groupe : North America
Style : Soul , Funk , Blues
Sortie : 2005
Grace Potter and the Nocturnals is a young, Vermont based band working to impact audiences with timeless, original music. Their creative blend of roots, funky blues, gospel, and rock conjures up
a nostalgic sound most likely found in a record collection from the sixties and early seventies.
Leading this charge is twenty-one year old Grace Potter whose vocal ability already draws dynamic comparisons to legends such as Bonnie Raitt, Aretha Franklin, Norah Jones, and Janis Joplin. Her
unique style behind the Hammond B-3 and piano has also been captivating audiences across the country.
Joining Potter is Scott Tournet (guitar/slide guitar), Matthew Burr (drums/percussion), and Bryan Dondero (upright/electric bass). The band is currently touring in promotion of "Nothing But the
Water", a powerful sophomore album filled with soul-charged roots, blues, and rock. The site of the recording sessions was a historic barn in central Vermont, which was ambitiously transformed
into a studio for a week. Visit http://www.gracepotter.com for sound samples, touring information, and band updates.
Recently the band has shared stages with well known artists such as Robert Cray, Gillian Welch, Mavis Staples, and Hot Tuna.
"This may be the hottest thing to come out of Vermont since...what was the name of that band again? Anyways, we got a whiff of what is to come on Grace Potter's sophomore album, Nothing But The
Water, and with a rock, funk, and soul-charged repertoire, we like what we hear. The new album hits stores in May and they'll be performing a number of CD Release shows on the East Coast. No need
to find the proper setting, we can't think of a room this sound wouldn't warm."
-Jambase.com
"Potter sings of jilted love and jealousy, it's hard to believe she's only 21. The band's sound echoes music that's older than the band members themselves; they're influenced by musicians that
came of age in the 1960s and '70s, from the Rolling Stones to J.J. Cale, The Band to Bonnie Raitt, Otis Redding to Little Feat, Dire Straits to Talking Heads."
-The Burlington Free Press
"Like Bonnie Raitt on her best day ever, like Tina Turner on a granulated sugar high, like Bette Midler and Janis Joplin dueting the theme from "Annie," Grace Potter can flat out crank when she
feels the need. And she does.
-The Connecticut Valley Spectator
"As I settled in for the act, the band that took the stage was fronted by a young woman (21ish) with long dirty blonde hair who alternatively sits at the keys playing organ and stands at the mic,
tambourine at her side. What poured from her mouth was powerfully resonant blues-rock. Her name is Grace Potter, and she perfectly channels a soulfulness usually reserved for much more
established artists in this vein- Bonnie Raitt and Patti Griffin.
-Crazy Talk! SXSW Show Reviews
by cdbaby.com
Tracklist :
1 - Toothbrush and My Table (04:33)
2 - Some Kind of Ride (03:42)
3 - Ragged Company (05:00)
4 - Left Behind (03:41)
5 - Treat Me Right (04:29)
6 - Sweet Hands (03:39)
7 - Joey (05:18)
8 - 2:22 (04:34)
9 - All but One (04:54)
10 - Below the Beams (01:35)
11 - Nothing but the Water, Pt. 1 (02:46)
12 - Nothing but the Water, Pt 2 (5:18)
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http://en.wikipedia.org/wiki/Gregory_Isaacs
http://fr.wikipedia.org/wiki/Gregory_Isaacs
http://www.myspace.com/gregoryisaacsmon
Origine du Groupe : Jamaica
Style : Reggae
Sortie : 1976
From Wikipedia :
Gregory Isaacs est un chanteur de reggae, né le 15 juillet 1951 à Fletchers Land, quartier de Kingston en Jamaïque - mort le 25 octobre 2010 à Londres à l’âge de 59 ans.
Le premier titre de Gregory Isaacs, Another Heartache, sort en 1968, et préfigure son penchant pour les thèmes lovers.
Dans les années 1970, il se révèle être l'un des artistes les plus populaires et prolifiques de Jamaïque. Il sort de nombreux morceaux produits sur son label, African Museum, qu'il créé en 1973
avec Errol Dunkley. La plupart de ses chansons abordent des thèmes conscious ou des chansons d'amours ; il est l'un des principaux artisans du style Lover's Rock.
Parmi ses tubes de cette période, on peut citer My Only Lover, Sinner Man et Mr. Cop, ce dernier enregistré au Black Ark Studio de Lee Perry. Plus tard, c'est sur le label GG's du producteur
Alvin Ranglin qu'il sort d'autres titres parmi ses plus populaires comme Number One et Border.
Sous contrat avec Virgin qui développe son propre label reggae (Frontline) durant la seconde moitié des années 1970, il enregistre les concept albums Cool Ruler (1978) et Soon Forward (1979) qui
connaissent un très grand succès (notamment les morceaux If I Don't Have You, Let's Dance et Soon Forward) et lancent Gregory vers une carrière internationale. Les deux albums suivants, Lonely
Lover (1980) et More Gregory (1981), tous deux de de grande qualité, ne font que confimer ce succès.
Au début des années 1980, Isaacs signe un contrat avec Island Records qui aboutira à la sortie de deux albums Night Nurse (1982) et Out Deh! (1983). Night Nurse est souvent considéré comme son
chef-d'oeuvre.
Des problèmes de drogue, ayant un gros impact sur sa voix qui sera irrémédiablement abîmée, et un passage au pénitencier pour détention d'armes à feu mettent fin à cet âge d'or. Il sort en 1988
son tube Rumours, produit par Gussie Clarke qui lui permet de faire son comeback. Il obtient encore plusieurs hits dont Red Rose for Gregory et Big All Around (avec Dennis Brown).
Il poursuit sa carrière dans les années 1990 en enregistrant pour les producteurs les plus en vue du moment, comme King Jammy, Bobby Digital, Fattis, Black Scorpio ou encore Steely & Cleevie
pour ne citer qu'eux.
Il sort de nombreux albums pendant cette période dite "digitale". C'est l'un des rares chanteurs de l'époque "roots" des années 70 et 80 à avoir su évoluer vers ce nouveau son de style très
"minimal". Il sut aisément s'imposer parmi les différents artistes émergents de ce mouvement musical.
Il est surnommé The Cool Ruler, Dapper Slapper ou Jah Tooth et même parfois Hitler en raison de son comportement autoritaire envers les musiciens[3], qu'il faut comprendre par le fait qu'il vient
du ghetto.
Gregory Isaacs apparaît dans les films Rockers (1978) de Ted Bafaloukos et Made In Jamaica (2007) de Jérôme Laperrousaz.
Discography :
* All I Have Is Love (1973 / Trojan, 1976 / Abraham)
* In Person (1974 / GG's, 1974 / Trojan, 1975)
* Willow Tree (1977 / Jamaican Gold, Alvin Ranglin)
* Extra Classic (1976 / Morpheus, 1977 / Cindy Rec., 1978)
* Mr Isaacs (1977 / Cash & Carry, 1978 / Shanachie, 1982 / Vista, 1983)
* The Best Of (GG's, 1977)
* Two Bad Superstars (1978) - album partagé avec son ami Dennis Brown.
* Cool Ruler (Virgin, 1978)
* Soon Forward (Virgin, 1979)
* Lonely Lover (Charisma, 1980 / African Museum, 1983)
* More Gregory (Mango, 1981 / Island Remasters, 2002)
* The Best Of Vol. 2 (GG's, 1981)
* Night Nurse (Mango, 1982 / African Museum, 1982 / Island Remasters, 2002)
* Out deh! (Mango, 1983 / Island Remasters, 200X)
* Judge Not (Music Works, 1984) - album partagé avec Dennis Brown.
* Easy (Tad's, 1985)
* Double Dose (Blue Trac, 1986) - album partagé avec Sugar Minott.
* Victim (VP, 1987)
* Red Rose For Gregory (Ras, 1988)
* I.O.U (1989)
* No Contest (Greensleeves, 1989) - album partagé avec Dennis Brown.
* Warning (King Tubby's, 1989) - une des dernières productions du maître du dub.
* Pardon me (Usa, 1992) - album réalisé par les studios LION and FOX
* Loving Pauper (trojan, 1998)
* Private & Confidential (VP Records, 1999) - Design by Julien "Frenchie" Massonnet
* Masterclass (Greenleeves, 2004)
* Gregory Isaacs sings Dennis Brown (2005) Album hommage à son ami Dennis Brown.
Tracklist :
A1-Gregory Isaacs - Give A hand
A2-Gregory Isaacs - Since The Other Day
A3-Gregory Isaacs - Al I Have Is Love
A4-Gregory Isaacs - Sinner Man
A5-Gregory Isaacs - Help us Get Over
A6-Gregory Isaacs - Hold me Tight
B1-Gregory Isaacs - Promise Land
B2-Gregory Isaacs - Way Of life
B3-Gregory Isaacs - Comming Home
B4-Gregory Isaacs - Lonely Lover
B5-Gregory Isaacs - Hard Road To Travel
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http://www.myspace.com/mycellularautomata
Origine du Groupe : Russia
Style : Abstract Hip Hop , Broken Beat , Drum & Bass , Downtempo , Experimental
Sortie : 2010
Que dire , que dire de cet opus , My Automata tente le parie d un grand bouillon sonore , mélangeant rythmes rapide de la drum & bass au downtempo tirant parfois sur l'abstract hip hop , et
au combien réussit .
Notre ami l 'artiste arrive a nous projeter plaquer dans un foudroiement d'ondes hachées et recomposées de main de maitre .
My Automata signe ici une oeuvre étonnante qui n 'a rien à envier a quiconque .
Avec un titre d album ravageur lui aussi "Recycle Your Enemies" on entrevoit peut etre ou notre ami voulait en venir .
Disponible gratuitement ; s il vous plait ! , ne vous priver pas de ce petit chef d oeuvre ondulant qui raviera petits et grands !
Joyeux Nojel et merci petit Papa My Automata
by DJ DemonAngel
Tracklist :
1.Informatsiya Chelovechestva (feat. Nika Turbina) 05:42
2.Griboiskatel (Morgan's Autumn) 04:46
3.Dead People 06:11
4.Younger Days 04:48
5.Muslim [New Order ver.] 05:26
6.Afterparty 00:37
7.Vertigo Ice Cream 04:39
8.Too old Memoirs (feat KBC pres Mariachi) 05:02
9.Toys [Na Grani] (feat PARADEIGMA) 04:11
10.Dream Fast 03:01
11.Retro Stuff 04:22
12.Vernus' [№0] 02:58
13.Let's Escape 06:47
14.Leave your message after the Overload [Live] feat Tanushka 04:11
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http://www.myspace.com/filmdesertrebel
Origine du Groupe : Mali , Niger , France
Style : World Music , Blues Rock , Gnawa Music , Dub
Sortie : 2007
Tracklist :
01 TEMET
02 TIN BLUES
03 DAGH OUDOUNIYA ZAGZAN ...
04 GHAÏ IMIDRAÏ IMAGEREN
05 AFRIKYA
06 IMIDIWAN
07 DESERT BOOGIE
08 AKOKASS
09 IDAWET TIKARAM
10 SI JE PARS DANS LE DESERT
11 LE IWITIAN OURGUEZA...
12 ZOZO DINGA
13 HE TENERE
14 IMIDIWAN DUB
15 ALHAL WADA HAN AYITMA
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