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http://emiliesimonmusic.com
http://www.myspace.com/emiliesimonmusic
Origine du Groupe : France
Style : Alternative , French Touch
Sortie : 2011
By Kevin Laforest from http://hour.ca
"I wrote some songs they’re all for you/ There’s nothing else that I can do/ Too late to pray too soon to see/ Your eyes again my sweet Franky." Written, composed, arranged and produced by Emilie
Simon, this fifth studio album is a deeply personal work of art inspired by the untimely death of her fiancé, sound engineer François Chevallier (a.k.a. Franky Knight). Simon’s voice, which
oscillates somewhere between Kate Bush and Tori Amos, has never sounded so heartbreakingly beautiful as on these songs of grief and sorrow, enveloped as it is by exquisite layers of keys,
percussions, brass, winds and electronics.
Tracklist :
01 – Mon Chevalier
02 – I Call It Love
03 – Holy Pool Of Memories
04 – Something More
05 – Bel Amour
06 – Franky’s Princess
07 – Sous Les Etoiles
08 – Les Amants Du Meme Jour [Instrumental]
09 – Walking With You
10 – Jetaimejetaimejetaime
11 – Walking With You
12 – Mon Chevalier
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http://www.myspace.com/brzowski
Origine du Groupe : North America
Style : Hip Hop
Sortie : 2011
From http://www.milledpavement.com
After 10 years of scene-building in Portland,ME as an mc, promoter, and banner-guard for Milled Pavement Records, 5 years of touring throughout 5 countries (most recently France, Germany, and
Switzerland this past April/May with Milled Pavement CEO Moshe), over 600 performances, 2 mixtapes, 2 ep's, 1 7" single, countless featured appearances, and performing live with a venerable
who's-who of independent hip-hop, Portland's own BRZOWSKI returns with his sophomore solo release. "A Fitful Sleep" finds our narrator moving away from the thick veil of funereal affectations of
his debut, and now speaks from a soapbox steeped in the culture of independent artistry and on top of a widely broadened palette of production sounds (most notably the coloring of early
Sabbath-style faux-psychedelia), even if the punk/ metal/ gothic/ outlaw aesthetics remain on the skin. This album begins at the touchstone of hip-hop, and then musically enacts a swift
departure. Doomy rock guitar/live instrumentation, Rapped/sung/screamed vocals, traditional sampling, ominous synths, and electronic drums all vie for elbow room in this carefully constructed
Frankenstein of an album. Think Black Widow mugging an early 2000's art-rap DJ outside a divebar on the edge of town.
No Rest for the Wicked
Tracklist :
01. Own
02. Friendly Fire
03. The Tourist
04. Easy Angel of Spruce St.
05. Travelogos
(feat. Todd Richard & Leif Sherman Curtis)
06. Nosebleed Seats
07. Covenant (feat. Awol One)
08. 2 Months of Houdini
09. Queen of October
10. I'm the Atlantic
11. The Birding
12. Staring at the Towel
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http://www.myspace.com/mirelwagner
Origine du Groupe : Ethiopia , Finland
Style : Folk , Blues
Sortie : 2011
From http://www.bonevoyagerecordings.com
Mirel Wagner is a 23 year old singer/songwriter, born in Ethiopia and raised
in Espoo, Finland. Since age 16 she's writing gloomy Blues and Folk songs,
stripped down to the bone. It's just about her airy but rough voice and a
minimalistic guitar picking. Avoiding theatralic gestures effortlessly her
music has a unique intensity and emotional weight.
"...Townes Van Zandt once said that there are two types of music. 'The blues and zip-a-dee-doo-dah'. This falls into the blues category and a graveyard full of black metal guitarists couldn’t
create anything half as heavy and raw as Mirel Wagner’s self-titled debut album. ...In overall, this rugged, sad & beautiful blues/folk album is simply amazing. It is able to travel into such
deep and muddy waters that sometimes I can just barely see the surface, but I’m still fairly confident that these songs are more likely to heal me than drown me." (One Chord to Another)
"...Mirel Wagner is the real deal, an innovator among imitators. In a genre ridden with cliches she cuts through with the sheer the power of her lyrics and intricately fingerpicked guitar. And
that voice.When I first heard her perform at an open mic night in Helsinki a few years back, it was THAT voice that blew me away. Deep and dark, it is the antithesis of how a young woman in her
early twenties should sound. It has those world-weary and resigned tones that make Billie Holiday and Leonard Cohen so appealing. It sounds like the truth...." (Jean Ramsay/Rumba)
".. In her words and her sound you can see a landscape lit by full-moonlight, fog swirling about like ghosts dancing a slow waltz, stately old trees hanging heavy with Spanish moss. You sense an
eerie otherworldliness in the atmosphere she weaves, and you can't tear your ears away from that voice and that melody.
She has created something that you rarely or never hear these days. On the banks of the Mississippi Delta in the 1920s it might have been common. But the thing is, Mirel Wagner is here now, in
the second decade of the 2000s, and she's from Finland." (Spydersden)
"...really beautiful recordings and songs..." (Steve Shelley of Sonic Youth on Vampire Blues)
Tracklist :
01. To The Bone
02. The Well
03. No Death
04. No Hands
05. Red
06. Despair
07. Joe
08. Dream
09. The Road
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http://www.danielmelingo.com
http://www.myspace.com/melingo
Origine du Groupe : Argentina
Style : Tango
Sortie : 2011
Pour http://liveweb.arte.tv
http://www.blogotheque.net
Certaines personnes semblent avoir vécu plusieurs vies, tant celles-ci paraissent remplies. Pourtant en prenant de la distance, tout entre dans l’ordre. Tous les éléments prennent du sens, une
fois le tableau recomposé. Daniel Melingo est de ces personnes. De son apprentissage érudit de la musique à sa fuite de la dictature militaire argentine, de ses premières armes forgées au coté de
Milton Nascimento au Brésil à son retour au pays pour intégrer la résistance artistique au sein du milieu du rock contestataire. De son activisme au cœur de la scène punk de l’Espagne de la
Movida à son retour au Tango et à sa carrière d’animateur télé.
Le tango de Melingo, ce n’est pas celui de ces clichés un peu macho à l’esthétique kitsch. Le tango de Melingo, est chanté en « lunfardo », l’argot des rues de Buenos Aires. Parce que le Tango de
Melingo, c’est le tango originel des quartiers pauvres, celui qui est né entre un cloaque et un bar clandestin. C’est un genre populaire et cru, hâbleur, arrogant, goguenard et sincère.
• Artistes : Daniel Melingo, Rodrigo Guerra, Diego Trosman, Facundo Torres, Romain Lecuyer • Réalisateur : Benoit Toulemonde • Cadreurs : Thomas Lallier, Colin Solal Cardo, David
Ctiborski, Leslie Lagier, Ernesto Giolitti, Sam Guillemot • Son : Jean Baptiste Aubonnet, François Clos, Etienne Pozzo • Production : © Stances / La blogothèque
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http://www.lulurouge.com
http://www.myspace.com/lulurougesoundsystem
Origine du Groupe : Danemark
Style : Electro Dub , Downtempo , Electronic
Sortie : 2008
From http://segmento.blogspot.com
New electronic sounds from Denmarks finest! and a Trentemoller´s project!
The DJ duo that Trentemøller calls "the next big thing to come out of Denmark" has been getting a ton of love from the Danish press (including five 5-star reviews) and beyond, and now Bless You
is finally available at all digital retailers, with a handful of remixes to follow. Grab a copy of Bless You at Amazon.com
Lulu Rouge is comprised of DJ T.O.M. (Trentemøller’s touring partner and right-hand for the last three years) and Buda, a well-respected DJ and producer on the Copenhagen scene. Debut single
“lBess You" features vocals by seven-time Danish Music Awards nominee Mikael Simpson.
Tracklist :
01 - Melankoli (Feat. Alice Carreri Pardeilhan)
02 - Lulu's Theme
03 - Bless You (Feat. Mikael Simpson)
04 - Ninna Nanna (Feat. Alice Carreri Pardeilhan)
05 - Thinking Of You (Feat. Tuco)
06 - Runaway Boy (Feat. Alice Carreri Pardeilhan)
07 - Sweeter Than Sweet (Feat. Alice Carreri Pardeilhan)
08 - Pitch Black
09 - End Of The Century (Feat. MC Jabber)
10 - Slow Pigeon
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http://kellerwilliams.net
http://www.myspace.com/kellerwilliams
Origine du Groupe : North America
Style : Reggae , Alternative , Reggae Jazz , Neo Roots
Sortie : 2011
By Tim Hurley from http://www.honesttune.com
Multi-faceted artist Keller Williams releases his 17th album this month, and it stays true to his one-name-album formula, this time with the appropriately titled Bass. Keller takes the reigns as
primary vocalist and bass player, and is backed by his touring reggae-funk band Kdubalicious, consisting of Jay Starling on keyboards and Mark D on drums (fellow Virginians who have worked with
Keller before as members of the reggae-tinged Transmitters). Williams may be primarily known as a guitar player, but he proves here that he is no slouch on the bass either.
His playful songwriting method and signature vocals are not much different from his previous 16 releases; however this project leans more toward jazz and reggae versus the roots, bluegrass, and
jam of most his other albums, and it benefits greatly by having accompanying musicians rather than his usual one-man-band projects. Although this is not his first foray into leading a band
as he has done so before on previous installments such as Keller and the Keels, Keller Williams and the WMDs, The Keller Williams Incident, etc., it still marks a progression for his
ever-changing craft.
If any folks have been hesitant about getting into Keller’s music, Bass may just win them over with its accessibility and effortless flow. The airy jazz grooves heard on the excellent “The Sun
and The Moon’s Vagenda” – highlighted by Starling’s melodic piano and Mark D’s rhythmic drumming – as well as the upbeat, breezy reggae of “Positive” are smooth and extremely ear-pleasing.
His lyrical wit is strong as usual, displayed on the catchy funk number “Hey Ho Jorge” (I like my funk well-done, never rare … I eat the funk), the pop-reggae tune “Super Hot” where he rants
about the “hot chicks in the front row”, as well as the hilarious “I Am Elvis” (I like to snowboard naked in the morning, jump out of a helicopter and freeze my behind).
But aside from all the humorous lyrics and positive vibes, some of the best moments on this album happen when the trio shakes free from the anchor and jam, seemingly swimming together through
relaxing chords shown on such songs as the soft reggae tune “High” and the jazz-fusion track ”Buena”.
This album may not represent Keller’s strongest work (look to 2007′s Dream for that), but there is a certain wonderful chillness to it all. And you have to appreciate Keller’s choice to
continuously try new projects with varying styles and players. His first 10 or so studio recordings were just him and looping machines, which were becoming a bit redundant and tiresome. Over the
course of his last five albums he has gone in a different direction each time, which is welcome. He performs better as a band leader than a solo artist, this much is sure, and having the talents
of Jay Starling and Mark D along for this ride works brilliantly.
Bass is out now on SCI Fidelity.
Tracklist :
1. The Sun & Moon's Vagenda
2. 2bu
3. Hey Ho Jorge
4. I Am Elvis
5. Hollywood Freaks
6. Thinking Out Loud
7. High
8. Buena
9. Super Hot
10. Hobo Jungle
11. Positive
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http://gorillaz.com/weare10
http://gorillaz.com
http://www.myspace.com/gorillaz
Origine du Groupe : U.K , V.A
Style : Compilation , Alternative Fusion , Hip Hop , Electro
Sortie : 2001-2011 (2011)
By Wyndham Wallace from http://www.bbc.co.uk/music/reviews/pdhf
Think of Blur’s Damon Albarn and one thinks of Britpop, which is rather unfair, given that he’s spent the last 15 years working on projects associated with Mali (Mali Music), Iceland (the 101
Reykjavik soundtrack), China (Monkey: Journey To The West), the Democratic Republic Of Congo (Kinshasa One Two) and more. But while his former rival Liam Gallagher reduced himself to a comic
parody, Albarn found inspiration in comic art, teaming up with Tank Girl creator Jamie Hewlett to form the ‘animated pop group’, Gorillaz, in 1998. This summary of their career proves they were
no joke.
Perhaps the most striking thing about the music on offer here is how stripped down it is. The influence of dub and hip hop looms large, especially on tracks featured from their first two albums,
their self-titled debut of 2001 and its 2005 follow-up, Demon Days. These see simple instrumentation bedded down over programmed drumbeats that sounded nostalgic even at the time of release.
(Once upon a time they’d even have been described as ‘baggy’.) But Albarn’s alter ego seems to allow him to shake off concepts of indie credibility that he may otherwise have clung to, aiming
instead for the pop jugular with the simple melodies of Feel Good Inc and Clint Eastwood, whose loping gait does nothing to diminish that chorus: "I’ve got sunshine in a bag", a sly reference to
the actor’s classic The Good, the Bad and the Ugly (also the inspiration for the name of another Albarn side project, The Good, the Bad & the Queen).
Eastwood’s there again on the brilliant Dirty Harry, another shuffling beat underpinning an uplifting children’s choir until Bootie Brown takes the mike. Albarn’s social conscience is also in
evidence here, the kids singing "I need a gun to keep myself from harm", an idea echoed (obviously) in Kids With Guns. 2010’s Plastic Beach birthed four further singles, but they made less of an
impact, despite the fact that they see Albarn pursue a more commercially pop route: Superfast Jellyfish demonstrates an attractive lightness of touch, while On Melancholy Hill reflects its name
perfectly, Albarn sounding glum over a candyfloss minor-key pop classic that deserved to peak far higher than 78 in the British charts.
Sadly there’s nothing here from their iPad album, The Fall, and instead we’re given the sped-up, somewhat disorientating Ed Case/Sweet Irie version of Clint Eastwood. But that fails to distract
from the fact that Albarn has, against the odds, proven himself to be one of the most inventive of the UK’s high-profile musicians over the past two decades. Admire the riches this national
treasure has bestowed upon us. There’s plenty to smile about, though Gorillaz remain no laughing matter.
Tracklist :
1. Tomorrow Comes Today
2. Clint Eastwood (Original)
3. 19-2000 (Original)
4. Rock The House
5. Feel Good Inc
6. DARE
7. Dirty Harry
8. Kids With Guns
9. El Manana
10. Stylo
11. Superfast Jellyfish
12. On Melancholy Hill
13. Doncamatic
14. Clint Eastwood (Ed Case & Sweetie Irie Refix)
15. 19-2000 (Soulchild Remix)
LINK REMOVE DMCA REQUEST
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VOLFONIQ : Ernest (2011 Album) by Volfoniq
http://www.volfoniq.com
http://www.lclweb.org
Origine du Groupe : France
Style : Electro Dub , Reggae , Ragga , Dub
Sortie : 2011
Pour http://www.lclweb.org
" Ernest est le premier "vrai" album de Volfoniq. Après 7 années passées à voyager, rencontrer et échanger, produire des maxis et des remixes, le musicien pose sa fameuse casquette pour partager
avec vous 11 morceaux inspirés par ses expériences. "
LCL - novembre 2011
" Cet album est dédié à Ernest, qui m'a enseigné l'art du voyage par la pensée, et comment voir sans utiliser mes yeux.
Ernest a visité de nombreux pays sans se déplacer, découvert des cultures différentes, partagé son savoir et appris avec humilité.
Je me suis efforcé de suivre ses pas et j'ai réuni des fragments de mes expéditions, compilés dans ce carnet de voyage qui porte son nom... "
VOLFONIQ - novembre 2011
CREDITS
+ Music : Volfoniq & many guests
+ Mastering : mildtape
+ Pochette : Mg
PLEASE CHECK ALBUM CREDITS HERE
Tracklist :
01 - Bonjour
02 - Autobahn Garten (feat. Tribuman)
03 - Taiwan Massala (Volfoniq meet KouChouChing and Jambassa)
04 - Magnesium (feat. Tribuman, Control Tower and Benjamin Leska)
05 - Hypnos (feat. Jean-Paul Sartre)
06 - Libre Comme Dub (feat. mildtape & Ebsa)
07 - Two step A dub (Volfoniq meet Hotdrop)
08 - Balkan Banghra
09 - L'amour est enfant dub (Volfoniq meet Control Tower)
10 - Memori (feat. Benjamin Leska)
11 - Au revoir
FREE DOWNLOAD
FROM NETLABEL
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http://denovali.com/dalecooper
http://www.myspace.com/dalecooperquartet
Origine du Groupe : France
Style : Dark Jazz , Downbeat , Electronic Ambient
Sortie : 2011
From http://denovali.com
The bizarre Dark Jazz cabaret has opened again. Finally, after years of waiting, the 2nd full length of the sophisticated experimental collective from France will be released. It features vocals
of Gaëlle Kerrien (YANN TIERSEN) and all lovers of DAVID LYNCH movies, artists like KILIMANJARO DARKJAZZ ENSEMBLE or BOHREN UND DER CLUB OF GORE and blue cigarette smoke in dark bars will exult
again.
Métamanoir sees the band shift from their smooth, minimal and instrumental landscapes on the debut record Parole De Navarre to a more lively and rich sound. Always based upon improvisation and
sound research, the solo parts of their music are now embodied by vocals.
The Quartet invited several musicians and singers to record, giving a phantomatic sound with oboe, clarinet, whitewashed drones popping out of the songs. The sheer chants of Zalie Bellacicco –
who appeared on the debut album - the deep tone of Ronan Mac Erlaine and the crystal-clear voice of Gaëlle Kerrien (Yann Tiersen's singer on his last Mute album) interlaces with the still dark
jazz of the band.
Always influenced by classic 50s cool jazz and the more contemporary noise and experimental styles, the Quartet and his guests built a dreamy card castle who swing and grow deeply rooted in
fierce strangeness of David Lynch movies.
Métamanoir has been recorded in their native Britanny country, deep west of France, a land swept by climatic inconstancy fed by wind, rain and mystery. A place which gives the music an
overwhelming but beautiful darkness.
Tracklist :
01 Une Petit Cellier
02 Eux Exquis Acrostole
03 Ma Insaisissable Abri
04 Sa Prodigieux Hermitage
05 Le Implacable Gentilhommière
06 Elle Agréable Rendez-Vous de Chasse
07 Mon Tragique Chartreuse
08 La Terrible Palais
09 Il Mélodieux Manoir
dale cooper quartet & the dictaphones - 10 june 2011, christuskirche bochum - I from thepostrock.de
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http://www.elenika-pro.ru
http://www.myspace.com/elenikamusic
Origine du Groupe : Russia
Style : Trip Hop
Sortie : 2011
From http://label.trippintherift.com
This is the Trip-Hop you all miss so much. Elenika is a bratty daughter of 'Bristol sound', who carries a shiny .45 in her Hello Kitty backpack. She spray-paints her rich-ass Trip-Hop parents'
mansion and hangs out with the 'wrong types of people'. She will give you a ride in her limo, but you may end up in a ditch at the end of the night. Her melodies are beautiful, her voice is
seductive and her lyrics are filled with sweet violence. You will either love it or hate it, there is no middle ground. And you better love, otherwise she will "kill you with a smile".
Tracklist :
1.Gun 03:37
2.Devil Inside 03:18
3.Are You Ready To Kill Me? 04:02
4.Come On Dance 03:36
5.I Kill You With A Smile 04:08
6.Escape 04:17
7.To Smoke 02:58
8.Secret (End Theme) 03:21
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